This Post Contains Spoilers for the Upcoming Guardians of the Galaxy!
With all of the attention surrounding the Avengers franchise in the last few days, Marvel wanted to make sure the world didn’t forget that they have another team of superheroes hitting screens in just a couple of weeks. And the way they chose to go about that was by revealing a cast list that let some of the most exciting, buzzed about and truly bizarre cameos in Guardians of the Galaxy slip to the entire Internet. According to Stitch Kingdom, cult favorite Nathan Fillion will be appearing as “Monstrous Inmate,” – which is a bit of a letdown, considering the amount of press his cameos has generated over the past few months – Stan Lee will play “Xandarian Ladies Man,” and Howard the Duck will be making an appearance as himself.
Yes, you read that last sentence correctly: Howard the Duck will be in Guardians of the Galaxy. It hasn’t be revealed why, when, or how he will make a cameo, but he will be there, and Stitch Kingdom has the casting scroll to prove it. But as absurd as it seems to have Howard the Duck, who despite his divisive feature film is a Marvel fan favorite, appear in Guardians of the Galaxy, it doesn’t even come close to topping the list of the most bizarre character crossovers and cameos. Seriously, there are things out there that are stranger and more confusing than the prospect of Howard hanging out with Rocket and Groot. Don’t believe us? Take a look for yourself:
Charles Barkley and Godzilla The union of the five-time NBA All-Star and two-time Hall of Famer and the giant mutant lizard that has been known to both spit fire and shoot lasers from his eyes was originally conceived as a Nike ad, and later expanded into a comic book. Because nothing says “cool sneakers” like a basketball-playing kaiju that can’t actually fit his giant feet into shoes. Also, who was buying that comic book?
Spider-Man and Ren and Stimpy There was once a time when you hadn’t properly made it until your cartoon got its own comic book. Unfortunately, some shows just aren’t meant to be read, and Ren & Stimpy is one of them, so when the comic book (unsurprisingly) failed to sell, they brought in the big guns: Spider Man. In true Ren & Stimpy fashion, Spidey took on Powdered Toast Man, that beloved vigilante superhero/breakfast food spokesman. If you’ve ever wanted to know what it was like to read a 12-year-old's fever dream, this is the comic for you.
Superman and the Quik Bunny Spider-Man isn’t the only superhero to succumb to some very obvious product placement. Superman one teamed up with the Quik Bunny, purveyor of powder that makes your milk brown, in order to fight the Weather Man, a lame villain with fourth-tier powers and a costume that made him look like he was starring in a community theater production of Robin Hood. At least Spider-Man had the dignity of fighting with a fictional breakfast-hero.
Inspector Gadget and Mario and Luigi Remember the Super Mario Bros. Super Show!? No? Well, that’s probably for the best, but it does mean that you missed seeing Inspector Gadget, the world’s more over-equipped and incompetent detective, get his various malfunctioning parts fixed by Mario and Luigi, who are supposed to be plumbers. You probably wouldn’t be surprised to find out that it goes horribly wrong, to no-doubt hilarious consequences. Clearly, the moral of this episode was to play to your strengths, and maybe not to call a plumber to fix a wire problem.
Archie and the Teenage Mutant Ninja Turtles On some level, this one probably makes some sense. After all, Archie and his friends are teenagers, and so are the Ninja Turtles. Both groups like pizza and video games and, from the looks of the cover, dance parties. But what’s really strange about this crossover is that it happened as the result of the Turtles being spit out by a giant cow head, which apparently allowed them to hop through various dimensions. Mutant ninja turtles or no, there had to be an easier way to get these guys to Riverdale.
Arthur and Mr. Rogers In what is perhaps the most well-meaning, mild-mannered crossover of all time, Mr. Rogers appeared on an episode of Arthur that centered around Arthur being embarrassed that the friendliest man on television was going to be staying at his house. Of course, this conflict is solved with a charming heart-to-heart that taught children that real friends don’t make fun of their friends for what they like. Unless that thing is Transformers. Not even Mr. Rogers can endorse Michael Bay.
Marvel Superheroes and Guiding Light You know who’s really into comic books and superheroes? The kind of people who religiously watch daytime soap operas – we’re assuming that was the pitch that got Guiding Light to team up with Marvel on a crossover episode that saw soccer mom Harley Davidson Cooper gain superpowers after being struck by lightning on Halloween night and transform into Guiding Light. (Seriously.) The saddest part of this is that Marvel clearly didn’t learn anything from their failed experiment at reaching a new audience, since they had the Thor announcement revealed on The View.
Batman and Robin and Scooby Doo When it comes to crime-fighting teams, there are two that stand above everyone else: Batman and Robin and the Mystery Gang. So teaming them up on The New Scooby Doo Movies to uncover a hooded counterfeiter who’s been sending the Penguin and the Joker fake money makes perfect sense, right? Sure, if you live in a world where Mrs. Baker is on the same level of super villainy as two of the most iconic comic book villains of all time. Fun fact: this episode was so poorly received that Batman later made fun of it in an episode of his own.
Cartoon All-Stars to the RescueThe plot of this movie sees cartoon favorites like Winnie the Pooh, Alvin and the Chipmunks, the Muppet Babies, the Looney Toons, and the Smurfs come to life in order to convince Michael to stop smoking pot, drinking, and stealing from his sister’s piggy bank for drug money. Because if anything is going to convince someone to stop doing drugs, it’s a bunch of cartoon characters who suddenly come to life and sing songs about life choices. Clearly, all D.A.R.E. really needed to be effective was Daffy Duck.
Chinese actress/singer Zhou Xun stunned fans at a charity concert on Wednesday (16Jul14) by marrying her boyfriend Archie Kao onstage.
Devotees were expecting the Cloud Atlas star, 39, to announce her engagement to Chinese-American actor Kao after performing two songs at the event, but instead she changed into an ivory Chanel wedding gown and reappeared in front of the audience carrying a bouquet of flowers.
Kao, wearing a tuxedo, joined her in the spotlight and they exchanged vows. After the ceremony, CSI: Crime Scene Investigation actor Kao, 44, told the crowd, "It's love that brought us all here tonight, and it's also love that brought me and my wife together."
CBS announced its fall television lineup today, and the network seems to be charting very familiar territory. While the other broadcast players scramble for the next big thing, CBS is firmly in cruise control. It would be easy to say that the the channel is just going through the motions, but the folks at CBS know what works and know their audience even better, which is why they're still the reigning champs of broadcast television. This year, the channel that brought you NCIS and NCIS: Los Angeles, brings you their next surefire hit, NCIS: Somewhere Else, plus another half dozen police procedurals and two new comedies... one of which is actually a really old comedy. In these hardscrabble times, it may be difficult to decide which NCIS to watch, so we've rounded up all the new shows in CBS's 2014-2015 lineup.
Scorpion What It Is: Drama.What's It About: Eccentric genius and his team of misfits battle against high tech threats of the modern age, but the socially awkward group needs a translator of sorts, to help them communicate to the world around them.Who's In It: Elyes Gabel, Robert Patrick, Katharine McPhee.What It Sounds Like: The Big Bang Theory meets Criminal Minds. How Good Will It Be: It looks like This show looks like it might try to mine the same kinds of humor as The Big Bang Theory, which often nosedives into silly stereotyping of nerd culture without being actually funny or insightful. This one isn’t looking good at all. How Long Will It Last: CBS might be trying to find a bridge between the faux-geeky comedy in Big Bang and the litany of cop procedurals on the network. Perhaps the network’s audience will pick up on that. Airs: Mondays at 10 PM this fall.
NCIS: New Orleans What It Is: Police procedural.What's It About: The local field office investigates criminal cases involving military personnel. Who's In It: Scott Bakula, Lucas Black, Zoe McLellan.What It Sounds Like: It’s going to be NCIS, but everyones going to be talking about gumbo. How Good Will It Be: As good as an NCIS spin-off can be. Scott Bakula is great, but we doubt he's going to flourish in this.How Long Will It Last: Forever.Airs: Tuesdays at 9 PM this fall.
Stalker What It Is: Police procedural. What's It About: Det. Jack Larsen and his new boss, Lt. Beth Davis, investigate dangerous stalker incidents. Who's In It: Maggie Q, Dylan McDermott.What It Sounds Like: The inevitable Catfish episode of Law and Order: SVU. How Good Will It Be: CBS already has about 90 other cop shows, and this one isn’t doing much to stand out. There’s a new wrinkle (hey, we’re only going after stalkers in this on) but that’s no enough to separate it from the herd. How Long Will It Last: McDermott’s last show on CBS, Hostages, was a big misfire for the network. Plus, there are already so many procedurals clogging up the network’s schedule. We’re thinking some cop drama fatigue might be creeping in. Airs: Wednesday at 10 PM this fall.
Madame Secretary What It Is: Political drama.What's It About: Elizabeth Cord, the newly appointed Secretary of State, balances work and family life while trying to serve the President. Who's In It: Téa Leoni, Bebe Neuwirth, Geoffrey Arend, Patina Miller.What It Sounds Like: House of Cards without all the murder by train.How Good Will It Be: It looks a little staid compared to the wilder political action available from other dramas of its ilk. Still, maybe a slower drama depicting Washington is a move in the right direction.How Long Will It Last: House of Cards and Scandal has shown that political shows can survive and thrive on TV as long as they’re soapy and ridiculous. Madame Secretary looks a bit tamer than those two efforts so thrillseekers might not be interested. We’ll give it a season or two. Airs: Sundays at 8 PM this fall.
The McCarthys What It Is: Multi-camera sitcom. What's It About: The gay son of a brash Boston family wants to leave the city, but decides to stay when his outspoken and politically incorrect father gives him a position as an assistant coach on the local basketball team. Who's In It: Laurie Metcalf, Tyler Ritter, Jack McGee. What It Sounds Like: That one episode of All in the Family where meathead comes out to Archie. How Good Will It Be: We’re excited to see Laurie Metcalf return to TV, but the story itself doesn’t sound all that original or exciting. How Long Will It Last: Since Fox’s Dads failed to deliver ratings, it seems that we might be a bit tired of the whole "outspoken fathers annoying their sons thing" on TV. This one might not get a back nine. Airs: Thursdays at 9:30 PM this fall.
CSI: CyberWhat It Is: Police procedural.What's It About: Special Agent Avery Ryan is in charge of the Cyber Crime Division of the FBI, a team that solves crimes centered on the Internet.Who's In It: Patricia Arquette.What It Sounds Like: CSI meets the Internet.How Good Will It Be: It depends which The Who song they chose for the theme song. How Long Will It Last: Forever, or at least a handful of years.Airs: Midseason.
Battle Creek What It Is: Police procedural.What's It About: Two bickering detectives with polar opposite world views work together to clean up the mean streets of Battle Creek, Michigan. Who's In It: Josh Duhmel, Dean Winters.What It Sounds Like: A more straightforward version of True Detective How Good Will It Be: Dean Winters is always great, and television heavyweights Vince Gilligan (Breaking Bad) and David Shore (House) are producing. This could be something special.How Long Will It Last: This series seems darker and grittier than the average CBS procedural, which might not click with regular viewers of CBS’ breezier cop dramas. We’ll be surprised if this gets a second year. Airs: Midseason.
The Odd Couple What It Is: Multi-camera sitcom. What's It About: Charming slob Oscar Madison and buttoned-up neat freak Felix Unger become unlikely roommates after the demise of their marriages. Who's In It: Matthew Perry, Thomas Lennon.What It Sounds Like: Well… The Odd Couple.How Good Will It Be: We can’t imagine what new spin this new show could put on the Odd Couple formula since every other sitcom is basically a pastiche of the Odd Couple anyway. Been there, done that. How Long Will It Last: Matthew Perry has been on a serious losing streak so he may be a bad omen for The Odd Couple. we'll give it a season.Airs: Midseason.
Tribeca Film via Everett Collection
Palo Alto bleeds aimlessness in a lot of good ways. In the tradition of Dazed and Confused and The Last Picture Show, Gia Coppola's directorial debut lands us knee deep in the ennui of a self-contained society of small town teens, daring us to dive right into a neon cesspool vacant of hope or self-actualization. Keeping in step with the mentioned films, Palo Alto is far less interested in telling a story than it is in painting a picture. The spectacle that results is beautiful, piercing, and — quite definitely — Coppolian. But it hits some difficulty when it tries to move beyond its frame.
Adapted from the short stories of at-least-he's-always-interesting James Franco (who is featured in the movie as a sneakily lecherous soccer coach), Palo Alto tags us to the corroded souls of a gaggle of misguided high schoolers in suburban Central California. Emma Roberts is the ostensible lead; her April is a sullen young woman whose chief character trait is sympathetic disillusionment. Her paths cross here and there with Mr. B (Franco) and likewise wayfaring classmate Teddy (Jack Kilmer — son of Val, who has a brief part in the film as the space cadet stepfather to Roberts), who is lightyears away from appreciating the gravity in his drunk driving episode and subsequent community service.
Tribeca Film via Everett Collection
The highlight of the bunch is Teddy's pal Fred, a compulsively obnoxious clown who The Naked Brothers Band's Nat Wolff stuffs with palpable agony and confusion. Buried inside of him, April, Teddy, and the scattered secondary players who work to identify the core of the proper main character — Palo Alto itself — lives our story, never progressing in any direction thereon out. The film is a snapshot of the pangs, frustrations, misgivings, malfeasances, and so on of the kids, adults, and neighborhood in question. In this form, it glows.
But Palo Alto tries to drive its story forward, yanking April, Teddy, and Fred out from the stronghold of their communal desperation and throwing them into the beyond. It's this forward motion that brings our attention to the delicate seams of the film, its unpreparedness in handling the story as much more than a lasting glimpse. We feel the elements slipping away from Coppola as she attempts to set them on a motive course for the first time in the third act, and so we have a tough time staying adhered as we once were to the characters — the falter is doubled by the fact that this emancipation comes at the intended peak of their emotional journeys.
Although the film might leave off dabbling in undeveloped turns — feeling frayed, uneven, and incomplete (I suppose it's hard to insist that such qualities are inappropriate for the story at hand) — it spends the lion's share of its time in a remarkable establishment: a portrait as lifelike as it is dreamy and as funny as it is haunting. It might lose its balance when it grabs for agency, but it offers an image very much worthy of our eyes.
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Annapurna Pictures via Everett Collection
Looks like spring break really is forever. According to ScreenDaily, a sequel to Harmony Korine's Spring Breakers is in the works, and is currently in the middle of acquiring a cast and funding. But if you're looking to see Brit, Candy, Cotty, and Faith go on more insane, illegal spring break adventures, we've got some bad news for you: Spring Breakers: The Second Coming will focus on brand new characters. Though there will be a few allusions to the girls from the original film, the sequel will introduce a new group of spring breakers, who must take on "an extreme militant Christian sect that attempts to convert them."
Writer/director Korine is also not returning for the next installment, and those responsibilities are being taken over by Trainspotting novelist Irvine Welsh and famed music video director Jonas Akerlund. There's been talk about a possible sequel to Spring Breakers for some time now, although the most common rumor was about a prequel centered on the friendship between James Franco's Alien and Gucci Mane's Archie. However, Korine has seemed reluctant to make a sequel, so his absence from The Second Coming isn't surprising, but it does mean that Akerlund and Welsh are faced with the challenge of essentially creating a Harmony Korine film of their own.
The biggest challenge facing the pair is matching the tone of the first film. Spring Breakers relied on a balance between a commentary on pop culture and society, the shock value of the sex-drugs-gun culture that these girls embrace, and the neon-colored aesthetics of a spring break party movie. Therefore, it would be easy for The Second Coming to lean too heavily in one of these directions, resulting in a cheesy, stereotypical film about spring break, or a movie that attempts to be even more outrageous and controversial than the original at the risk of losing the message underneath the debauchery. Without that balance, the artistry of Korine's film is lost, and the cultural commentary becomes less important than the controversial surface. It's not the ridiculous behavior of the characters that makes Spring Breakers a successful film, but the way it uses that ridiculousness to make a point.
Though Korine's method of shooting tends to differ from project to project, all of his films feature some shared stylistic elements that characterize them as a "Harmony Korine film." While his use of abstract images and non-linear storytelling might seem easier to emulate than a director with a very rigid, direct cinematic style, it also means there is more room for interpretation, and therefore will be harder for Akerlund and Welsh to match Spring Breakers in tone and style. Since the sequel features both new characters and a new creative team, the tone of the films is needed to keep them connected; otherwise, it's just a film about college students on vacation, that happens to be using the Spring Breakers name to gain attention.
However, both Akerlund and Welsh have an advantage over many other directors and writers who might ahve signed on for the project, thanks to their individual styles and experience. Spring Breakers utilized both pop music and pop culture references and imagery in order to comment on modern culture, and so Ackerlund's time working with artists like Lady Gaga and Britney Spears makes him a great choice to take over the directors chair and bring the neon-lit world of spring break back to life. His videos tend to have a distinct style - dramatically lit to give the clips a distinct mood, artistically shot, and featuring plenty of abstract imagery - which is very similar to the kind of pop video imagery that Korine used. His glossy, high-concept style will be balanced out by Welsh's gritty realism, as his most acclaimed work proves that he won't shy away from the darkness and debauchery of the spring break culture, and isn't afraid of depicting the grim reality of a situation, even if it's controversial.
Which means that while we wait and see whether Ackerlund and Welsh's styles will combine to make another entertainingly insane installment of Spring Breakers, we can focus our attention on predicting which actor will whisper about spring break through their grills this time around.
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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After a painful 364-day wait, the second season of E4’s My Mad Fat Diary has finally begun! Now that it’s back, we’ve been reminded of just how fantastic it is. My Mad Fat Diary is so good that anyone who watches the first episode is instantly hooked (trust me, we have multiple people who can testify to this). However, if you haven’t given it a shot just yet, here are a few reasons why you definitely should.
For those who didn’t grow up in the '90s, the soundtrack won't have the same nostalgic zest. However, anyone who knows anything about music from the decade can appreciate the music in My Mad Fat Diary. From Oasis to Radiohead to the Spice Girls, there’s something for everyone, and it adds a layer of realism to the series.
At the center of My Mad Fat Diary is Rae Earl (Sharon Rooney) who totally holds the whole series together. Rae is equal parts hilarious, vulnerable, honest, and real. Because the show is told through Rae’s diary, she doesn’t hold anything back, which means the audience gets to experience every aspect of Rae’s, life whether it’s her first bikini wax or the anxiety caused by going back to school.
Accurate Portrayal of Mental Illness
Although Rae’s experiences on My Mad Fat Diary are not exactly like everyone’s experience in high school, they’re realistic enough that anyone can relate. So, even though many people do not suffer from a mental illness, the series goes into such detail about Rae’s life that anyone watching will be able to understand. What My Mad Fat Diary does especially well is balance Rae’s mental illness with the rest of her life. It doesn’t define who she is, and the show reflects that.
Plus-Sized Leading Lady
Too often, plus-sized women on television will fall into two categories: the self-deprecating comedian or the self-conscious wallflower. Both representations tend to be stock characters who are not fully developed and who don’t portray all aspects of being a plus-sized woman. However, Rae is both at once. She is the comedian who is able to joke about her weight, but then becomes self-conscious when talking about being seen with her thinner friends. It’s refreshing to see a plus-sized character who isn’t a stock character.
Actor Sylvester Stallone surprised fans when he appeared on stage at the end of a Broadway performance of the Rocky musical on Thursday (13Feb14). The Rambo star, who has played the lovable boxer in six films, stepped out on to the stage to address the crowd after the show wrapped.
Stallone is a producer of the stageshow, which stars Andy Karl as Rocky, Margo Seibert as Adrian and Terence Archie as Apollo Creed.
Rocky is currently showing at the Winter Garden Theater in New York and already has a big fan in Tom Hanks, who took to Twitter.com on Friday (14Feb14) to rave about the musical.
He wrote, "Rocky on B'Way knocked me out! Danny Mastrogiorgio as Paulie? A Must see!"
Sony Pictures via Everett Collection
There is a certain level of enjoyment you are guaranteed when signing on for a movie that boasts a cast of George Clooney, Matt Damon, John Goodman, and Bill Murray. And that's the precise level of enjoyment you'll get from The Monuments Men — that bare minimum smirk factor inherent the idea that your favorite stars are getting to play together. In FDR-era army helmets, no less. But what we also get from the film is an aura of smug self-confidence from project captain Clooney, who seems all too ready to take for granted that we're perfectly satisfied peering into his backyard clubhouse.
So assured is the director/co-writer that we're happy to be in on the game that there doesn't seem to be any effort taken to refine the product for the benefit of a viewing audience. An introductory speech from art historian Frank Stokes (Clooney) sets up the premise straight away: the Nazis are stealing and destroying all of Europe's paintings and sculptures, and by gum we need to stop them! The concept doesn't complicate from there, save for a batting back and forth of the throughline question about whether the preservation of these pieces is "really worth it." Stokes rallies his own Ocean's Seven on a fine arts rescue mission, instigating an old fashioned go-get-'em-boys montage where we learn everything we need to know about the band mates in question: Damon has a wife, Goodman has gumption, Murray doesn't smile, Bob Balaban is uppity, and Jean Dujardin is French.
The closest thing to a character in The Monuments Men comes in the form of Hugh Bonneville, a recovering alcoholic whose motivation to take on the dangerous mission is planted in a festering desire to absolve himself of a lifetime of f**king up. When we're away from Bonneville, the weight disspears, as does most of the joy. Without identifiable characters, even master funnymen like Goodman, Murray, and Balaban don't have much to offer... especially since the movie's jokes feel like first draft placeholders born on a tired night.
Sony Pictures via Everett Collection
But wait a minute, is this even supposed to be a comedy? After all, it's about World War II. And no matter what Alexandre Desplat's impossibly merry score would have you believe (coupled with The Lego Movie, this opening weekend might be responsible for more musical jubilance than any other since the days of "Make 'Em Laugh!"), warfare, genocide, and desecration of international culture all make for some pretty heavy material. But The Monuments Men's drama is just as fatigued as its humor, clumsily piecing together a collection of mini missions wherein the stakes, somehow, never seem to jump. We're dragged through military bases, battered towns, and salt mines by Clooney and the gang — occasionally jumping over to France to watch Damon work his least effective magic in years on an uptight Cate Blanchett, who holds the key to the scruffy American's mission but doesn't quite trust him... until, for no apparent reason, she suddenly does. We never feel like any of these people matter, not even to each other, so we never really feel like their adventures do.
The Monuments Men doesn't have much of a challenge ahead of it. Its heroes are movie stars, its bad guys are Nazis, and its message is one that nobody's going to refute: art is important — a maxim it pounds home with the subtlety of a sledgehammer, through countless scenes of men staring in awe at the works of Michelangelo and Rembrandt. And in this easy endeavor, Clooney decides to coast. How could it possibly go wrong? Just grab hold of the fellas, toss 'em in the trenches, and let the laughs and danger write themselves. "This is what they came to see," Monuments Men insists. "Just us guys havin' a ball." But we never feel in on the game, and it isn't one that looks like that much fun anyhow.
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Fans of My Mad Fat Diary are patiently waiting for the second season of E4’s teenaged drama to premiere sometime in February. Little by little, E4 is releasing promotional goodies for the show: first there were short scenes in E4’s ad about the new year, then we got a slew of promo photos featuring the whole cast as well as individual shots, and finally (finally!) My Mad Fat Diary revealed the official trailer for season two. But why do fans love this series so much? Isn’t it just another teen drama?
Aside from the mega cool music featured on the show — which is a playlist that any ‘90s lover could approve — My Mad Fat Diary is one of the most realistic portrayals on television of what it’s like to be a teenager. Sure, many teens or twenty-somethings can’t relate to exactly what Rae went through in the first season (fighting an eating disorder and dealing with suicidal thoughts), but there are other aspects of her life that everyone has had to deal with. For example: finding a group of friends that you fit in with.
Then of course, there are Rae’s friends: Tix, Danny, Chloe, Chop, Archie, Finn, and Izzy. As much as fans want to be friends with Rae (and they do because Rae is mega, mega cool), they also want to hang out with all of her friends. If you’re still in high school, they’re type of people you wish you hung out with (or do hang out with already), and if you’ve graduated high school, they’re the gang you wish you had hung out with.
However it’s Rae’s unique experiences that make the audience fall in love with her. Maybe they didn’t go through what she dealt with, but the way the show is written, the audience feels like they know Rae (probably because Rae Earl is based on a real human person whose diary was published and used as the source material for this show.) Besides, how many other teen dramas deal with mental illness in as realistic and unflinchingly honest way as My Mad Fat Diary?