TV screenwriter Ann Marcus has died at the age of 93. Marcus passed away at her home in Sherman Oaks, California on Wednesday (03Dec14). The cause of death was not revealed as WENN went to press.
The writer, born Dorothy Ann Goldstone, began her career as a journalist and a playwright before becoming a TV screenwriter in the 1960s for series including Lassie, Dennis the Menace, Peyton Place and The Debbie Reynolds Show.
She become head writer on daytime drama Love Is A Many Splendored Thing in 1969, for which the writing team was nominated for a Writers Guild of America (WGA) award, and she later scooped a WGA award in 1975 for her work on serial drama Search For Tomorrow.
Marcus co-created and served as head writer on soap opera spoof Mary Hartman, Mary Hartman and shared a special Emmy Award for the show's pilot episode in 1976.
She also wrote for a number of daytime soap operas including One Life To Live, Love Of Life and Days Of Our Lives, for which she earned two Daytime Emmy nominations.
The China-born writer - who used a pen name and was also known as Elizabeth Comber - passed away last Friday (02Nov12) in Lausanne, Switzerland. She was in her 90s.
Suyin was most famous for her autobiographical 1952 novel A Many-Splendoured Thing, which inspired 1955 Hollywood movie Love Is a Many-Splendored Thing, starring Jennifer Jones and William Holden.
The story, which was based on her romance with a British war correspondent, was later turned into a U.S. TV soap opera in the 1960s.
A five-time Academy Award nominee, Jones won gold as Best Actress in a Leading Role in 1943, for her portrayal of a saintly nun in The Song of Bernadette.
She passed away on Thursday (17Dec09) at her Malibu, California home.
Jones was one of Hollywood's biggest stars in the 1940s and 1950s, and appeared in other films including 1948 western Duel in the Sun, 1955 drama Love is a Many-Splendored Thing and war movie The Man in the Gray Flannel Suit, in 1956.
In her later years, she was deeply involved in overseeing California's Norton Simon Museum, as the widow of its founder, millionaire industrialist Norton Simon.
Jones is survived by a son, Robert Walker.
Love means never having to say you're sorry; it's a many splendored thing; it's all you need. But in tennis love means zero; it means you lose. Or does it? For Peter Colt (Paul Bettany) a British pro tennis player seeded near the bottom of the world tennis ranks love actually inspires him. After scoring a wild card to play in the prestigious Wimbledon tournament he meets and falls for the rising and highly competitive American tennis star Lizzie Bradbury (Kirsten Dunst) fueling a winning streak he hasn't had since he began his career. For Lizzie however the love thing doesn't necessarily work out as well. Her feelings for Peter become a distraction throwing her off her game. Hmmm. Can these two crazy kids keep it together long enough so Peter can fulfill his lifelong dream of winning the men's singles title even if it means his muse might have to sacrifice her first Wimbledon title?
Kirsten Dunst may be what draws you in but Paul Bettany is the reason you don't walk out. The British actor who made an impression with American audiences playing the oh-so-witty Chaucer in A Knight's Tale and then wowed them in Oscar winners such as A Beautiful Mind and Master and Commander doesn't disappoint in his first lead role. Bettany's Peter embodies all that charm we've come to love and expect in our British actors--although thankfully not as floppy as Hugh Grant--he stumbles about and apologizes profusely. It's so cute. And he makes a pretty darn believable tennis player to boot (one would hope so after the intense training session the actors apparently had to go through to prepare for the movie). Unfortunately Dunst does not fare as well. Her Lizzie is appealing and she adequately handles the tennis stuff--but she ultimately fails to connect with her male lead making their relationship seem forced. Their beginning sparks are fun but when there's suppose to be a real flame igniting between them you're left scratching your head wondering just when where and why they fell in love so hard so fast. Yep that's a big red flag.
I've said sports movies usually work (see the Mr. 3000 review). To clarify: That is team sports. Sport movies where the action revolves around a single competitor are harder to pull off. It's just not as exciting watching an underdog struggle with himself in order to win. Luckily director Richard Loncraine (HBO's My House in Umbria) seems to know this fact. Even though Peter takes Centre Court (that's the British way of spelling it) Loncraine tries to at least create a more complete picture giving us a glimpse into the world of tennis as well as delving into the traditions of Wimbledon and how the Brits feel about the prestigious tournament where British champions are few and far between. Loncraine also utilizes real-life tennis pros such as John McEnroe and Chris Evert who appear as announcers to liven up the proceedings. Even the action on the court with close-up shots of the ball whizzing over the net gets the blood pumping a little--wish there was a lot more of that. But then of course one could just turn on the TV and watch the real Wimbledon instead watching a silly run-of-the-mill romantic comedy set there.