In December, the Twitter account for ABC’s cancelled show, Happy Endings, began promoting the network’s new comedy series Mixology. The account, formerly @HappyEndingsABC, requested fans to follow the new show’s Twitter as part of a Follow Friday promotion.
It's #FF & we have the perfect show for our #HappyEndings fans that we know you'll love! Follow @MixologyABC to learn more! #FollowFriday
— Happy Endings (@HappyEndingsVH1) December 27, 2013
However, fans of the fallen Happy Endings were not pleased with the social media promotion for another series — especially one that doesn’t look very promising. Sure, someone could argue that Happy Endings and Mixology have something in common. Both shows are about single people trying to find love in a city. However, the entire first season of Mixology is set to take place over the course of one night. Think: Garry Marshall’s New Year’s Eve and Valentine’s Day but in a television show.
Given the slow trek that has been this season of How I Met Your Mother — which is a slowed down timeline to follow the wedding weekend of Barney and Robin — it’s safe to say TV fans are a little dubious of a whole series pulling this kind of stunt. But we suppose we should give Mixology and chance before we completely knock it (if we have to.) Still, it will never fill the void left by Happy Endings because nothing ever will.
For fans of Happy Endings, there is some good in all this: VH1 has picked up old seasons of the series and will be playing them every Wednesday night on the network. They even had a New Year’s Day marathon — sorry if you missed it!
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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Celebrated TV art director Charles Lisanby has passed away at the age of 89. Lisanby died on 23 August (13) at his Los Angeles home due to complications from a fall.
Starting his career working on sets on Broadway, Lisanby became a pioneer in colour television scenic design, and was art director on The Garry Moore Show, as well as designing sets for shows led by stars including Judy Garland, Barbra Streisand and Dolly Parton.
He also art directed the Academy Awards telecasts and worked on the first MTV Video Music Awards in 1984. He won three Emmy Awards during his career.
Lisanby was inducted into the U.S. Television Academy's Hall of Fame in 2010, making him the first art director to boast the illustrious honour.
Neil Armstrong's death was a reminder of just how huge the impact was of his touchdown on lunar soil. Not just to NASA, not just to the United States, but to the entire world. He was a true hero; the type of person that really made you believe that humans were capable of truly extraordinary things. Things beyond our wildest imaginations. Who didn't dream of growing up to be an astronaut at least once in their childhood?
It is estimated that over 450 million people heard his iconic words--"that's one small step for man, one giant leap for mankind"--on the evening of July 20, 1969; nearly 13% of the world's population at the time (estimated 3.61 billion). From that moment on, humans were no longer tethered to the confines of earth. The world was at the beginning of an explosion of scientific knowledge and speculation about the universe that lived outside our proverbial doorstep.
Armstrong's impact continues to reverberate within people: it is regularly retold, re-explained, and played with in popular culture. People have dedicated movies, documentaries, miniseries and other programs to the monumental event. So what better way to honor the impact of this heroic figure than to see how his influence shaped the landscape he left us here on the ground. We've cultivated a few choice moments from the past few years to pay tribute to the legacy that shaped a generation and show just how giant a leap he made all those years ago.
Neil's Parents on I've Got a Secret: On the very day that Armstrong was accepted into the newest NASA space program, his parents were asked and then flown out to New York to film the popular show. Talk about turnaround! The best part, of course, is when Host Garry Moore asks an incredibly apt question. "Now, how would you feel, Mrs. Armstrong, if it turned out - of course nobody knows - but if it turns out that your son is the first man to land on the moon? What, how do, how would you feel?" Of course now we all know that to be exactly what Neil Armstrong did, but given that the question was asked seven years before the event actually took place, well that's just really f**king cool.
MTV Lands On The Moon...Sort Of: The classic and original MTV logo was all about the moon landing (where do you think they got the idea for the moonmen statue?), and was a nod to how groundbreaking both events were in popular culture.
Transforming History: Remember when Michael Bay decided to tweak history for the sake of giant metal robots in Transformers 3? Spoiler alert! Neil Armstrong didn't just walk on the moon, he and Apollo 11 discovered Autobot technology in a conspiracy-theory setting from when Armstrong and Buzz Aldrin "lost transmission" during their lunar walk, because of course they did.
Doctor Who's Secret Weapon: The flight of Apollo 11 was recently featured in the Matt Smith iteration of popular British show Doctor Who. The funniest line from the episode was related to Armstrong's vital role to, um, history? "Apollo 11 is your secret weapon?" - "No, no, it’s not Apollo 11; that would be silly. It’s Neil Armstrong’s foot!" The ship even nabbed itself a song on the soundtrack.
HBO's From the Earth to the Moon: The HBO miniseries From the Earth To the Moon about the Apollo 11 landing was appointment television, at least in my household. Gathered in the living room with my brother, sister, mother, and grandparents, we never missed an episode. Complete with been-there commentary from my grandfather's memory of the event, and well, what else is there to say? Played by Tony Goldwyn (with Bryan Cranston as Buzz Aldrin!), the Tom Hanks-helmed event was a fitting tribute to everyone involved in the historic mission.
Neil Armstrong's Back-Up: The 1995 film Apollo 13 wasn't about the Armstrong mission of Apollo 11, but it did feature the families of these future astronauts gathered around the television to watch the big landing. It was a nice tribute to the legendary moon man, and also an interesting juxtaposition considering how bad things were to get for the crew of unlucky number thirteen. Our boy Hanks strikes again with another movie about the Apollo program. Sounds like somebody had a bit of an astronaut phase!
Visits to Springfield: Armstrong also appeared in several episodes of The Simpsons. He voiced himself in the season 4 episode "Itchy & Scratchy: The Movie" and season 12 episode "Worst Episode Ever" thanks to archived audio of his famous line: "That's one small step for man, one giant leap for mankind!" though the moment was uncredited. In addition, Dan Castellaneta voiced Armstrong on the season 10 episode, "Mayored to the Mob."
[Photo Credit: WENN.com]
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First Man on the Moon, Neil Armstrong, Dead at 82
The Emmy Award-winning star passed away on Wednesday (15Jun11) at the Motion Picture and Television Fund home in Woodland Hills, California, where he lived.
Banner began his career in children's TV before taking directorial duties on pioneering talk show Garroway at Large, which ran from 1949 to 1951.
The star won an Emmy Award in 1958 as director of The Dinah Shore Chevy Show, and went on to oversee The Garry Moore Show, before working on The Carol Burnett Show in the 1970s.
Banner also used his talent to work on several charity shows, including 1964's Freedom Spectacular, featuring Bill Cosby and Sammy Davis Jr. and a 1988 AIDS benefit concert hosted by Dionne Warwick. He worked on 1980s talent show Star Search and his last project was the 1990s series Real Kids, Real Adventures.
John Shaffner, chairman of the Academy of Television Arts & Sciences, has paid tribute to Banner in a statement: "Bob was a true television legend. Over a long and elegant career he produced much memorable programming. He mentored so many of us, educating and encouraging young people to enter the television profession, including myself so many years ago. The television community has lost one its founders, and it is a deep personal loss for many of us. We will remember him with fondness and gratitude."
Banner is survived by his wife, Alice, three sons and two grandchildren.
Top Story: Disney Blocks Moore Documentary
The Walt Disney Co. has moved to stop its Miramax Films subsidiary from distributing Oscar-winning filmmaker Michael Moore's upcoming documentary Fahrenheit 911. The documentary touches on the personal relationship between President George H. W. Bush and Osama bin Laden's family as well as the events that led Bush and bin Laden to become enemies. According to a report Wednesday in the New York Times, Moore's agent, Ari Emanuel, said Disney CEO Michael Eisner expressed concern the release of the film would endanger tax breaks Disney receives for its theme park and hotels in Florida, where President Bush's brother, Jeb Bush, is governor. But one Disney executive denied that allegation, telling the Times the company did not want to be seen taking sides in the election and risk alienating customers of different political views. In a statement, Moore said: "I would have hoped by now that I would be able to put my work out to the public without having to experience the profound censorship obstacles I often seem to encounter. The whole story behind this (and other attempts) to kill our movie will be told in more detail as the days and weeks go on. All I can say is, thank God for [Miramax Chairman] Harvey Weinstein and Miramax, who have stood by me during the entire production of this movie." Fahrenheit 911, which was slated for release in July, will still premiere in competition at the Cannes Film Festival this month.
Idol Finalists Hit the Road
In what has become a sort of tradition, the top 10 finalists from Fox's third American Idol season have made plans for a summer North American tour. The finalists include Fantasia Barrino, Diana DeGarmo, George Huff, Jasmine Trias and La Toya London as well as the already voted out Amy Adams, Camile Velasco, Jennifer Hudson, John Stevens and Jon Peter Lewis. Reuters reports the 48-city tour will kick off July 14 in Salt Lake City and end Sept. 26 in San Jose, Calif. The two-hour American Idol season finale is scheduled for May 26.
Anna Nicole Launches Clothing Line
Former Guess? model and Playboy Playmate Anna Nicole Smith is planning to create a clothing line with the trendy outfitter Von Dutch, Extra reports. Smith, whose real name is Vickie Lynn Hogan, is currently on a world tour promoting the weight loss company Trim Spa, to which she credits having lost 69 pounds. The 36-year-old entertainer's reality TV series The Anna Nicole Show, which followed her daily misadventures, was canceled after ratings slipped from their all-time high in August 2002 when the series debuted.
Madonna Kicks Up Privacy Efforts
Madonna, meanwhile, is kicking the fight to keep hikers off her $16 million English country estate up a notch. Reuters reports a public inquiry opened Wednesday to look into whether English walkers, known across the pond as "ramblers," can saunter through Madonna and Guy Ritchie's 1,200 acre Ashcombe House estate in Dorset, southwest England--of which 100 acres has been defined as open country and therefore open to the public. The couple argues the land should be reclassified as "semi-improved" grassland because it is used for shooting game, which would define it as agricultural land and exclude it from public access. The inquiry is expected to last five days, with a verdict due this summer.
Usher Misses Chilli
R&B singer Usher recently told Rolling Stone magazine that every once in a while he thinks about calling his ex, TLC's Chilli. The two ended their highly publicized relationship earlier this year. "Sometimes I wonder what would happen if I did call [Chilli]," he said. "Would it become a good thing or would it become a bad thing? I think it's best that I don't call." The couple and Chilli's son lived in Usher's Atlanta home before the split. Chilli is now reportedly dating Baltimore Ravens football star Ray Lewis.
Emmys Test Online Voting
The Emmys will become the first major award show to offering online voting, Variety reports. The Academy of Television Arts & Sciences has sanctioned online voting for its interactive television Emmy and is pegging it as a test run for a system that may be expanded to the rest of its awards. "The technology is here, and it is only fitting that the Interactive Media Peer Group sets the precedent for online voting with this particular Emmy Award," ATAS chairman Dick Askin told Variety. "We hope it is a process that will be extended in the future to other Emmy Award categories."
Frasier May Live On
Could another incarnation of Frasier be in the works? As the long-running series comes to an end this year, Variety reports that according to industry insiders, Paramount topper Garry Hart met with NBC execs to discuss possibly extending the Frasier franchise, chronicling the next phase in Dr. Frasier Crane's life. All parties involved are declining comment, but industry insiders told Variety NBC opted against continuing the franchise, giving Paramount free reign to shop a new Frasier show to another network. It's unclear if star Kelsey Grammer would continue his Frasier character in a third series, but Grammer, who has played Frasier Crane for 20 years, has made it clear that he wouldn't have minded if Frasier continued on.
Another HIV Case Hits CA Porn Industry
A fourth adult film performer, a transsexual actress who goes by the stage name Jennifer, has tested positive for the virus that causes AIDS but the case is unrelated to an outbreak that virtually shut down pornography production last month, an industry health care official told Reuters on Tuesday. The performer had last performed a sex scene on Feb. 27 with two male actors who have since tested negative, according to Sharon Mitchell of the Adult Industry Medical Healthcare Foundation. "This is an open-and-shut case of genealogy," she told Reuters. "We think it's contained."
Role Call: Amityville Horror Revisited
British commercial director Andrew Douglas will make his feature film debut with an update of the 1979 thriller The Amityville Horror. The original, starring James Brolin, Margot Kidder and Rod Steiger, centered on a newlywed couple who move into a mysterious house where all sorts of strange things happen.
Kit Bowen contributed to this report.
The Writers Guild of America has announced its nominations for outstanding achievement in screen in 2002.
Antwone Fisher, Bowling for Columbine, Far From Heaven, Gangs of New York and My Big Fat Greek Wedding have been nominated for the WGA's best original screenplay award.
About a Boy, About Schmidt, Adaptation, Chicago and
The Hours meanwhile will contend for best adapted screenplay.
Antwone Fisher, Written by Antwone Fisher; Fox Searchlight
Bowling for Columbine, Written by Michael Moore; United Artists/Alliance Atlantis/Salter Street Films/Dog Eat Dog Films
Far From Heaven, Written by Todd Haynes; Focus Features
Gangs of New York, Screenplay by Jay Cocks and Steven Zaillian and Kenneth Lonergan, story by Jay Cocks; Miramax Films
My Big Fat Greek Wedding, Written by Nia Vardalos; Gold Circle Films/HBO/MPH Entertainment/Playtone
About a Boy, Screenplay by Peter Hedges and Chris Weitz & Paul Weitz, based on the novel by Nick Hornby; Universal Pictures/Studio Canal/Working Title Films/Tribeca Productions
About Schmidt, Screenplay by Alexander Payne & Jim Taylor, based on the novel by Louis Begley; New Line Cinema
Adaptation, Screenplay by Charlie Kaufman and Donald Kaufman, based on the book The Orchid Thief by Susan Orlean; Columbia Pictures
Chicago, Screenplay by Bill Condon, based on the musical play, book by Bob Fosse and Fred Ebb and the play by Maurine Dallas Watkins; Miramax Films
The Hours, Screenplay by David Hare, based on the novel by Michael Cunningham; Paramount Pictures/Miramax Films
Animation--any length--one airing time (new category)
"The Bart Wants What It Wants" (The Simpsons), Written by John Frink & Don Payne; Gracie Films in association with 20th Century Fox Television; Fox
"Blame It on Lisa" (The Simpsons), Written by Bob Bendetson; Gracie Films in association with 20th Century Fox Television; Fox
"Godfellas" (Futurama), Written by Ken Keeler; 20th Century Fox Television; Fox
"Jaws Wired Shut" (The Simpsons), Written by Matt Selman; Gracie Films in association with 20th Century Fox Television; Fox
"My Own Private Rodeo" (King of the Hill), Written by Alex Gregory & Peter Huyck; 20th Century Fox Television Productions in association with Deedle-Dee Productions, Judgmental Films and 3 Arts Entertainment; Fox
Santa Baby! Written by Peter Bakalian & Suzanne Collins; Rankin/Bass; Fox
Original Long Form--over one hour--one or two parts, one or two airing times
Dor to Door, Written by William H. Macy & Steven Schachter; Turner Pages, Inc.; TNT
The Gathering Storm, Teleplay by Hugh Whitemore, Story by Larry Ramin and Hugh Whitemore; a Scott Free Production in association with HBO Films; HBO
Sins of the Father Written by John Pielmeier, based on the magazine article that appeared in Texas Monthly by Pamela Colloff; Artisan; FX
Strange Relations, Written by Tim Kazurinsky; Showtime; Granada Entertainment; Showtime
Adapted Long Form--over one hour--one or two parts, one or two airing times
"Batogne" (Band of Brothers), Written by Bruce C. McKenna, based on the book by Stephen E. Ambrose; DreamWorks/Playtone/HBO; HBO
Hysterical Blindness, Teleplay by Laura Cahill, based on the play by Laura Cahill; Hysterical Films, Inc.; HBO
Last Call, Screenplay by Henry Bromell, based on the memoir Against the Current: As I Remember F. Scott Fitzgerald by Frances Kroll Ring; Room 520/Barnstorm Films; Showtime
Mark Twain's Roughing It, Teleplay by Steven H. Berman, based on the book Roughing It by Mark Twain; Larry Levinson Productions; Hallmark Channel
Episodic Drama--any length, one airing time
"Game On" (The West Wing), Written by Aaron Sorkin & Paul Redford; John Wells Productions in association with Warner Bros. Television; NBC
"In Place of Anger" (Six Feet Under), Written by Christian Taylor; Six Feet Productions; HBO
"Nino Del Polvo" (Resurrection Boulevard), Written by Robert Eisele; Showtime; Viacom Productions, Inc.; Patagonia House; Showtime
"On the Beach" (ER), Written by John Wells; Constant C Productions; Amblin Television; Warner Bros. Television; NBC
Pilot (The Education of Max Bickford), Written by Dawn Prestwich & Nicole Yorkin; 20th Century Fox Television; CBS
"Whoever Did This" (The Sopranos), Written by Robin Green & Mitchell Burgess; Soprano Productions, Inc.; HBO
Episodic Comedy--any length, one airing time
"Change of Address" (Sex and the City), Written by Julie Rottenberg & Elisa Zuritsky; Darren Star Productions in association with HBO Original Programming; HBO
"I Heart NY" (Sex and the City), Written by Michael Patrick King; Darren Star Productions in association with HBO Original Programming; HBO
Pilot (The Bernie Mac Show), Written by Larry Wilmore; Regency Television in association with 20th Century Fox Television; FOX
"My First Day", (pilot, Scrubs), Written by Bill Lawrence; Touchstone Television Productions; NBC
"Plus One is the Loneliest Number" (Sex and the City), Written by Cindy Chupack; Darren Star Productions in association with HBO Original Programming; HBO
"Rooms With a View" (Frasier), Written by Dan O' Shannon & Lori Kirkland & Bob Daily; Grub Street Productions in association with Paramount Pictures; NBC
"The Wedding" (Ed), Written by Rob Burnett & Jon Beckerman; Viacom Productions in association with Worldwide Pants, Inc. and NBC Studios; NBC
Comedy/Variety---Music, Awards, Tributes--Specials--any length
The Kennedy Center Honors Written by Don Baer and George Stevens, Jr., Film Sequences Written by Sara Lukinson; A George Stevens Jr. Presentation - Kennedy Center Television Productions, Inc.; CBS
NBC 75th Anniversary Special, Written by Doug Abeles, James Anderson, Robert Carlock, Tina Fey, Charlie Grandy, Steve Higgins, Lorne Michaels, Paula Pell, Herb Sargent, Michael Schur, Michael Shoemaker; Broadway Video in association with NBC Studios; NBC
Comedy/Variety--(including talk) Series
Dennis Miller Live, Written by Eddie Feldmann, Jose Arroyo, Richard Dahm, David Feldman, Jim Hanna, Rob Z. Kutner, Kirsten McFarland, Dennis Miller, Jacob Sager Weinstein; Happy Family Productions; HBO
Late Night With Conan O'Brien, Written by Mike Sweeney, Chris Albers, Andy Blitz, Kevin Dorff, Jonathan Glaser, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Andrew Secunda, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg; Broadway Video; NBC
Mad TV, Writing Supervised by Scott King, Written by Dick Blasucci, Garry Campbell, Lauren Dombrowski, Bryan Adams, Bruce McCoy, Michael Hitchcock, Steven Cragg, Chris Cluess, John Crane, Jennifer Joyce, Tami Sagher, Devon Shepard, Rich Talarico, Jim Wise, Kal Clarke, Sultan Pepper, Bill Kelley, Maiya Williams, Dino Stamatopoulos; QDE/Girl Group; FOX
Saturday Night Live, Written by Tina Fey, Doug Abeles, Leo Allen, James Anderson, Max Brooks, James Downey, James Eagan, Hugh Fink, Charlie Grandy, Jack Handey, Steve Higgins, Erik Kenward, Dennis McNicholas, Lorne Michaels, Corwin Moore, Matt Murray, Paula Pell, Matt Piedmont, Ken Scarborough, Michael Schur, Frank Sebastiano, T. Sean Shannon, Eric Slovin, Robert Smigel, Emily Spivey, Andrew Steele, Scott Wainio, Jerry Collins, Tom David; Broadway Video in association with SNL Studios; NBC
Guiding Light, Written by Millee Taggart, Lucky Gold, Christopher Dunn, Tita Bell, Jill Lorie Hurst, Penelope Koechl, David Kreizman, Eleanor Labine, Alan Madison, Danielle Paige, A.J. Pierce, Janet Reed Ahearn, Susan Rice, David Rupel, Melissa Salmons, Eddie Sanchez, Lisa Seidman, David Smilow; Procter & Gamble; CBS
The Young and the Restless, Written by Kay Alden, Trent Jones, John F. Smith, Jerry Birn, Jim Houghton, Natalie Minardi, Janice Ferri, Eric Freiwald, Joshua McCaffrey, Michael Minnis, Rex M. Best; Columbia TriStar; CBS
Elmo's World: Happy Holidays!, Written by Christine Ferraro; Sesame Workshop; PBS
Off Season, Written by Glenn Gers; Showtime Networks, Inc.; Showtime
Our America, Teleplay by Gordon Rayfield, Based on the book "Our America: Life and Death on the South Side of Chicago" by Lealan Jones, Lloyd Newman and David Isay; Joseph Stern Productions; All Media, Inc.; Showtime
The Red Sneakers, Teleplay by Mark Saltzman, Story by Jeffrey Rubin; Lynch Entertainment, Tom Lynch Company, RS Productions, Ltd., Showtime Networks, Inc.; Showtime
Bioterror (Nova), Written by Matthew Collins; A Nova Production by the New York Times/ Granada Factuals USA and Lone Wolf Pictures, Inc., for WGBH/ Boston in association with Channel 4 Television; PBS
The Man Who Knew (Frontline), Written by Michael J. Kirk, Kirk Documentary Group; PBS
9/11, Written by Tom Forman & Greg Kandra; Goldfish Pictures, Inc.; CBS
Rollover: The Hidden Story of the SUV (Frontline), Written by Marc Shaffer & Barak Goodman; 10/20 Productions; PBS
Documentary--Other Than Current Events
America's First River, Part One, Written by Tom Spain; WNET/Educational Broadcasting Corp.; Public Affairs Television; PBS
Empire State Building Ironworker (A Day in their Lives), Written by Peter Hankoff; Termite Art Productions; History Channel; History Channel
Evolution of a Revolution (Founding Brothers), Written by Kelly McPherson and Melissa Jo Peltier & Allison MacEwan; MPH Entertainment Inc.; History Channel; History Channel
Monkey Trial (American Experience), Written by Christine Lesiak; WGBH Educational Foundation; PBS
News--Regularly Scheduled, Bulletin or Breaking Report
Attack on America Written by Jerry Cipriano, Paul Fischer, Thomas Harris, Hugh Heckman, Bruce Meyer; CBS Evening News; CBS
September 11th Controllers, Written by Jonathan W. Kaplan; CBS
The crime spree is over. "The Sopranos" will have to kiss someone else's ring -- namely, the big boss man's, the president of the United States of TV America.
"The West Wing" was named Best Drama Series at the 52nd Annual Emmy Awards, capping a night wherein the political drama dominated, save for one major setback when James Gandolfini of "The Sopranos" bested Martin Sheen in the competition for Best Actor in a Drama Series.
"I think the Academy has an affinity for slightly overweight bald men," Gandolfini quipped onstage.
Gandolfini's win was the lone bright spot for "The Sopranos," which otherwise got whacked -- like when Sela Ward of ABC’s "Once and Again" beat both Edie Falco and Lorraine Bracco for the Best Actress in a Drama Series Emmy. "The Sopranos" came into the night with 18 nominations.
Hollywood.com's Sandy Kenyon asked Gandolfini: "It's been a long kind of overnight success for you. What was going through your mind and is this a form of sweet justice for you?"
"I didn't feel any miscarriage of justice last year or anything like that, I'm just pleased to be in the show, doing the work we do,” Gandolfini said. “I didn't feel anything went wrong last year, so this year is just icing on the cake for me personally."
Meanwhile, Sheen was doing a lot of congratulatory on-camera hugging, as his comrades made their way to the stage to accept their trophies. Among the other honors for "The West Wing" were Best Supporting Actress in a Drama Series (Allison Janney) and Best Supporting Actor in a Drama Series (Richard Schiff); Best Writing in a Drama Series (Aaron Sorkin and Rick Cleveland); and Best Direction in a Drama Series (Thomas Schlamme).
"I've got a 'West Wing' feeling," host Gary Shandling mused halfway through the telecast.
NBC’s “Will & Grace” came away with some big wins, including Best Comedy Series and Best Supporting Actress in a Comedy Series for Megan Mullally and Best Supporting Actor in A Comedy Series for Sean Hayes.
The lead actor and actress in “Will & Grace,” Eric McCormack and Debra Messing, respectively, lost out to Michael J. Fox for ABC’s “Spin City” and Patricia Heaton of CBS’ “Everybody Loves Raymond.”
HURRY IT UP: The Emmys aren't known for brevity. In recent years, the broadcast has dragged on well past the allotted running time, but this year's festivities wrapped up within its three-hour slot. Just barely.
During the final hour, that tinkly "get off the stage, already" piano music was heard often as awardees dragged on too long with acceptance speeches. Host Shandling was cut off in mid-sentence as he introduced presenter Bruce Willis, who walked onstage before his cue and explained, "We're running really late" under his breath.
The producers tried (mostly in vain) using TelePrompTers to quicken the pace -- a fact that Jack Lemmon inadvertently revealed, when he unconsciously read the "please wrap up" cue out loud.
In his opening monologue, Shandling said, "You know what slows this show down? It's the awards," and jokingly suggested that the names of winners be taped to the bottom of their seats to save time.
Not a bad idea.
Here's a brief blow by blow of the highlights of the 2000 Emmy telecast:
THERE'S NOTHING LIKE A GOOD POTTY JOKE: This being an awards telecast, there were of course lots of pre-taped and live time killers in between the awards and commercials.
The best of these was a "Big Brother" parody, wherein Shandling was caught on camera in the men's room. The valet offering him a hot towel was David Duchovny, who informed Shandling that a vote was taken and his bathroom privileges had been revoked. Guess you had to be there.
The whole show began, of course, with a "Survivor" parody that featured a mock vote of the Tribal Council (with celebrity members including Andy Richter of "Late Night with Conan O'Brien" fame). The winner of which would be named host of the Emmy telecast and also get an SUV. Shandling tried to cop out, asking if he could just take the car instead. Guess you had to be there for that one, too.
There were other funny gags. Conan O'Brien did a self-effacing bit about paying lip service to women's issues so he could get a date to next year's Emmys; and Shandling did a tribute to his idea of "risk taking" TV: like the Home Shopping Network, "Jerry Springer," monster trucks, "Teletubbies," "Xena" and The Weather Channel.
PRESSING THE FLESH: Hubba, hubba. Was it just the fact that we're watching the Emmy telecast on crystal-clear satellite TV, or did everyone see Geena Davis' um, er, um, ahem ... nipples? Is Renny Harlin nuts? She's the most beautiful over-40 woman in the universe -- see-through, skin-tight outfit or no.
I SEE DEAD PEOPLE: The annual montage of dearly departed TV celebs featured Loretta Young, Douglas Fairbanks Jr., Madeline Kahn, John Gielgud, George C. Scott, Larry Linville, Meredith MacRae, Gene Rayburn, Durward Kirby, Shirley Hemphill, Hoyt Axton, Nancy Marchand, Leonard Goldenson, Clayton Moore, Doug Henning, Craig Stevens, Mary Jane Croft, Mabel King, Charles M. Schulz, Alec Guinness and Walter Matthau.
WHO'S THAT, ER, GIRL? Cher's got blonde hair now. She looks just like Christina Aguilera, sort of. Just thought you'd like to know.
WE LIKE MIKE: The evening's biggest no-brainer was probably Michael J. Fox's win for Best Actor in a Comedy Series. The actor received the second standing O of the night (the first went to Jack Lemmon) as he took his first "Spin City" Emmy in four tries and fourth trophy overall (he got three for "Family Ties").
NBC won bragging rights for the night, taking 23 Emmys. HBO won 20, ABC 15, Fox 11 and CBS 7.