Movie Review

The Band's Visit (PG-13)

Robert Sims

Movie Info

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Hollywood.com Says
An Egyptian police band stuck overnight in a small Israeli town results in a warm and witty examination of Arab-Jewish relations.

Story
In director Eran Kolirin’s sweetly told and keenly observed cross-cultural comedy, the Alexandria Ceremonial Police Orchestra arrive in Israel to perform the inaugural concert at a new Arab cultural center. However, they find themselves in the middle of nowhere after tight-lipped conductor Tewfiq (Sasson Gabai) orders his tired and hungry musicians onto a bus they think is heading to the center. Instead, they’re dropped off in a remote desert town, with no bus service until the next morning. Dressed in light blue uniforms that are in stark contrast to the sand dunes that surround the town, the brass band members look like an invading army armed with instruments instead of machine guns. It goes without saying that they soon attract the attention of some slightly bemused locals, including café owner Dina (Ronit Elkabetz) and her friends. Welcoming the chance to play diplomat, the take-charge Dina arranges for food and accommodation for the band, even going so far as to let Tewfiq and band Lothario Khaled (Saleh Bakri) stay with her. As lonely as she is beautiful and free spirited, Dina clearly has her eye on Tewfiq. He has nothing but honorable intentions toward Dina, but he’s not quite sure whether the handsome Khaled can keep his hands to himself. But Tewfiq’s just as concerned about whether the rest of his musicians will try to preserve the band’s “good name” and make it through the night without causing an international incident.

Acting
As the highly regimented Tewfiq, Sasson Gabai possesses the authoritative presence of a military commander--albeit one despised and ridiculed by his subordinates. Indeed, his Tewfiq is cheekily called “General” by some disrespectful residents. Still, Gabai does allow Tewfiq’s upper lip to unstiffen on occasion, revealing a sadness stemming from grief and a genuine pride that comes from representing his country at home and abroad. Tewfiq and Dina are certainly polar opposites--such is her raw sexuality that it’s not hard to imagine her persuading anyone to unbutton his starched collar if given half the chance--but that’s part of their attraction. Thankfully, Ronit Elkabetz knows better than to define Dina just by her seductiveness. Dina doesn’t belong in a small town, so Elkabetz treats her like a caged lioness who’s almost but definitely not quite been domesticated by her many years in captivity. And what remains of her wild streak comes across as both sexy and scary. But Elkabetz also makes sure that what you see is what you get: Dina’s as kind and honest as she’s frank and bossy. If Dina takes a direct approach to getting her man, Khaled’s very much of a smooth operator. And Saleh Bakri is blessed with an easy charm that makes him perfect to portray the quintessential ladies man. Indeed, The Band's Visit is never funnier than when he’s at his suavest, whether he’s serenading women with his soulful interpretation of "My Funny Valentine" or passing on his moves to a shy virgin on a date with the glummest girl in town.

Direction
Given Egypt’s peaceful coexistence with Israel, The Band's Visit allows director Eran Kolirin a unique opportunity to provide much insight into the cultural similarities and differences between two Middle Eastern neighbors once considered enemies. Not that religion plays an integral part in the proceedings, and there are only fleeting references to past hostilities between Egypt and Israel. Most of the tension and painful silences that Kolirin mines to great comic effect are generated from the band feeling like strangers in a strange land and the imposition on townsfolk caused by their unexpected arrival. So Kolirin naturally employs music as an icebreaker. One poignant scene finds band members and their hosts bonding during a singalong. Another features an unhappy husband providing an assistant conductor with the inspiration to complete the overture he started writing many years ago. Otherwise, nothing of earth-shattering consequences happens during the course of the night--this isn’t After Hours in the Israeli desert. This is about everyday people--whom Kolirin treats as more than just ciphers--realizing they have more in common than they don’t. Accordingly, Kolirin takes great pain to ensure we laugh at the musicians’ predicament rather than at them or the townsfolk. “Music today isn’t all that important,” laments Tewfiq when he opens up to Dina. That sentiment is certainly open to debate in this iTunes world we live in, but what The Band's Visit cheerfully proves is that Henry Wadsworth Longfellow got it right when he wrote, “Music is the universal language of mankind.”

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