A great cast can be a powerful weapon. In the case of the new family dramedy The Oranges it’s the saving grace.
The formula for a quirky suburban dissection is on full display in the feature from TV veteran Julian Farino and first-time writers Ian Helfer and Jay Reiss which follows two best friend couples Terry and Carol Ostroff (Oliver Platt and Allison Janney) and David and Paige Walling (Hugh Laurie and Catherine Keener) whose BFF relationship implodes when David strikes up a romance with the Ostroff’s daughter Nina (Leighton Meester). The scandalous affair lights a fire under the well-to-do New Jersey families and when David realizes that his connection with Nina is deeper than just a one night stand their white picket fence lives completely crack.
Even with a divisive subject matter (to follow love or to stick with family?) The Oranges floats by without much edge. David and Nina’s romance begins with passion but is entirely void of sexual fire. As it evolves they become complacent and boring — everything David hated about his first marriage. That would be a great twist but The Oranges isn’t satire. The conflict comes with the scowling world around the unlikely pair the Ostroff’s distraught over their daughter’s choices Paige off exploring other options for her own now-single life and David’s daughter Vanessa (Alia Shawkat) juggling her own aimless path as a furniture designer. For a risky life choice David and Nina’s decision to declare their love for one another doesn’t come with many repercussions even in the “squeaky clean” land of Jersey.
But the cast turns The Oranges into one to watch. Laurie has a life beyond the uptight Dr. House playing David as a compassionate conflicted acceptedly selfish man. It’s easy to see why he falls for Meester’s Nina who isn’t simply a 20-something with an interest in older guys. They both see qualities in each other that are apparent to the audience and they play it with energy not present in the material. There’s a been-there-done-that feeling to Platt and Janney in The Oranges but only because they’re continually perfect as the hilarious overbearing parents. Sadly Keener goes to waste; another indie vet she spends most of the time of screen until one momentous outburst that arrives without build up.
Farino adeptly directs The Oranges and avoids the eye-rolling tropes that go hand and hand with movies of this nature (I’m looking at you head-on shots featuring Linus-like characters moping about). He knows how to let his actors play and when you have a man like Laurie in the lead that’s a must. The movie never peels back the rhine to find something new to say about the ‘burbs but with great actors in tow The Oranges rises above the lookalikes.