Actress Kristen Bell and her husband Dax Shepard have confronted an owner of a paparazzi photo agency and one of his snappers during a heated debate on U.S. television, in an effort to stop photographers from taking pictures of celebrities' kids. For the past couple months, the Frozen star and her new husband have been on a crusade to urge fans and other celebrities to boycott tabloids which feature unapproved pictures of stars and their children, in a bid to protect the youngsters from the aggressive paparazzi.
Many celebrity parents like Alyssa Milano and Minnie Driver have joined the cause, and some media outlets including People magazine, Entertainment Tonight and JustJared.com have agreed not to buy snaps from agencies that take pictures of kids. But the couple have yet to strike at the heart of the problem and convince a leading agency to join their fight.
Bell and Shepard, who are parents to 11-month-old daughter Lincoln, confronted AKM-GSI photo agency boss Steve Ginsburg and reporter Christian Zimmerman during a taped showdown on U.S. entertainment news programme Access Hollywood, and the two sides butted heads, with neither backing down.
Bell stated, "I'm telling you as a mom, when I'm holding my baby, your foot soldiers are nasty. What they might be doing is 'legal'. But when I get off an airplane and I'm walking to my car and it's dark, and I'm with my baby by myself, it's terrifying."
Shepard added, "If you don't have an ethical issue with that, then you don't have ethics."
But Ginsburg was quick to defend himself, calling Bell 'hysterical'. He insisted, "It is our constitutional right to take the picture!"
When asked if they would ever stop taking kids' photos, Zimmerman replied, "To be frank about business, no."
Later Bell explained why they decided to begin the fight against the snappers in the first place, admitting, "I don't think under any circumstance a child should have a price on their head. I think it should be a sacred time when you grow up and if you don’t choose to be in this business, like the children don't, we've got to leave them out of it.
"And I feel like I just wanted to start a conversation with other people who care about the welfare of children and let them know the bad behavior that actually goes into getting the shots."
The celebrities did win a huge battle over the paparazzi last year (13), when Hollywood mums Halle Berry and Jennifer Garner joined forces to fight for new legislation to protect the kids of stars. Their successful campaign led to new laws that restrict what photographers can do around children.
It's that time of year again, a time when celebrities from the worlds of sport, music, and '90s TV shows come together to create the sparkliest night on television. We are, of course, talking about Dancing with the Stars, which revealed the lineup for its 18th season on Tuesday morning, and the celebrities who will be joining the illustrious ranks of two former members of NSYNC, a handful of reality stars, and more retired football players than the ESPN commentary team. But it wouldn't be Dancing with the Stars if your '90s nostalgia didn't come with a side helping of tween stars and athletes you've never heard of, and that's why we've ranked the new dancers from least to most relevant, so that you can tell them all apart when it comes time for them to cha cha. First up...
Cody SimpsonRemember when Justin Bieber first burst onto the scene, bright-eyed and innocent, with the kind of flippy hair that looks great on the walls of tween girls' lockers? Well, if that version of Bieber were blonde and Australian, you'd have Cody Simpson. Ask your cousin in middle school, she knows who he is.
James Maslow One fourth of the boy band Big Time Rush and one of the stars of their Nickelodeon show that you probably watched in reruns the last time you were sick. He's a big deal amongst the teenagers of the world, trust us.
Drew CareyOnce the star of several popular comedies, he's now best known for being the host of The Price Is Right, which means the majority of his votes are going to come from people who are either over 60 or unemployed.
Diana NyadShe's the first person to swim from Cuba to Florida, but other than that, does anyone actually know anything about her? Call us when she's on The Real Housewives of Miami.
Sean AveryA former professional hockey player, which apparently makes his presence on DWTS "historic." Also, he's friends with Andy Cohen, which bumps him up a spot or two.
Candace Cameron Bure'90s nostalgia gives DJ Tanner a pretty good spot on this list, but let's be real: she wasn't even the best character on her show. Of course, the second she dances to the Full House theme (you know it's going to happen!) she'll become everyone's favorite contestant. Bonus points if her partner, Mark Ballas, dresses up like Uncle Jesse.
Amy Purdy A snowboarding champ and a double amputee, her spot on DWTS actually is historic. Whether she wins or not, Amy Purdy will end up becoming the biggest star in this cast, and we're genuinely rooting for her.
Meryl Davis and Charlie WhitePartners on the ice and partners on this list, Meryl Davis and Charlie White just won a gold medal for pairs ice dancing at the Winter Olympics, like, a whole three weeks ago. They're also featured on boxes of Corn Flakes, which everyone knows is the second most important breakfast cereal there is.
Danica McKellarThere is an entire generation that refuses to let go of their first crush, Winnie Cooper, which is why she ranks higher than DJ Tanner. Plus, she's a mathematician, which makes her the coolest former child star around.
NeNe LeakesBy far the biggest star of the biggest reality television franchise on the air, NeNe Leakes is, whether we like it or not, a pretty big deal. If you like your dancing with a side of drama, this is the contestant for you. She's already got your mom's vote, so you might as well give in.
But all of the teenage fans, Olympic gold medals and reality television viewers pale in comparison with the man who is, by far, the biggest get of the season:
Billy Dee WilliamsLook, Lando Calrissian is a cinematic icon. He cannot be measured by the same standards of relevance as everyone else on this list; he transcends relevance. He leaves relevance in his dust. Lando Calrissian is the coolest cat on every planet in galaxies both near and far, and soon, he will be smoothest dancer in the universe.
Gina Linetti is a woman of many talents: she heads an all-woman dance troupe named "Floorgasm," she handcrafts Joseph Gordon-Levitt nesting dolls, and she's a psychological marvel. But her most surprising skill, which was revealed on the most recent episode of Brooklyn Nine Nine, is that she's an incredibly competent adult, who can balance a checkbook and is in the market for some real estate opportunities. Most notably, Jake's apartment, which he inherited from his grandmother when she died, and which he can no longer afford now that the building is going Co-Op. To boot, all of the other apartments within his price range are horrific. Naturally, Jake handles her offer to purchase the apartment with grace — and by grace, we mean he kicks her out of his apartment and whines to Santiago.
Meanwhile, Captain Holt and Sergeant Jeffords are doing the yearly team evaluations, and even though Jeffords started out the day full of hope and excitement, the more evaluations he witnesses, the more depressed he becomes. Diaz and Boyle also team up to enact revenge against Det. Lohank (Matt Walsh), the cop who works the weekend shift and insists on shaving at the desk he shares with Diaz.
In the spirit of this week's episode of Brooklyn Nine-Nine, we've done our own evaluations in order to determine which characters made the grade as the MVPs of "The Apartment," and which ones cracked under the pressure.
Peralta and Gina"The Apartment" gave us two important facts about Gina: she grew up with Jake, and even though she's strange and unpredictable, she's extremely adept at handling her finances. The writers have given us a few clues about Gina's competence over the season — most notably, her ability to determine the best candidate for the IT job and her position as Holt's right-hand woman — which helps make the contrast between her obsession with Lycra bodysuits and her thriftiness a bit less jarring. Luckily, Chelsea Peretti and Andy Samberg (who actually did grow up together, in real life!) are a wonderful team, and they kept the jokes flying all night long. - Holt: "I know you would all rather be at home, binge-watching media content." / Jake: "Whoa! I just started the second season of Media Content. No spoilers." - The most important change Peralta has made in the last year? "I wear a tie sometimes." - Gina: "Nana made me the intelligent, sensuous woman I am today." / Jeffords: "Weird way to describe a grandmother's influence on you." - Peralta: "I'm psyched to be hanging like this. Old school stylez. Stylez with a 'z'." / Gina: "Oh, I could tell." - Gina, on how they're looking: "Sexy, but not like we're trying too hard. Like, sure, we're trying, but it's almost effortless." - Jake has purchased six massage chairs (because they don't make a massage couch), three turntables (although Gina says his DJ skills sound like "Joy Behar falling down stairs"), and Olympus Has Fallen on On Demand 12 times. Gina: "Was it a difficult film for you to follow?" - Jake: "Says the woman who's been engaged eight times." / Gina: "But never married once! Game, set, match: Linetti." - Gina, on the loan shark: "He is a sea witch in disguise. Do not sing into his shell!" - Jake: "I'm gonna be a homeless cop. It's like a made-for-TV movie. Which I will not be able to watch, because I will be homeless." - After Jake and Gina look at an apartment filled with cats that's described as pet friendly, Jake asks "Do they allow cats?" Landlord: "I can't tell if you're being sarcastic." - Gina's life long dream is to be on Wife Swap, she calls gum "the dentist," and she thinks Ray J is a national treasure. So what? She's eclectic. - Jake, on the break room couch he's considering sleeping on: "It feels like scoliosis and smells like 10,000 butts." - Gina: "What do you want, Jake? I'm watching Oprah's Legends Ball, which is what I do every time a close friend hurts me."
Sgt. Jeffords Terry has the unfortunate task of assisting Holt with the squad evaluations, and although he starts out confident, the longer they drag on, the more faith he loses in his team. A lot of the comedy in these scenes comes from Terry Crews' reaction shots, and it's wonderful to watch all of the hope he had for positive evaluations actually drain from his face over the course of the episode. Crews is brilliant at physical comedy, and even when he's in the background, he's still often the funniest person in the room. - To Jake, after he accidentally calls Holt "dad": "Hey! Show your father some respect!" - On the squad: "I feel like a proud mama hen whose baby chicks have learned to fly!" - Santiago: "You didn't want me to say flaws that are actually positive. Like when the Sergeant says it's bad that he works out so much." / Terry: "Whoa! Why the drive-by?" - On why he closed the blinds in Holt's office: "I'm gonna yell at you, and I don't want Santiago to read my lips."- Terry: "Scully and Hitchcock only arrested 14 people, but that's eight more than last year!" / Holt: "They only arrested six people last year?!" - I could watch a full episode of just Holt and Terry repeating the phrase "proud mama hen" over and over again.
Scully and Hitchcock Despite them being personal evaluations, Scully and Hitchcock do theirs together, because Scully doesn't handle pressure well, and Scully sweating and whimpering while Hitchcock brags about all of the arrests they had was the best visual gag of the night. - Hitchcock: "Not to brag, but Scully and I have a combined 14 arrests! It would have been 20, but it's only 14." / Holt: "That's not enough arrests." / Hitchcock: "Well, who asked you? This is a self-evaluation!"
Seth MacFarlane: writer, director, producer, Oscars host, and now, novelist. The Family Guy creator announced that he has written a novel based on the screenplay for his upcoming film, A Million Ways to Die in the West, and will release it in March, two months before the film hits theaters in May. The book will tell the story of Albert Stark, a sheep farmer who spends most of his time attempting to avoid the overwhelming dangers that fill the wild west in order to survive, until his girlfriend leaves him, and "Albert decides to fight back—even though he can’t shoot, ride, or throw a punch. Fortunately, he teams up with a beautiful gunslinger who’s tough enough for the both of them. Unfortunately, she’s married to the biggest, meanest, most jealous badass on the frontier. Turns out Albert has just discovered a million and one ways to die in the West."
Turning the film into a novel is an unusual choice, since MacFarlane's comedic style tends to rely on rapid-fire jokes and visual gags that may be difficult for him to translate from the screen into print. Since he wrote the novelization himself, it's very likely that those jokes will have made it into the book, but the story will need to have a little bit of depth or character development in order to work properly as a novel. However, turning the film into a novel could be a good sign, as it can be taken as an indication that the film has a lot more to it than just an endless stream of jokes. There's been no indication thus far that MacFarlane has added material for the novel, which means we all might need to get excited about A Million Ways to Die in the West.
But as weird as it might seem to read a novel from the same guy who wrote Family Guy or Ted, A Million Ways to Die in the West is not the strangest or most surprising film novelization out there. We've rounded up 12 of the weirdest ones, and ranked them in order of insanity. Looks like MacFarlane has a lot to live up to with this project.
12. Pretty In Pink If you've ever watched the classic 1986 film and wished that Andie had chosen her dorky, loyal best friend Duckie over rich kid Blaine at the end, we may have the perfect solution for you. The novelization of the film sticks with the original ending, and allows Duckie to live the dream of every awkward, poorly-dressed high school guy and win the girl of his dreams away from the obnoxious kid with good hair and a nice car. The downside, though, is that unlike the screenplay, it isn't written by John Hughes, which means it likely lacks some of the wit and heart that characterizes his film. But that's a small price to pay to watch the nerd emerge victorious.
11. Kazaam Remember when Shaquille O'Neal decided to try his hand at acting in the late 1990s, and the world was gifted with Kazaam? Well, it should come as no surprise to you, then, that movie executives realized that school children all across the country would buy anything with O'Neal's face on it, and churned out a novelization of the film in order to sell it at book fairs. Unlike most film novelizations, there are no significant changes or additions to the book, probably because there is very little that can be done to that script in order to make it worth reading, but that didn't stop it from flying off the shelves of every elementary school library around.
10. Great Expectations Long before he stranded Sandra Bullock in space, Alfonso Cuaron directed an adaptation of Great Expectations starring Ethan Hawke and Gwyneth Paltrow. Then, someone adapted that adaptation into a novel that is even more "loosely" based on the Dickens classic. Although both the film and the novel make a lot of interesting and strange changes in order to modernize the story, the most inexplicable decision comes from author Deborah Chiel, who changed the name of the protagonist to Johnny from Fin (itself a change from the original name, Pip.) Dickens likely turned over in his grave when this hit bookshelves.
9. Crossroads The 2002 film Crossroads was notable not for its script, acting or cinematography but simply for the fact that it was the acting debut of pop princess Britney Spears. Which makes it even more surprising that someone would turn the film into a novel, as it then loses the one thing that made it worth talking about. Sure, Spears' face is on the cover, but the only reason to see the film was to watch her attempt to transition into a film career, and then sing along every time one of her songs played on the soundtrack. The book even takes away the joy that comes with watching Dan Akyroyd act in a Britney Spears film. It's all plot and no fun.
8. The Cabin in the Woods Co-written by Joss Whedon, this 2012 film was designed as a way to "revitalize the slasher film," and featured a surprise twist that thrilled fans and critics alike. But in case you're uncomfortable with too much gore, or you just never got to catch the film in theaters, there's a novelization of the film available so that you can still talk about the film without having to watch people get decapitated. It's the best of both worlds!
7. Mortal Kombat If there's one thing that old-school video games lacked, it's a strong sense of plot and character development. Jeff Rovin has remedied that by turning the video game Mortal Kombat into a novel, although he cut out most of the fighting in favor of backstory and long explanations of how the character came to be the super-powered fighting machines that they are. Which is cool if you're a hard-core fan, but let's be real, here: the only reason anyone was interested in Mortal Kombat was the fighting. Without that, what's the point?
6. John Carter John Carter is the story of a Civil War captain who gets transported to Mars after he dies, and leads a Martian army to save the princess. With it's mix of sci-fi and action, it makes sense that movie executives would want to turn the film into a novel; what doesn't make sense, though, is why they would choose to publish it alongside A Princess of Mars, the original Edgar Rice Burroughs story that it is based on, especially when the film famously failed to live up to its source material. You would think that the last thing they would want to do is draw attention to the ways the stories differed.
5. Paradise AlleyThis is a novelization of a film that was written and directed by Sylvester Stallone, adapted by Stallone himself, which makes it worthy of this list. You can actually own a book authored by the guy who played Rocky Balboa. What a time to be alive.
4. Spaceballs For some reason, Mel Brooks seem to think that his film Spaceballs would make an excellent children's book - which is not a thought that anyone who has ever seen Spaceballs shares. However, Brooks ignored everyone else, and the novelization was published, and sold to students in elementary schools across the country through Scholastic Book catalogs and school book fairs. Of course, they made sure to edit the content down to a more child-friendly nature, but anyone who's buying a Sapceballs book is probably not a child.
3. Ace Ventura: Pet Detective and Ace Ventura 2: When Nature Calls Everything that makes Ace Ventura work as a film is everything that makes it fail as a novel. The humor relies so heavily on Jim Carrey's physicality and line delivery, that without the visual element, all that's left are descriptions of the weird gags that take place in the film, which isn't fun or funny for anybody who reads these.
2. The Cat in the Hat No, we didn't make a mistake. Someone actually thought it was a good idea to turn the Mike Myers film into a novel, despite the fact that there is a book that already exists that is better written and more fun to read than the movie itself. When it comes to a showdown between the original Cat in the Hat and any kind of pale imitation, Dr. Suess will always walk away the winner. There's a reason it's become a classic, and it has nothing to do with Myers.
1. Howard the Duck Nobody who has ever watched Howard the Duck has wished that the story lasted longer. Nobody. But the strangest thing about this novelization isn't the fact that it exists in the first place, but the fact that it is widely regarded to be better than its source material, and even adds extra layers of depth and humor to the characters and story that appears onscreen. That's right: Howard the Duck has hidden layers. Who'd have known?
ABC Television Network
First In Tank
The first entrepreneur was Lauren Padawer of Alaska Glacial Mud, which creates all-natural facial masks and other skin care products you might find at a beauty spa. She wanted $100,000 for 20% equity. The problem was that she had very weak sales and that was what kept the Sharks from biting on the deal. They pointed out that the spa business was very difficult to break into and that she didn't even have a retail presence. They were more impressed by the fact that she was a commercial salmon fisherman who ran her own ship and pulled in $100,000 a year - Barbara Corcoran wanted to buy into her fish business.
Second In Tank
Mike Barzman and Bryan O'Connell (who looked unsettingly like Henry Thomas of E.T. fame) were pitching Invisplug - extension cords that blend in with the floor. They wanted $125,000 for 10% equity, a valuation that the Sharks immediately pointed out was way too high. Several sharks immediately jumped out, but Lori Greiner made an offer. She offered the $125,000 and they haggled on royalties, but eventually she refused to budge at $1 per unit until she got her investment back and then 25 cents in perpetuity after that - a deal structure that Kevin O'Leary usually offers. Robert Herjavec's interest was piqued and offered the same deal, no royalties and a 20% equity contingent on them agreeing right then and there. Like idiots, they dithered and asked to be able to confer and Herjavec retracted his offer. Fortunately for them, Greiner didn't do the same and they took her deal.
Tom + Chee, a soup and sandwich restaurant that first appeared on the show last May, was doing really well, having grown to 80 employees and hit a million in sales in just three months after the company's founders appeared on the show. Barbara Corcoran, who was their investor, got her own sandwich on the menu. She also has her own doll, though I'm afraid it might be making an appearance in a new Child's Play movie...
Third In Tank
Greg Cronin and Dr. Stephen A. Coachys were pitching LockerBones, a series of easy-to-install locker shelves to help students stay organized. They wanted $175,000 for 10%. There were two issues: first, they were initially going to sell on consignment to Amazon, which meant they would have to take any unsold units, and second, they only had a design patent, not a utility one. They had also stayed away from Staples, which almost caused O'Leary to have a conniption fit at their short-sightedness. They got lucky though: Greiner and Robert Herjavec combined for their price, but took 50% in equity.
Last In Tank
The final entrepreneur was Balloon Distractions, a company that sent people to make balloon items to distract unruly kids. The pitch opened with balloons falling from the ceiling and he gave the Sharks personalized balloons for them. It was run by Ben Alexander, who seemed to be an overgrown hyperactive kid himself. He was so overly emotional that he had to stop a couple of times to keep from crying. Of course, the Sharks were worried that he was like that all the time. His presentation was pretty much a rambling mess, though the gist was that he wanted to franchise. He wanted a recruiter. The problem for the Sharks was two-fold: he hadn't recruited the right salespeople for different regions, and he was not focused or organized. None of the Sharks invested and O'Leary even stomped on some of the balloons after Alexander left.
It was a tie between seeing O'Leary wear a mud mask and conduct his line of questioning while still wearing it and seeing all the Sharks with balloon hats on their heads during the Balloon Distractions pitch.
Dumbest Entrepreneur Move
Again, a tie: between the InvisiPlug people dithering their way out of a deal with Herjavec, and the LockerBones people not even considering selling their product to Staples. O'Leary nearly had a coronary at that. Bad distribution strategy. He was so unfocused and babbling that Mark Cuban had to yell at him. No Sharks bit, but they gave him good advice.
Most Dated Reference
O'Leary doing a Dr. Evil pinkie finger to mouth gesture and saying "One Million Dollars!" I think the last time that was relevant was when President George W. Bush was in his first term.
"That's a Kevin deal." -- All the other Sharks to Greiner at her first offer to the Invisiplug people, since it involved royalties, an O'Leary staple.
"I have to ask an important question: Are you like this all the time?" -- Mark Cuban to Alexander during the Balloon Distractions pitch
"I'm very worried you may spontaneously combust." -- O'Leary to the overly-emotional Alexander
"You don't want to piss off the clown community!" -- Herjavec responding to Alexander's saying that the clown community had been belittling him online after he opened Balloon Distractions
"SHUT UP!!!" -- Cuban to Alexander after the entrepreneur went off the rails for the 50th time when Cuban was trying to give advice.
In just about every one of Kevin Hart's scenes in Ride Along, there's a joke that is just aching to find its way out of the diminutive, rascally comic actor. Hart is a small-scale physical comedian — of the same ilk as Jack Black — who puts nuclear-degree energy into his facial contortions, anatomical outbursts, and the delivery of every gag in general. If only he had material that was crafted with the same energy.
Unfortunately, nothing else about Ride Along seems at all "hard at work." Not the script, which pads a lifeless story with lazy comedy, and certainly not his screen partner Ice Cube, whose only stage direction seems to be "frown, and be taller than Kevin Hart." So lifeless is Ice Cube that even his machismo-obsessed straight man bit doesn't really work. Instead of the virile and intimidating "bad cop," he comes off as a disapproving middle aged dad without much to show for his own life.
But the script pairs the wily, overzealous high school security guard and video game junkie Ben (Hart) with no-nonsense lawman James (Ice Cube) on the titular ride along, with the scrappy cop-wannabe hoping to prove to the force veteran that he's good enough to marry the latter's younger sister. In earnest, he's not. Ben never puts any respectable effort into learning the tools of the trade, insisting on employing his amateur style and controlling the radio despite his proclamations that he wants, and deserves, James' trust. And James is no saint either — he's irresponsible on crime scenes, violent with perps, and disgruntled to the point of being unable to work with anybody else on the force. These are not good police officers... of course, you'll say, this is a comedy. But where are the laughs, then?
They're not absent entirely, you just have to look for them. In a movie so focused with big, broad humor, it's the smaller comedy that actually lands best. Hart's background mutterings and fumblings, his emoticon-laden texts to girlfriend Angela (Tika Sumpter, whose only stage direction seems to be "smile, and never wear a full outfit of clothing"), and a bizarre repetition of the word "weird" from supporting player John Leguizamo. All good for unexpected chuckles, while jokes like Hart facing off with a pre-teen or being blown backwards into a brick wall after firing a large gun are all lazy, familiar, and flat.
Structurally, the script is a mess. Ride Along spends far too much time on set up — we get it, Hart and his soon-to-be-brother-in-law Ice Cube don't get along — and far too much time on wrap-up — there's a gigantic, dramatic warehouse shootout that, in any other movie, would be the climax, but there's plenty more to go after that — without any cohesive middle to make the movie feel like... a movie.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
Hart, who leaps at every comic opportunity like a kangaroo (wallaby would be more appropriate), is suited just right for a buddy cop comedy, but he needs something fresh with which to work — a real character, an interesting story, actually funny jokes. Even just one of these would be fine!
Follow @Michael Arbeiter
| Follow @Hollywood_com
The Pizza Underground/Facebook
This must have been what people felt like when they first heard the toe-tappin' sounds of those long-haired beatniks from Liverpool. The musical movement that will, indubitably, define our generation has taken form. Round, hot, cheesy form: Macaulay Culkin's Velvet Underground tribute band The Pizza Underground — the monument of musical creativity that recalibrates the lyrics of classic numbers by Lou Reed and company to focus on the theme of pizza — has released its first video and announced a cross-country tour:
January 24 - Brooklyn @ Brooklyn Night Bazaar w/ French Horn Rebellion, Rush Midnight, Heavenly Beat & Seasick MamaJanuary 25 - Philadelphia @ PhilaMOCA January 26 - New Brunswick @ OutworldJanuary 31 - Austin @ Breakpoint on The BoardwalkMarch 5 - San Francisco @ Neck of The WoodsMarch 6 - West Hollywood @ Whisky A Go GoMarch 7 - San Diego @ Ux31March 8 - Tijuana @ MoustacheMarch 10 - Tucson @ 191 WarehouseMarch 11 - El Paso @ The Lowbrow PalaceMarch 12 - Dallas @ Club DadaMarch 13, 14, 15 - Austin @ SXSWMarch 17 - New Orleans @ Hi-Ho LoungeMarch 18 - Mobile @ Alabama Music BoxMarch 19 - Atlanta @ Mammal GalleryMarch 20 - Raleigh @ KingsMarch 21 - Washington, DC @ Black CatMarch 22 - Brooklyn @ Baby's All Right w/ Total Slacker
Culkin and his bandmates will kick off their two month- and 18 concert-long tour on Jan. 24 in Williamsburg, Brooklyn, gracing states like Pennsylvania, New Jersey, Texas, California, Arizona, Louisiana, Alabama, Georgia, and North Carolina — not to mention stops in Washington D.C. and Mexico — along the while. Surely it is the dream of any kazoothiast to embark on a Kerouacian journey following these polyunsaturated troubadours from start to finish... but that takes a good deal of planning and budgeting. Endeavors that a small percentage of the Pizza Underground's target demographic is willing to brave. Luckily, we have your backs. We here at Hollywood.com are lovers of Culkin, of Lou Reed, of pizza, and of the lost art of itinerary creation. We've come up with a complete fiscal guidebook for the greatest journey ever to befall humankind: following Pizza Underground across the country.
How to Follow The Pizza Underground Across the Country
We'll begin with universal costs: the tickets. Here are the prices for each of the shows on the Pizza Underground tour (those unlisted have not yet been announced to the public):
Brooklyn @ Brooklyn Night Bazaar - FreePhiladelphia @ PhilaMOCA - $15Austin @ Breakpoint on The Boardwalk - Free, but sold outSan Francisco @ Neck of The Woods - $10 - $12West Hollywood @ Whisky A Go Go - $20San Diego @ U-31 - Not yet revealedTijuana @ Moustache - Not yet revealedTucson @ 191 Warehouse - Not yet revealedEl Paso @ The Lowbrow Palace - Not yet revealedDallas @ Club Dada - $13 - $15Austin @ SXSW - Not yet revealedNew Orleans @ Hi-Ho Lounge - $15Mobile @ Alabama Music Box - $10Atlanta @ Mammal Gallery - $10Raleigh @ Kings - $13 adv, $15 doorWashington, DC @ Black Cat - $15Brooklyn @ Baby's All Right w/ Total Slacker - Not yet revealed
You'll notice we left out the New Brunswick @ Outworld venue. That is because there is no evidence that this establishment actually exists. We've tried Google. We've tried asking Jersey residents. We don't know what else to try. Still, we've included New Brunswick in our itinerary, just in case any of you have better luck in unlocking this mystery.
At this point, the ticket price amounts to $121 - $127. Calculating the average price per ticket ($11 - $11.50), we can estimate a total range of $187 - $196. Let's go with $196, to be safe.
So now it's time to discuss transportation. The first basic question mark concerns the long stretch between the first Austin show and the San Francisco show, otherwise known as February. Will you return home (to wherever that may be — we're going to assume Brooklyn) for the month of February, or keep course on the open road, living rogue as pizza surges through your blood?
In order to fund this trip, you might want to have a steady paying job, which will entail (most likely) you to actually do it. This means February should probably be set aside for actual life routines. As such, you'll probably want to stick to your personal automobile or public transport for the Northeast shows, isolate the Breakpoint on the Boardwalk concert with a roundtrip flight to and fro' Austin, and then hit the road (or fly out to Cali) for your trip.
If you're going to isolate Austin... You'll probably want to fly out from JFK, leaving on Jan 30, staying in a local hotel (for which you'll find pricing below) and flying back home on Feb 1. Right now, this will run you approximately $238. You can check a list of flight options here. Once March hits, you can proceed with your plan by either-Flying to San Francisco and traveling on land from there. Presently, a flight to San Francisco will run you about $139 ($124, if you're willing to fly into San Jose). Peruse at your leisure.-Driving to San Francisco via RV or car, and continuing on your journey in said vehicle. (The respective sections below will clue you into the fiscal plans for either method.)
But you might want to skip Austin altogether.We hate to say it, but it could be worth it. First off, the show is presently sold out (although there are always ways...). But its isolated location and date could pose more of an inconvenience than anything else. Plus, you will indubitably return to the Austin area later on in your trip for the SXSW shows. Bear that in mind!
Or... you can do the whole thing in one fell swoop, month-long wait-around period included.And here's how that would go down:
-Rent an RVAgain, let's assume you live in Brooklyn. Odds are, if you're a fan of the Pizza Underground, you do. As such, getting to this Williamsburg venue won't be a hastle. But you will have to rent some transport for the following shows. You can go the old fashioned way, but considering the six full days of driving that you're about to embark upon, you might want to kick up the luxury just a bit: rent an RV.
View Larger Map
The closest Cruise America to Brooklyn would be in Roslyn, on Long Island, running you $89 a night for standard-sized RV, in addition to mileage costs of $0.34 a mile. For a 56-day trip that takes you a total of 7,606 miles, that will amount to $7,570. Then, of course, there's gas. Your RV is estimated to burn a gallon of fuel every eight miles. Gas prices vary substantially throughout our great nation, but we've factored the average per gallon cost for each of the locations you'll be visiting to be $3.22. Some quick math will lead you to a grand gas total of $3,061. Combine this with your $7,570 and you've got a grand transportation total of $10,631.
That's a pretty penny, but luckily you're not alone: the RV, complete with bedroom and kitchen, comfortably sleeps five. If you can rally a full team for this trip, it'll leave everyone only spending $2,126 on this leg of the journey. Of course, this is on top of tickets (which would bring it to $2,322) and food.
If you're going to isolate or eradicate Austin...If you are planning to eradicate the first Austin show from your itinerary, this changes things... for the better! First off, your stay in the residential vehicle will be substantially shorter, since you're cutting out an entire month in the process. (If we're being logical, you won't need the RV for the first three shows if you're not going to continue on straight from Jersey. Just take a car to Philly and New Brunswick.) A 20-day stay in the RV will run you $1,780, plus a mileage bill of $2,344 for the 6,897 miles you'll be driving. Tack on gas expenses of $2,776 and you've got $5,120.
View Larger Map
FoodNaturally, you're going to want to keep in step with the theme of your trip and only eat pizza. Since you're starting your trip in Brooklyn, we assume you'll want to stock up on your entire pizza banquet there, seeing as how the locations to which you plan on traveling will supply you with far inferior examples of what you know to be a delicacy. There are some problems with the plan:-One pizza pie, in Brooklyn, will run you an average of $15. Estimate that each person will consume one pie of pizza per day. That's 56 pies of pizza per person (realistically, you won't be able to fit all your pizza in the RV fridge, but we'll get back to that), amounting to $840 for your entire diet budget. But...-You'll need a second, third, and maybe fourth fridge. You can recycle the pizza boxes and wrap each pie in tin foil to make more space in the RV fridge, which should be stocked to the brim, but you still won't have nearly enough room for 56+ pizza pies. We know, the thought of succumbing to non-New York pizza is nightmarish, but we have a mission here.Still, you will want to limit your intake of pizza from the otherlands. We figure that, if you're ambitious, you can stuff 20 pizza pies into one of these RV fridges. That'll keep...i) one of you fed for 20 daysii) two of you fed for 10 daysiii) three of you fed for six days and the next morning's breakfastiv) four of you fed for five daysv) all five of you fed for four days
Which means, of course, that you'll eventually have to stop and get more pizza. But where will you be?i) By the 20th day, you'll be... Non-Austin: Back home. Perfect plan... for you. Your friends are starving, though.Austin: In limbo, killing time between Austin and San Francisco. Restock anywhere but New Mexico (their pizza is so bad, the locals are known to throw it on roofs!), and then again in 20 days, when you'll be somewhere in Southern California (where the price is also about $15 a pie). ii) By the 10th day, you'll be...Non-Austin: Dallas. Average price = $9. That'll last you 'til home.Austin: Limbo. Restock a few times before hitting California, then again in San Francisco ($15), Austin ($12), then you're home.iii) By the sixth day, you'll be...Non-Austin: Tijuana (your guess is as good as mine). After that, Austin ($12), then Raleigh ($10), then home.Austin: Limbo, limbo, limbo, limbo, limbo... San Fran ($15), Tucson ($10), Austin ($12), Washington D.C. ($15), home.iv) By the fifth day, you'll be...Non-Austin: San Diego ($15), Dallas ($12), Atlanta ($12), home.Austin: Limbo x 7. Then San Fran ($15), Tucson ($10), Austin ($12), Raleigh ($10), home.v) By the fourth day, you'll be...Non-Austin: West Hollywood ($15), Tucson ($10), Austin ($12), Mobile ($10), Brooklyn for one last show (just grab a buffalo chicken slices at Anna Maria's on Bedford), home.
-Drive your own car and stay in cheap hotelsOne last time, let's assume you live in Brooklyn. If you don't, you can come stay with me the first night. (Just don't be loud, Matt has to get up early.) After that, however, you'll need to find a place to stay in each of the cities you visit. But let's back up just a second.
Considering the fact that the hotel plan would be highly unfeasible in the Austin-included route, we'll just assume that you're starting with San Fransisco for this foray.
Right off the bat, you've got that pesky RV rental fee taken off your lap. There's a good chance, too, that you've got better gas mileage in your standard sedan than you would in those fuel guzzlers — let's estimate 30 miles to the gallon.
That's $740 so far, which you can split with whatever passengers you're able to accumulate. And here's where the hotel prices come in:
San Francisco: Redwood Inn - $89/nightWest Hollywood: Comfort Inn - $89/nightSan Diego: Best Western Plus Hacienda Hotel - $64/nightTijuana: Motel 6 San Ysidro - $42/nightTucson: University Inn - $53/nightEl Paso: Ibis Juarez Consulado - $35/nightDallas: Days Inn - $33/nightAustin: Rodeway Inn - $59/night x 3 (three night event)New Orleans: Sun Suites - $39/nightMobile: Family Inns of America - $30/nightAtlanta: Masters Inn - $29/nightRaleigh: Econo Lodge Inn & Suites - $40/nightWashington D.C.: Knights Inn - $42
All together, that's $729. Add that to $740 (split between however many people with which you're traveling) and you've got your transporation total. But now we're back on food.
FoodWithout a fridge, you'll be needing to make daily pizza stops:
San Francisco: $15 a pieWest Hollywood: $15 a pieSan Diego: $15 a pieTijuana: ?Tucson: $10 a pieEl Paso: $12 a pieDallas: $12 a pieAustin: $12 a pieNew Orleans: $13 a pieMobile: $10 a pieAtlanta: $12 a pieRaleigh: $10 a pieWashington D.C.: $15 a pie
So we've covered almost all bases. The only option unaccounted for is the fly-to-San-Francisco-and-travel-on-land-from-there option. Since you're ending up in Brooklyn, you'll probably need to finagle one of those deals where you drive somebody's car across country for them. There are people who pay you to do that. Check Craigslist. Be careful, though.
SO THAT'S IT! Now you have all the information necessary to follow Macaulay Culkin's pizza-themed Velvet Underground tribute band across the continental United States. The dream.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Universal via Everett Collection
Every movie I saw in 2013, ranked from worst to best:
112. IDENTITY THIEFThe first comedy movie to not make me laugh once.
111. SAVING MR. BANKSInsulting, manipulative, dishonest, and unkind, with occasional song breaks.
110. SCARY MOVIE 5These movies have gotten much worse since we were 13.
109. GETAWAYINT. RACECAR. NIGHT. Ethan Hawke and Selena Gomez crash into stuff.
108. GROWN UPS 2So much vomiting, so many homophobic jokes, so little plot.
107. I GIVE IT A YEARAn ugly, loveless rom-com that isn't clever enough to be satire.
106. DEAD MAN DOWNAll I remember is a whole lot of dark alleyways.
105. A GLIMPSE INSIDE THE MIND OF CHARLES SWAN IIIThe best part is the closing credits (I'm not being flip, they're actually kind of fun).
104. MOVIE 43Bad offensive joke after bad offensive joke after bad offensive joke...
103. WINNIE MANDELADesperately important story turned into a desperately dull movie.
102. TWICE BORNNo summary available due to lack of anything interesting happening in this movie.
101. R.I.P.D.Somebody forgot to give Ryan Reynolds any jokes.
New Line Cinema via Everett Collection
100. THE INCREDIBLE BURT WONDERSTONEThis movie could have been funny if Wonderstone wasn't such a d**k.
99. ONLY GOD FORGIVESInteresting in the moments when it's not shoving its unpleasantness down your throat.
98. MAN OF STEELSetup: cerebral reinvention of Superman. Payoff: mass property damage.
97. CARRIEBeat-by-beat remake without any of the original's spirit.
96. THE TO DO LISTUncomfortably raunchy and mean. Thank God for Bill Hader.
95. KICK-ASS 2More Mean Girls shtick would have benefited this weak sequel.
94. PHANTOMI'm not sure this was actually a finished movie.
93. WRONGObnoxiously nonsensical, but not without its share of laughs.
92. THE SMURFS 2Mostly cloying, but Neil Patrick Harris is incurably watchable.
91. HANSEL & GRETEL: WITCH HUNTERS Dumb.
89. NOW YOU SEE MEPossibly the worst ending in a 2013 movie, but a few bits of fun along the way.
88. WE'RE THE MILLERS[Pop culture reference]
87. RED 2John Malkovich's facial contortions save this from total failure.
86. STAR TREK INTO DARKNESS It hsa a few pros, but is mostly one giant... well, you know.
85. RIDDICKSurprisingly intriguing, when it isn't being deplorably sexist.
84. FREE BIRDSEh, turkeys are kinda funny.
83. PRISONERS Thankfully, scenes of Hugh Jackman yelling are intercut with the far superior scenes of Jake Gyllenhaal yelling.
82. WHITE REINDEER Any minute now, this movie is going to reveal its inner glory! Any minute now!
81. EVIL DEAD A better horror flick than the original! But still mostly forgettable.
80. GBFMostly charming, undone by its "safe" and "classy" ending.
79. THE RELUCTANT FUNDAMENTALISTIt's kind of hard to get past how boring the title is.
78. DESPICABLE ME 2 Lots of minions. People like minions, right?
77. JOHN DIES AT THE END Not nearly as weird as it thinks it is or wants to be.
76. 2 GUNSHey, wait a minute, this movie is kinda funny! ... Not that funny, but kinda.
75. SOMEBODY UP THERE LIKES MEI like to call this movie Click Offerman.
74. WHITE HOUSE DOWNWould be more fun if we were ready to laugh about terrorism.
73. AT ANY PRICEBoooriii— HOLY S**T WHERE THE F**K DID THAT COME FROM?!
72. BAD MILONot quite up to par with your expectations for the "Ken Marino has a demon in his butt" synopsis.
71. MONSTERS UNIVERSITYLackluster prequel, nice to look at, big band music.
70. THE MORTAL INSTRUMENTS: CITY OF BONES In its audacity, this silly amalgam of YA tropes can actually be a lot of fun.
69. THE CONJURING Fascinating subplots about the exorcism industry would be better served at the head of the film.
68. PEEPLESThere's a joke about wristwatches that I still think about.
67. SIDE EFFECTSSoderbergh's farewell caper doesn't have as much fun as its loony plot would demand.
66. ELYSIUMBroad and clumsy, but how wrong can you go with Bald Matt Damon?
65. OZ THE GREAT AND POWERFULIt works with Dark Side of the Moon.
64. THE COUNSELORThe book was better. Wait, this wasn't a book? Well it should have been.
63. IN A WORLD...A fun, biting look at an unappreciated industry! ... until it dissolves into mild genericism.
62. THE LONE RANGER Oh come on, you didn't love the William Tell climax?
61. THE WOLVERINENot always engaging, but at least it's about something.
Summit Entertainment via Everett Collection
60. WARM BODIESNot really about anything, but at least it's engaging.
59. THE BROKEN CIRCLE BREAKDOWNUndeniably powerful, but feels like it could use a few more revisions.
58. ENDER'S GAMESpace Camp: The Movie! (Slightly less expensive than actual space camp.)
57. PACIFIC RIMMonsters vs. robots aside, there's a riveting world constructed in the backdrop of this sci-fi epic.
56. ANCHORMAN 2: THE LEGEND CONTINUESThe battle royale does not disappoint.
55. YOU'RE NEXTThe fun, swift hook isn't nearly as interesting as the great character work that it replaces.
54. THE WAY WAY BACKI, too, long to get life advice from a waterpark-dwelling Sam Rockwell.
53. SOME VELVET MORNINGEven if you see the twist coming, the chemistry here is impeccable.
52. THE HUNGER GAMES: CATCHING FIREShut up, Peeta, I'm trying to watch all the good parts of this movie.
51. 20 FEET FROM STARDOMA story that deserves a little more spirit and energy than it is given in this documentary.
50. DON JONNo. 50 on "Best Movies" list, No. 1 on "Best Trailers."
49. THE ROCKETA feel-good kids' adventure substantiated by the gravities of war. Wins in both areas.
48. CRYSTAL FAIRY & THE MAGICAL CACTUS AND 2012Beautifully shot, interestingly written, impressively acted.
47. MUD Yes, we all loved The Goonies, and we all loved David Wooderson, so...
46. CUTIE AND THE BOXER A vivid struggle that is equal parts artistically, martially, and internally based. Engrossing all the way.
45. CAPTAIN PHILLIPS Tom Hanks' best performance in ages in a dramatic thriller that feels real (for obvious reasons).
44. THE HOBBIT: THE DESOLATION OF SMAUG As a Legend of Zelda fan, this movie's world awakened something in me.
43. FRUITVALE STATIONThis character story is at odds with its out-universe goal, but Michael B. Jordan is unforgettable.
42. BEFORE MIDNIGHTI'm still not sure how I feel about that ending, but it was good to catch up wit Jesse and Celine.
41. DARK TOUCHEverything that Carrie could have been. A shocking fantasy about human pains.
Walt Disney Co via Everett Collection
40. THOR: THE DARK WORLDMore Chris O'Dowd.
39. BLUE IS THE WARMEST COLORIntellectually stimulating, but doesn't hit all its emotional marks.
38. THE WORLD'S ENDI've been saying "Gooey Wooey Egg Man" for months.
37. THE GREAT GATSBYLights! Music! Pizzazz! Moxy! The bee's knees! The cat's pajamas!
36. ENOUGH SAIDBest TV drama's male lead + best TV comedy's female lead = quite a charming romantic dramedy.
35. SIGHTSEERSWell, this is rather amusi— HOLY S**T WHERE THE F**K DID THAT COME FROM?!
34. THE PLACE BEYOND THE PINESNot sure if the "three stories" approach makes for the most powerful character work, but it's an enchanting ride.
33. THE WE AND THE I A bus full of inner-city high school kids turns into a magical kingdom thanks to Gondry's dreamy edge.
32. NEWLYWEEDSA love triangle with marijuana as the third party. Weighty, but never overly so, and funny throughout.
31. GRAVITY. . .
30. PRINCE AVALANCHE Heh heh, look at Paul Rudd's mustache.
29. THE WOLF OF WALL STREET Yes, we all loved the 'ludes scene. Very, very much.
28. ALL IS LOSTRobert Redford, you still got that same oomph. You too, ocean.
27. SAVING LINCOLN The weirdest, goofiest, funniest biopic about Abraham Lincoln ever.
26. THE KINGS OF SUMMER Kids run away, live in the woods, grow up, make jokes. Always a charming endeavor.
25. AMERICAN HUSTLE Little more than a cartoon, but an emotionally explosive and riotous one at that.
24. THE HEAT Melissa McCarthy insisting on stepping out of a moving car earns a full five minutes of laughter alone.
23. DRINKING BUDDIESNever dips too low on the emotional spectrum, but stays real and fresh in the face of the rom-com genre.
22. UPSTREAM COLORA difficult, confusing, harrowing thinker.
21. STOKER Somehow both effectively haunting and deliciously fun.
Room 237: the movie/Facebook
20. ROOM 237 Less a doting tribute to The Shining or Kubrick than it is to movie-lovers and their bottomless well of theories.
19. BLUE JASMINE Each party fires on all cylinders in Woody Allen's Streetcar gem, Sally Hawkins especially.
18. S#X ACTSThe sadness of this story of our youth's desperate obsession with and reliance on sex is its authenticity.
17. IRON MAN 3 The first true action comedy in Marvel's line of films shows how much fun superhero movies can really be.
16. ESCAPE FROM TOMORROW Take notes, John Dies at the End. THIS is one weird f**king movie.
15. NEBRASKA Father vs. son, past vs. present, dreams vs. reality. Everything here is touching, funny, and inviting.
14. PAIN & GAIN Michael Bay talks a long, hard look in the mirror with this biting send-up of everything his other movies represent.
13. THIS IS THE ENDFar more interesting and insightful than it will get credit for being, This Is the End uses a literal apocalypse and no dearth of d**k jokes to deconstruct tenets of friendship and social politics.
12. THE ACT OF KILLING While this documentary would benefit from restructuring, the power of its message (especially its final few monents, not to mention the "anonymous"-heavy credits) is painfully resonant.
11. FROZENOffering the magic and whimsy you'll remember from time-honored Disney classics, but so much more in the way of its message, Frozen might very well be the most magnificent and meaningful animated feature yet to spring from Walt's legacy.
10. COMPUTER CHESSIt doesn't have much to say about the human condition (beyond maybe highlighting our propensity for arrogance and self-directed delusion). It doesn't tell a story that'll stick with you for very long. But Computer Chess reigns supreme as, far and away, the funniest movie of 2013.
9. SPRING BREAKERS A dark, wicked, wholly upsetting reflection of the toxic direction in which we might be headed. And James Franco gives a tour-de-force of a performance with his demonic scoutmaster Alien.
8. IT'S A DISASTER An intelligent, meticulously directed farce about group politics and conflicting personal philosophies, executed to near perfection thanks to the rhythmic participation of a more than capable cast.
7. 12 YEARS A SLAVEAn unprecedented masterpiece that sings the traumas not only of Solomon Northrup, a free man captured and sold into slavery, but in his fellow sufferers as well. For my money, the true anchor of the story is in Lupita Nyong'o's Patsey, whose suffering is unlike anything we've seen managed on the big screen in years.
6. HER With so much to say about such tremendous topics, Her manages to still dive so deep into the heart of its story: the pangs of love in the wake of the inevitable fallibilities of romantic relationships. Joaquin Phoenix and Scarlett Johansson alike give dynamic performances, and Spike Jonze mystifies us with his strange, cold, all-too-familiar world.
A24 via Everett Collection
5. THE SPECTACULAR NOWThis is one of those movies you try to convince yourself to inch out of your top 10, or five, for fear of being seen as juvenile. ButThe Spectacular Now hits such genuine notes with Miles Teller's Sutter, climaxing at a moment where you'll recognize an angst so true to life and so criminally absent from most movies about the journey toward self-love.
4. FRANCES HA Months and months after my first encounter with it, this deceptively simple film sticks in my head, reminding me that its every artful beat is riddled with emotional weight and ironic humor alike. Greta Gerwig and director Noah Baumbach give us the a New York movie to rival Annie Hall, zooming in and out of the perspective of the young women and men who occupy, and drown within, today's version of the biggest, most stupefying city in the world.
3. INSIDE LLEWYN DAVISSadness, coldness, loneliness, failure... such wonderful things when handled by filmmakers like the Coen Brothers. Padding this antithesis of triumph with some of the most beautiful, somber music you'll hear all year, Inside Llewyn Davis makes us fall in love all over again with the very idea of the artistic struggle.
Touchstone Pictures via Everett Collection
2. THE WIND RISESHayao Miyazaki's final movie doesn't pass judgment on its hero, a man so devoted to his work (building weapons) that he neglects his wife, sister, and friends. It doesn't endorse these choices either. Instead, it hones in on the passions of its hero/antihero, challenging us to sympathize with a fellow whose only desire is to do his job while we lament his sacrifices. More even than Gravity does the frequently airborne animated picture induce dizzy spells as we connect with the conglomerate of colorful, intriguing characters in this grim but dainty biography.
Cinedigm via Everett Collection
1. SHORT TERM 12 There are so few flaws to highlight in The Wind Rises, Inside Llewyn Davis, Frances Ha, and the other entries on this top 10 list. What separates Short Term 12 is not a complete lack of error, but in an umatched spirit for the telling of its story. The movie wants us to feel the pains of counselor Grace (Brie Larson) and the disavantaged children for whom she cares, highlighting abused Jayden (Kaitlyn Dever) and orphan Marcus (Keith Stanfield). It also wants us to feel the hope that it brings to these characters in their plight to overcome the hands they have been dealt. Every emotion in this movie carries through with such force. For those of us who know any of these trials personally, they ring tremendously true. For others, they work to invite you into this sad but hopeful world. We've been gifted with a ton of exemplary cinematic works this year, but nothing sticks with me more than this tearful, heartrending masterpiece.
Follow @Michael Arbeiter | Follow @Hollywood_com
Former child actor Gattlin Griffith was literally shaking in his boots as he played a hostage victim opposite Josh Brolin's escaped convict character in new movie Labor Day, because he was so nervous about working with the Oscar nominee. Director Jason Reitman decided against introducing the two actors to one another before the shoot, so when it was time to film their first scene together, the 15-year-old Changeling star was a trembling wreck.
Co-star Kate Winslet, who portrays Griffith's divorced mother, admits the teen's natural nerves gave the scenes a feeling of authenticity, and she even encouraged the youngster to not to relax so that his fears would play out onscreen, as Reitman intended.
She tells TheWrap.com, "Jason is not a fan of rehearsal, and I would say that his decision not to rehearse really lent itself particularly well to the atmosphere that he was wanting to create. Because there's a newness and a rawness to any child actor. Gattlin is a very sweet, untouched kid, and Jason's decision not to rehearse us kept Gattlin always on that edge of feeling just a little bit nervous, not quite knowing what's going to happen next.
"The first time Josh and Gattlin met was when we filmed the first scene in Price Mart (discount store), and Gattlin was actually shaking in his shoes. He was all right with me by then, I'd been with him for a couple of weeks, and I'd managed to relax him a bit. We were friends, and I was just Kate.
"But suddenly there was Josh, sweating and bleeding and looking a bit scary. And after a few takes he was shaking. I sidled up to him... and said, 'Are you OK?' He's like, 'Yeah, geez, he's really kind of scary. I'm finding it so hard to relax.' And I said, 'Well, don't, then. Keep being nervous, this is perfect.' And I could see a light bulb go off in little Gatlin's face. He got it, you know. That was Jason, he very much planned that it would be like that for young Gattlin."