While Steven Spielberg's Saving Private Ryan helped define the style of a modern day war film it was his HBO mini-series Band of Brothers that truly captured the World War II experience. The multi-part saga dealt with every nook and cranny of the US military's involvement in the war from large scale battles to intimate character details. The new movie Red Tails developed and produced by Spielberg's Indiana Jones collaborator and Star Wars mastermind George Lucas attempts to cover the same ground for the sprawling tale of the Tuskegee Airmen—albeit in a two hour compressed form. The result is a messy handling of a powerful story of heroism. The good intentions make it on to the screen...but the drama never gets off the runway.
Red Tails assembles a talented cast of young actors to portray the brave men of the 332nd Fighter Group a faction of the Tuskegee Airmen. The ensemble is reduced to a jumble of simplistic one-note characterizations: Easy (Nate Parker) the do-gooder with a dark past; Lightning (David Oyelowo) the suave rebel who never listens to orders; Junior (Tristan Wilds) the fresh-faced newbie ready for a good fight; and the rest a nameless group of underwritten yes men all with just enough backstory to make you interested but never satisfied. Thankfully with the little material they have to work with the gentlemen excel. Rapper-turned-actor Ne-Yo is a standout as the quick-witted Smokey overshadowing vets Terrence Howard and Cuba Gooding Jr. (who spends most of the movie chomping on a corn cob pipe and grinning).
With the plethora of characters comes too many plot threads and Red Tails stuffs its runtime with everything from epic flyboy dog fights romantic interludes (Lightning finds himself infatuated with a local Italian woman) office politics alcoholism and even a POW camp escape. If there was a true lead character the movie may have succeeded in stringing the events together in a coherent narrative but instead Red Tails is choppy and uneven. The aerial battles for all their CG special effects nastiness are incredibly exhilarating but when the movie's not tackling the intensity of a battle (which it does often) it comes to a near halt. That mostly comes down to history standing in the way—the crux of the story focuses on how segregation caused the military's higher ups to avoid utilizing the Red Tails in true battle. Meaning there's a lot of talk on how the team should be fighting as opposed to actually doing it.Director Anthony Hemingway tries to do this important historical milestone justice but the execution flies too low even under made-for-TV movie standards. Red Tails is a dull history lesson occasionally spruced up with Lucas' eye for action. The charisma of the the main set of actors goes a long way in keeping the film tolerable but they can't fill the gaping hole where the emotional hook belongs. This is a movie about heroes yet not once are the filmmakers able to pull off a moment that feels remotely brave. Which is unfortunate—as it's a story of the utmost importance.
In the political thriller The Ides of March – George Clooney’s adaptation of the stage drama Farragut North – Ryan Gosling stars as Stephen Meyers campaign press secretary to Mike Morris (Clooney) a leading candidate for the Democratic presidential nomination. Savvy self-assured and blessed with a preternatural ability to spin a story in his candidate’s favor Stephen is a fast-rising figure with a dazzlingly bright future. Unlike his more seasoned – and cynical – campaign-manager boss Paul Zara (Philip Seymour Hoffman) Stephen all of 30 years old still boasts something of an idealistic streak. He believes in Morris not just as a meal ticket but as someone who just might make the world a better place.
Stephen’s idealism and ambition come into conflict when in the feverish days leading up to the pivotal Ohio primary he suffers a series of judgment lapses that threaten to derail his promising career. Teased with the prospect of a job offer he’s lured into a meeting with Tom Duffy (Paul Giamatti) the campaign manager of Morris’ main Democratic rival – a major no-no in a business that prizes loyalty above all else. Later he beds a beguiling young intern Molly (Evan Rachel Wood) who unwittingly drops a bombshell that could very well bring down the entire Morris campaign.
There’s nothing particularly revelatory about Ides of March. Our eyes were long ago opened to the amorality and viciousness of electoral politics. And goodness knows we’ve witnessed political scandals far more salacious than anything depicted in the film. Ides of March’s strength lies in the power of its storytelling in the way that Clooney brings together several distinctive headstrong characters and sets them against each other in a riveting game of intrigue. It helps compensate for the been-there done-that familiarity of the topics explored.
Clooney is very much an actor’s director and Ides of March is a testament to how absorbing it can be to witness skilled performers operating at the peak of their powers. Gosling is particularly fascinating to watch as his character awakens to the severity of his predicament. When Stephen is dismissed from the Morris campaign after Zara learns of his meeting with Duffy the firing triggers in him something akin to a fight-or-flight instinct. His livelihood endangered he scrambles to outwit his former colleagues seizing upon tragedy and scandal to worm his way back into the fold. All pretense of idealism vanishes and his expression betrays the slightest hint of derangement. The game has claimed him.
The actor has dazzled star-studded crowds this summer (10) at Central Park's Delacorte Theater in Manhattan, where he played villain Shylock in the William Shakespeare play, and bosses at The Public Theater are so impressed by his eight-week run, which ends on Sunday (01Aug10), they have struck a deal with Pacino to relocate the show this autumn (10).
Pacino will reprise his role on 19 October (10) for a limited run at the Broadhurst Theatre.
No further casting announcements were made as WENN went to press.
Pacino previously played Shylock in a 2004 film adaptation of The Merchant of Venice.
On Broadway, he has won Tony Awards for his performances in Does a Tiger Wear a Necktie? and The Basic Training of Pavlo Hummel. He also appeared in Camino Real, Richard III, American Buffalo, Chinese Coffee, two productions of Salome and Hughie, which he also directed.
An adaptation of O'Neill's play about a down-and-out gambler whose very survival depends on his talent for telling tales and on the necessity of having someone there to listen -- in this case, the bored and lonely front desk clerk at the flea-bitten hotel where Erie resides.