Welcome to The Voice, the reality singing competition show that’s done for chairs what La-Z-Boy did for music. Christina Aguilera, Blake Shelton, Adam Levine, and Cee Lo Green are back to duke it out in the fourth installment of season three’s blind auditions.
Throughout the episode, Blake giddily brandishes his Male Vocalist of the Year award from ACM, the Academy of Country Music (pro tip, Blake: if you need to explain an acronym four times, it becomes exponentially less impressive). He keeps his trophy tucked behind him as a bargaining chip, and one can only imagine that he’s commissioned a specially designed nook for it in the shower.
Seventeen-year-old Melanie Martinez, our first hopeful, is a human cartoon character: half-Pebbles Flintstone and half- Sailor Jupiter, or maybe just a Tim Burton-redesigned Powerpuff Girl.She offers a completely unexpected cover of Britney Spears’ “Toxic,” playing guitar while keeping time on a tambourine with her feet (lending further credence to my Flintstones comparison. Her sexy, playful voice bears — as Adam says — some similarities to Björk’s, and the judges praise her for sounding as unique as she looks.
Melanie’s Result: Team Adam
Backstage, Cupid has dozens of contestants and their families line-dancing to his “Cupid Shuffle,” the 2007 novelty song that crowned him king of bar mitzvahs and roller rinks across the land. “Does this whole idea of being a one-hit wonder just eat at you?” asks Carson Daly, whose community college Intro Psychology class is going well, thank you.
Despite The Voice’s insistence on playing B-roll of him dancing alone in front of a mirror — something no human male has been able to pull off non-creepily since The Silence of the Lambs — Cupid seems like a kind, genuinely talented man, but sadly proves to be his own worst enemy.
Although he longs to be taken seriously, Cupid bizarrely chooses to audition with the “Cupid Shuffle” (forever the poor man’s “Cha Cha Slide”), the very song that both “defines” and “confines” him.
Bad call, bro. Cupid’s adequate performance draws no interest from the judges, but when their chairs turn, Cee Lo recognizes him instantly. “That’s him, that’s his actual song,” Green cries, and the awkward, auditorium-wide silence that follows has permanently replaced the naked-in-front-of-the-whole-class scenario as my subconscious’s go-to nightmare.
At Cee Lo’s request, he sings something else — a fantastic a capella “Let’s Get It On” — but Cupid’s arrow has already missed its mark.
Up next on The Voice, Marcia Griffiths and Los del Rio.
Cupid’s Result: Team Nobody
A single father, Brian Scartocci delivers a powerful, capable version of Stevie Wonder’s “Isn’t She Lovely” that’s a little John Legend, a little Michael Bublé. I find him inexplicably annoying in spite of his obvious talent, mostly because he’s wearing a scorpion belt buckle that is as hideous as it is large (very).
In wooing Brian to his team, Adam can’t help but note that he has actually had the chance to meet Stevie Wonder, as well as to sing with Stevie Wonder, and has he mentioned that he knows Stevie Wonder personally?
Brian’s Result: Team Adam
Married couple Shawn and Natasha perform together as Rhythm Amplitude — I mean, Tempo Bandwidth — I mean, Beat Frequency. With Shawn’s shaved head plus indoor sunglasses and Natasha’s crimped, bleached hair plus purple eyeshadow, it’s like a celebrity look-alike agency sent over a third-rate Pitbull and a fourth-rate Xtina.
Some of Beat Frequency’s harmonies on Katy Perry’s “E.T.” are gorgeous — in particular, Natasha’s voice can soar — but Shawn’s take on Kanye West’s rap is downright cringe-worthy.
Beat Frequency’s Result: Team Christina
College athlete Tyler Lillestol decided to pursue singing when he gave up on baseball — yup, that’s the music business for you, good old reliable plan B.
Tyler recently sang the national anthem at Dodger Stadium. After his performance, Carson Daly appeared on the Jumbotron to invite Lillestol to the blind auditions, and then spent the next 10 minutes unsuccessfully soliciting someone, anyone, to appear on the Kiss Cam with him.
Tyler’s “U Got It Bad” demonstrates a smooth, silky voice, but not one of professional quality.
Tyler’s Result: Team Nobody
You can tell Liz Davis is a country girl because she likes “to get on the back of a four-wheeler and ride around for no reason,” which is one aspect of Southern life that I’m pretty sure they glossed over in Gone with the Wind.
Despite being a pretty 25-year-old with kind of a young- Jean Smart thing going on, Liz belts “Here for the Party” like a brassy, middle-aged barfly — which is to say, exactly as the song is meant to be sung.
Liz’s Result: Team Blake
(During the commercial, I discover through some characteristically neurotic Googling that Liz previously competed on something called P. Diddy’s Starmaker, a reality music contest that she ultimately won — so I guess the show’s title was a little misleading, am I right, guys?
But get this. Liz actually performed the same song on that other show. And that’s not all. It turns out that Beat Frequency briefly appeared on The X Factor, singing — wait for it — “E.T.”
I feel so dirty.)
Despite Senator Ted Stevens’s (R-Alaska) infamous insistence that the Internet is but a “series of tubes,” Anchorage native JR Aquino is a web sensation — his homemade music videos have logged more than 45 million views on YouTube, where he’s one of the top 100 most-subscribed musicians in the world.
JR’s beautiful falsetto sounds uncertain on the highest notes of “Just the Way You Are,” but his voice has a sweetness that would make Bruno Mars proud.
JR’s Result: Team Cee Lo
Carson surprises Agina Alvarez — not to be confused with her brother, Enis — with an invitation to the blind auditions while she folds towels at the tennis club where she works. Signed to Sony Records and then an indie label as a teenager, she released a Latin album before her second record company shelved her.
Agina’s screechy disco voice brings lots of power to “Turn the Beat Around,” but all in all, is far from the most pleasant (or least feline) thing I have ever heard.
Agina’s Result: Team Nobody
Our next contestant is Nicholas David: stay-at-home dad by day, musician by night. Nicholas struggled with his drinking and his weight after college — ballooning to 300 pounds — but worked his way to back to health with the love and support of his fiancée. It’s phenomenal that he was able to “shed the weight” and “shed the booze,” but what about the facial bird’s nest that he mistakenly believes to be a beard?
Nicholas’s soulful, jazzy version of “Stand by Me” wins him a place on Team Cee Lo, though it’s clear to me he’s really a lost member of Dr. Teeth and the Electric Mayhem.
Nicholas’s Result: Team Cee Lo
Alessandra Guercio is a 17-year-old LaGuardia student — that’s the Fame high school, not the airport. LaGuardia Arts blends a normal high school curriculum with rigorous performing arts training, a drama geek wildlife preserve where no slushies are thrown (is it just me or does Alessandra have a little Rachel Berry going on in the face?).
Her cover of “The Climb” is impressively strong and controlled, but almost clinical — exactly as if she’d learned to sing in a classroom.
“It was just a great…vocal performance… It was just, like, awesome,” Cee Lo stammers, presumably occupied with desperately trying to recall the age of consent in the state of California.
Alessandra’s Result: Team Adam
Dancer Avery Wilson has never had a singing lesson. Turns out he was right to save the money — his panty-dropping “Without You” is unpolished but beautiful. His voice oozes with personality; Wilson is, stylistically, Alessandra’s inverse.
Adam calls the crowd’s boisterous response to Avery the show’s “most spirited” yet. The judges are equally captivated, and Avery earns the episode’s only four-chair turnaround.
Avery’s Result: Team Cee Lo
The Voice is back tonight at 8 pm for more blind auditions. Will there ever be anything but blind auditions, or will this “season” end next week with each coach hosting a 16-guest musical sleepover?
Get at me on Twitter @mollyfitz.
[Image Credit: NBC]
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Jim Davis (Bale) is an Afghanistan War veteran who still dreams of night vision combat. He seems to find comfort in his Mexican girlfriend but he goes back to L.A. to hang with his “homie ” Mike (Freddy Rodriguez). Mike in turn is married to the lovely Sylvia (Eva Longoria) a successful lawyer who wants her man to find a purpose in life too--or at least a paycheck. Jim thinks the easy ticket will be a law enforcement job so he can take care of both of them but he’s rejected. So the duo hit their old haunts stealing drugs getting high and faking phone calls from prospective employers. But they’ve got to do a quick come down after Jim gets a call from the Department of Homeland Security. The fact he’s already smoked up will not bode well for the urine test. Still Jim finds a way to slip through because this job is more than a power trip for Jim. It could allow him to bring his girlfriend to the U.S. and marry her. Nothing goes exactly as planned though. Mike must choose between his dangerous friend and his loving stable girl while Jim must survive his past to have any chance at a future. If Christian Bale is starring in an indie you know he going to be at least slightly psycho--American Psycho The Machinist to name a few. Few could make Jim as realistic as he does. Denzel Washington successfully does a charismatic street tough in Training Day but the British Bale has the manner and language down. When he says homie and other less printable slang it sounds like he knows how to use it carrying himself like the pompous gangsta. He’s scary seems unstoppable and you actually may want him to meet his end. Rodriguez plays Mike like a naïve man-child going along with his buddy despite evidence that it’s not in his best interest. It’s the less showy part so it’s hard to compare but you always believe him in the role. Longoria has a truly thankless part the totally normal one in a crazy world. The audience will relate and side with her but the actress has no chance to show any crazy quirks. All the time her Sylvia is so much classier you wonder what the attraction ever was to Mike. Some supporting actors also stand out. J.K. Simmons does his authority thing as the Homeland Security recruiter while Terry Crews is the most dimensional drug dealer seen in a while. He’ll do crime but he admonishes the boys to respect their ladies. Everyone will call Harsh Times gritty but what does that mean? Is it because of the language and violence? That’s a no-brainer in a crime story. Is it because the film is all grainy? That makes it look like a home movie but it doesn’t make “Baby’s First Bath” gritty. Is it because it’s dimly lit? That’s just hard to see not gritty. Harsh Times is all those things but the problem is who wants to watch this? Director David Ayer does create a believable world of street life but the plot ambles on. Two unredeemable guys get into trouble. They toke up but aren’t funny about it. They fight and shoot people but for no reason. They amuse each other but their exploits are hardly cinematic. It’s actually not all that entertaining of a world to visit but it achieves the discomfort an audience would feel like driving through the streets with their windows rolled up. Maybe that’s the moral of the story but honestly we don’t need a two-hour lecture; we already know.
The overall title for two series: "Fred and Barney" and "The Thing." "Fred and Barney" (Sequence 1). Newly animated adventures in the lives of the Flintstone and Rubble families. See also "The Flintstones."
The Thing (Sequence 2). The story of Benjy Grimm, a high school student who, when the need arises, changes himself into The Thing, an orange hulk he uses to help good defeat evil.