The first episode of the final season for AMC's Mad Men airs this Sunday (finally!) and we all know what that means: more Peggy Olson. Now, some folks are calling her "the new Don Draper," and while that's all fine and good, we're quite content knowing that she's just plain Peggy. Plain, old, copy-writing, ass-kicking, forward-thinking, marijuana-smoking (occasionally), brilliant, amazing, everything-that-Don-Draper-could-never-be Peggy Olson. And the actor who portrays her, Elisabeth Moss, is just as awesome for that matter. Here are seven times (of many) when Peggy Olson — the only employee at Sterling Cooper & Partners who can legitimately work and drink at the same time — totally stole the show.
Basket of Genius
When Peggy hit Freddy Rumsen with the "basket of kisses" line that went on to become the Belles Jolie ad, we knew she was something special. She stood out in a room full of women trying on lipstick because — like the men behind the glass — she was more interested in observing than anything else (you can see this at the 4:02 mark). Unlike the men, though, she was attentive to nearly every detail of the experience. As a result, she was able to come up with the brilliant copy that would mark the beginning of her career.
Bye Bye Peggy
We all remember the episode that opened with the clip of Ann-Margret belting out Bye Bye Birdie. But just as memorable was the moment when Peggy — a solitary girl in her dark apartment — sang the song in her mirror while no one listened.
Peggy Olson Meets Mary Jane
She knows who she is, and knows what she wants. "I'm Peggy Olsen. And I want to smoke some marijuana." This is still one of the most important lines of the series. Not because marijuana was so important (although it does function as this strange sort of guest character), but because it was one of the first times when she firmly asserted herself. It was the beginning of a new era of Peggy who wasn't just going to speak up about "brassieres and body odor and make-up."
The Nudist Experiment
"I can work like this. Let's get liberated." Another hugely important line in Mad Men history. When Peggy stripped down in front of Stan Rizzo and totally called his bluff, it was nothing short of epic. After hours of babbling about wanting to be free and nude, he couldn't handle a little Peggy O sans threads. And let's face it, neither can we. You can see a clip from the scene at the 2:45 mark of this video.
Truthfully, Joan and Peggy are a perfect team here, but it is important to note that this is a rare moment when someone calls the incomparable Joan Holloway on her "bulls**t" and even Joan can't argue back. She, like Peggy, is guilty of loving her job way too much.
That Moment We Realized What Peggy Olson Really Means to Don
If this doesn't bring tears to your eyes than you are either a) someone who has never watched Mad Men and has no understanding of the significance of Peggy quitting, or b) a humanoid robot, devoid of feeling and emotion.
Every Moment Compiled in This Montage
Even when she was apologizing all over the place and super-mousy, you couldn't help but want to know more about her. And when she yelled at her secretary for more coffee? Man, we love everything you do, Peggy.
Sidenote: Nobody has seen fit to make a video or GIF of the moment from the Season 6 finale, when Peggy walked in wearing that teeny, tiny black dress with the pink bow. And Chanel No. 5. Obviously. This needs to be remedied as soon as possible.
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Paramount Pictures via Everett Collection
Here's a feat: taking what is likely the oldest, most well-known story in the world, and making a retelling feel inventive. Over the course of its two-and-a-half-hour runtime, Darren Aronofsky's Noah takes many forms — Tolkien-esque fantasy, trippy psychological thriller, merciless dissection of the dark points of abject faith — never feeling too rigidly confined to the parameters of the familiar tale that we've all experienced in the form of bedtime stories, religious education lessons, and vegetable-laden cartoons. As many forms as the parable has taken over the past few thousand years, Aronofsky manages to find a few new takes.
The director's thumbprint is branded boldly on Russell Crowe's Noah, a man who begins his journey as a simple pawn of God and evolves into a dimensional human as tortured as Natalie Portman's ballerina or Jared Leto's smack head. Noah's obsession and crisis: his faith. The peak of the righteous descendant of Seth (that's Adam and Eve's third son — the one who didn't die or bash his brother's head in with a rock), Noah is determined to carry out the heavenly mission imparted upon him via ambiguous, psychedelic visions. God wants him to do something — spoilers: build an ark — and he will do it. No matter what.
No matter what it means to his family, to his lineage, to his fellow man, to the world. He's going to do it. No matter what. The depths to which Aronofsky explores this simple concept — the nature of unmitigated devotion — makes what we all knew as a simplistic A-to-B children's story so gripping. While the throughline is not a far cry from the themes explored in his previous works, the application of his Requiem for a Dream, The Wrestler, and Black Swan ideas in this movie does not feel like a rehashing. Experiencing such modern, humane ideas in biblical epic is, in fact, a thrill-ride.
Paramount Pictures via Everett Collection
Although Aronofsky accesses some highly guttural stuff inside of his title character, he lets whimsy and imagination take hold of the world outside of him. Jumping headfirst into the fantastical, the director lines his magical realm with rock monsters — "Watcher" angels encased in Earth-anchored prisons as punishment for their betrayal of God — and a variety of fauna that range in innovation from your traditional white dove to some kind of horned, scaled dog bastardization.
But the most winning elements of Noah, and easily the most surprising, come when Aronofsky goes cosmic. He jumps beyond the literal to send us coursing through eons to watch the creation of God's universe, matter exploding from oblivion, a line of creatures evolving (in earnest) into one another as the planet progresses to the point at which we meet our tortured seafarer. Aronofsky's imagination, his aptitude as a cinematic magician, peak (not just in terms of the film, but in terms of his career) in these scenes.
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With all this propped against the stark humanity of his story — not just in terms of Crowe's existential spiral, but in character beats like grandfather Methuselah's relationship with the youngsters, in little Ham's playful teasing of his new rock monster pet — Aronofsky manages something we never could have anticipated from Noah. It's scientific, cathartic, humane. Impressively, this age-old tale, here, is new. And beyond that feat, it's a pretty winning spin.
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What do Eddie Murphy, Bette Midler, Paul Newman, and Angie Dickinson have in common? No, they all haven't been at the same party at Brett Ratner's house. They are all winners of a Golden Globe. No, Murphy didn't get one for Pluto Nash he got one in 1982 as the New Star of the Year. The what now?
The Hollywood Foreign Press Agency started giving out the Most Promising Newcomer award in 1948, four years after their inception, to the person they thought was going to be hottest new thing to take Hollywood. The first winners were Richard Widmark and Lois Maxwell, people your grandparents might not even remember. From 1954 to 1965 the award was given out to three to four men and women who the European journalists thought were going to take the world by storm. In 1966 the award switched again and went to an actor and actress for a specific movie and, possibly because so many newcomers didn't show any promise, was renamed. The first winners were Robert Redford for Inside Daisy Clover (I'm sure he was!) and Elizabeth Hartman for A Patch of Blue.
Those first winners highlight exactly the problem with this specific category: more often than not the winners wound up being duds. Sure Robert Redford is one of the biggest stars in the world but Elizabeth Hartman? Let's look at 1969 Leonard Whiting and Olivia Hussey were given a pair of trophies for their portrayal of Romeo & Juliet. Whiting retired from films by the mid-'70s and Hussey went on to star in some crappy horror films and then become a crazy agorophobic who had a hard time leaving the house. These are your New Stars of the Year, ladies in gentleman.
By 1983 the Globes were sick of giving this award to turkeys and gave out the final salutes in the category to Ben Kinglsey and Sandahl Bergman. All in all, the awards have a pretty lousy track record. Of the 59 actors and 58 actresses given the honor, I count only 17 actors (Richard Burton, Anthony Perkins, Paul Newman, James Garner, George Hamilton, Warren Beatty, Terence Stamp, Peter O'Tool, Omar Sharif, Albert Finney, Robert Redford, Dustin Hoffman, Jon Voight, James Earl Jones, Arnold Schwarzenegger, Eddie Murphy, and Ben Kingsley) and 14 actresses (Shirley MacLaine, Natalie Wood, Jayne Mansfield, Sandra Dee, Angie Dickinson, Jane Fonda, Ann-Margret, Patty Duke, Mia Farrow, Tatum O'Neal, Jessica Walter, Diana Ross, Jessica Lange, and Bette Midler) who achieved any sort of lasting modicum of celebrity (gauged by, well, whether or not I know who the heck they are). That's a 28% and 24% success rate predicting the promisenessness of newcomers. You have better odds playing Scratch-a-Millions from your local lottery system.
I reached out to the Hollywood Foreign Press Association for a comment on why the category was struck from the record and if they ever hope to bring it back. They didn't return my request for comment. They're probably still embarrassed about just how lousy their crystal ball is.
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[Photo Credit: Frank Edwards/Fotos International/Getty Images]
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After nearly four-and-a-half months of being without the breakout comedy New Girl and enduring the pain of watching the deserving Max Greenfield lose at the Emmys on Sunday, Fox had mercy on us New Girl fans and presented not one, but two, new episodes to kick off Season 2. It all made me so damn happy I could just burst into a terrible rendition of Deee-Lite's "Groove is in the Heart" right at this very moment. Alas, I shall spare you and recap the eps instead.
When we last left the gang, they too were singing — and dancing — a happy tune in celebration of Nick's return. And they had just as much to be happy about at the beginning of the Season 2 premiere, "Re-launch". After a long, not-so-hard (har har) summer, Schmidt was finally getting his penis cast taken off; Nick was still earning his keep in the loft as the "gypsy alcoholic handyman" ("This isn't a fancy hotel!"); and Winston was…there. The only person who wasn't singing a happy tune was Jess. (Proof positive Jess and Zooey Deschanel aren't the same person, because Zooey would have burst into a song about cotton at this point). Jess' boss Tonya (Rachael Harris) informed Ms. Day that due to cutbacks the school was going to have to lay off non-tenured teachers like herself. And no amount of restraining herself from laughing at kids' hilarious names (lookin' at you, Vaj Rejuv) could save her: Jess was without a job. Much like when Schmidt went through his temporary hippie phase, Jess' unemployment, and subsequent identity crisis, shifted the dynamic of the crew. You know things are off when Crazy Old Man Nick is asking you if you're okay. Schmidt, on the other hand, was too busy planning the re-launch party for his penis and the Schmidt brand as a whole to notice. He did, however, allow Jess to work as a shot girl for his "danger"-themed party (alongside Parker Posey, who is killing it on the guest star front late, this time playing a literal halfwit) with a guest list included his neurologist, Philip Seymour Hoffman, a writer for Crank Yankers, and his ex lady love Cece. It had to be perfect. Of course, nothing is ever perfect, not even at a penis relaunch party. Go figure. Schmidt had to see Cece with her new beau Robbie (played by Nelson Franklin), and the sight of cut him to the core. And not just because he was a commoner "shaped like the Liberty Bell", but because he missed her and it was obvious she had to pick someone less complicated than Schmidt. That's the best thing about New Girl. It can go for "easy" comedy or schtick (i.e. Jess doing the Charleston wearing a tiny top hat as the world's worst shot girl) but it explains why the characters themselves go for laughs. Because, as Nick so perfectly put it while attempting to cheer up a down in the dumps Jess, "Life sucks and then it gets better and then it sucks again". I know, I know, an eloquent and sincere Nick? Maybe that spiritual journey in the desert really changed him, after all. Lest you worry Nick fans, much like Hippie Schmidt, by the time the second episode rolled around, the far superior "Katie", he was back to his usual ways. Jess, on the other hand, not so much. Still in full-on unemployed depression mode, Jess went so far as to pull a Ben Wyatt and make her own equivalent of "Requim For a Tuesday" and painted a picture of her roomies. Schmidt's cutting analysis of the "art": "What picture are you working with? My hair hasn't looked like that in three weeks!" But Jess didn't just, as Nick suggested, go off the grid. She went completely off the rails.After a series of romantic mishaps, including a mixup with wanting to get hooked up with a guy from Nick's bar (she instead got a weird, nebbishy dude named Bear Claw, played by the hilarious Josh Gad of Book of Mormon) and faking an online identity to a cute bar patron named Sam (David Walton). (Sorry, but wouldn't Sam have seen the real Katie's photo by now?) While it was important to see Jess break out of her mold of being a goody-goody (as "Katie" she juggled multiple guys and reveled in the perks of NSA nookie) we know that, like her unemployment, this rambunctious phase and relationship with Sam won't last. After all, Jess is a nice girl and one fine day, she'll have something with Nick. Well that and Walton is only slated for a few eps and Sam is a Creed fan, for godssake. A Creed fan! How do we know that major New Girl factoid about Future Jess and Nick? No, not some How I Met Your Mother-like twist. Rather, Future Nick (played to perfection by Justified's Raymond J. Barry) told Current Nick that someday he's going to have to apologize to Jess and "make her an Old Fashioned". Okay, so it wasn't "real time travel" as Nick had theorized, but really just a crazy old man in a box that curiously knew a lot about him (like, for instance, the fact that he likes to be behind the bar because it creates a barrier between him and other people). Still, when Nick shot Jess that knowing look with his sweet turtle face, maybe Current Nick knew more about his future than ever. I've said it before, and I'll say it again, everyman Jake Johnson is the unsung hero of this show. Speaking of looks, Schmidt was giving some serious sexy eyes to Winston's sister and spent the entirety of the episode trying to get in her basketball shorts. ("I'm like catnip to tough talking African American women", he bragged in his very Schmidty way). Schmidt's storyline wasn't nearly as entertaining as it was in the premiere, it was fun to see him back to his old ways. And besides, he still had way more to do than Winston who, over the course of two episodes, drank fruity cocktails and looked annoyed at Schmidt. In the words of Schmidt, "Winston is Winston". Kudos to the New Girl writers on that for at least acknowledging a little bit with a wink that Winston serves no real purpose on the show. Though "Katie" was an unquestionably stronger and funnier episode, the full hour of New Girl was everything I had been hoping and waiting for all summer. The jokes were fast and sharp, the sweet scenes were pulled off without being saccharine, and we all got some great new Schmidt-isms (His pronunciation of "hummus" would be well worth getting the toots for). I'm no Future Nick, but I see a solid season of New Girl ahead. Here now, are the best moments and lines from "Relaunch" and "Katie". "Re-launch" highlights: - "This is true, pure, unadulterated friendship"- Schmidt, in full penis cast garb (trash bag and all) to Nick, who watched in horror as Jess scratched his "itchy underthings" - Nicholas and Winstonia - Nick and Winston's full names, according to Schmidt - "Now I only wanna make a drink that a coal miner would want. Straight forward, honest, something that says, I work in a hole," - Nick, still clearly pining to be a fancy man. - "I'm Nick! I hate sunshine! When did gum get so fancy? This escalator goes too fast!" - Jess' priceless imitation of cranky Nick - "Get up on the bar and shake that piece of plywood you call an ass"- Nick being "mean" to Jess - "I'm not sure how to end this!" - Schmidt, after his fire twirling routine at the relaunch went downhill quickly "Katie" gems: - "Are you cooking a frittata in a saucepan? What is this, prison?" - Schmidt to Jess - "I can drink at 11…am" - Jess, going off the grid - "The loft just became Big Momma's House!"- Schmidt, upon Winston's mom's arrival - Schmidt's time travel sexual wish list: Marie Antoinette, Cleopatra, Young Ann Margret, Old Ann Margret - "Ask him about when I meet Kanye" - Schmidt's request for Future Nick - "He brewed me like a fine chamomile" - Jess, post Sam coitus - Nick as "Cricket the Leaper" - Schmidt referring to The Nutty Professor as a "cautionary tale - "Oh no, autocorrect changed body to meat bar"- Jess' sexting mishap- Jess experiencing the phenomena that is "for no reason whatsoever you are irresistible to the opposite sex". (It happened to Schmidt on the third night of the Hanukkah in 1996, better known as "night of the Shoshannas") - Jess confessing she wanted to grow up to be Jenny McCarthy ("She was so beautiful…all that swearing") while Nick, unsurprisingly wanted to be Kurt Loder. ("He is the elder statesman of our generation!")- Nick guessing that the future bad thing he does to Jess is getting drunk and accidentally peeing on all her pretty dresses. - Schmidt hitting himself in the face with a basketball during his face-off with Erica [Photo credit: Fox] More: Hey Giiirl, Whatcha Doin'? Prepping for 'New Girl' Before the Premiere, That's What! 'New Girl' Zooey Deschanel on Her Emmy Chances & Bad News for Nick-Jess Shippers'New Girl': Fox Casting VP Seth Yanklewitz Talks Emmy Nods, Season 2 and Guest Stars
The woman who accused Don Johnson of groping her in January at a San Francisco sushi bar filed a lawsuit Wednesday against the Nash Bridges star, The Associated Press reports. The unidentified woman's lawsuit accuses Johnson of sexual battery, assault and battery, and intentional infliction of emotional distress, and asks for monetary damages. Prosecutors refused in early May to file criminal charges against Johnson, who has said that there is no merit to the woman's accusations.
Next stop, the Louis Armstrong New Orleans International Airport. The city announced Thursday that it will rename the airport in honor of Armstrong on Aug. 2, two days before the legendary jazz musician would have turned 100, Reuters reports. The Federal Aviation Administration said that this is most likely the first major U.S. airport to be named after a black musician.
Looks like Jay Leno will never be able to go home again. A developer plans to tear down the Tonight Show host's Massachusetts childhood home to make way for a $2.6 million, five-bedroom house, AP reports. Leno said he would not have sold the 1950s home in Andover had he known developer Todd Wacome's intentions.
Arnold Schwarzenegger and former South African President Nelson Mandela teamed up Thursday to raise awareness of the Special Olympics. They took a ferry from Cape Town harbor to Robben Island, where Mandela was imprisoned for 18 years as a prisoner of a former apartheid regime, to light a Special Olympics torch, AP reports.
Watch out Ann-Margret, here comes Carmen Electra. The former Mrs. Dennis Rodman will become a Las Vegas mainstay after signing a two-year deal to star in her own show at the Aladdin hotel-casino, AP reports. The former Baywatch star will perform 12 shows a week, beginning next year.
The Doctor is in, but only online. The BBC will transmit the first new Doctor Who adventure since 1996 on Friday via the sci-fi's show's official Web site at www.bbc.co.uk. Doctor Who last appeared in a TV movie that aired on Fox in the United States. Sylvester McCoy, the seventh actor to portray the Timelord, returns for Death Comes to Time.
If you thought NBC's Spy TV was merely a reality series, think again. The hidden-camera show "plays much more like a comedy, Variety quotes NBC entertainment president Jeff Zucker as saying. One practical joke included a man who, thinking he is going out to test a new car, begs to be let out of the car as he is taken on a terrifying high-speed drive through city streets.
Kirk Douglas has lent his support to a campaign to save the Indian Hills Theater, which houses the country's largest Cinerama screen, AP reports. Methodist Health Systems, which bought the recently closed theater, plans to demolish it and build a parking lot in its place. Renovations would be too costly, Methodist Health Systems said. Douglas joins Janet Leigh and film critic Leonard Maltin in trying to save the theater, one of three left in the country that can still show Cinerama films.