Fans of Alfred Hitchcock and Doris Day would know that tune anywhere. I’m not gonna lie, I was kind of hoping Ahsoka would start singing that at some point in the new Clone Wars episode. I mean, after all, it was titled “The Jedi Who Knew Too Much.” What’s funny is how relevant “Que Sera Sera,” the song that’s so prominent a part of Hitchcock’s 1956 version of The Man Who Knew Too Much, is to our little Togruta Padawan. Deep into her apprenticeship to Anakin Skywalker, she’s no longer the wide-eyed youth we first met on Christophsis five years ago. But she hasn’t completely come into her own, either. Is she a warrior? Is she a peacekeeper? In short, what will she be? And with the Dark Side obscuring everything, the future is really not hers, nor the Jedi’s, to see.
Based on Lucasfilm’s marketing of this arc, it seems that such answers are indeed on the horizon, and, even more so than last week’s “Sabotage,” “The Jedi Who Knew Too Much” seemed to set up those revelations. We began with a funeral. “Luminous beings are we,” Yoda said as he presided over the cremation of the Jedi who’d died in the Temple bombing. “But temporary vessels our bodies are.” Yeah, you can recite that over and over, but that never really gives much comfort. Palpatine was in attendance, and you can just imagine him scoffing internally when he heard that, obsessed with pursuing immortality as he is.
After the funeral, we got a sense of just how hawkish Ahsoka’s become. Her “swift justice” attitude toward Letta, the confessed bomber, was even more hard-line than proto-fascists Anakin and Tarkin, who at least were arguing that she should benefit from due process. Tarkin, now an Admiral—by the way, whatever happened to Admiral Yularen?—suggested that the Supreme Chancellor wished to start separating the Jedi from military matters…even though they’ve been leading the charge as generals in the Grand Army of the Republic since the start of the war. Since clones were also killed in the Temple blast, the prosecution of Letta should fall to the Republic military and not the Jedi.
I was glad to see Ahsoka bond with Barriss Offee once again. We haven’t really seen much of her since she turned into a zombie at the end of the Second Geonosian campaign way back in Season 2. Little Miss Tano could really benefit from being around someone her own age for once. What was interesting was that Barris was questioning one of the most fundamental tenets of the Jedi: the necessity of avoiding attachments. Is it right for a Jedi to move past emotion? On the one hand you avoid fear, anger, and hatred—emotions that lead to the Dark Side—but doesn’t compassion, supposedly the distinguishing characteristic of the Jedi, require some emotional commitment? Wouldn’t a Jedi be cold and callous rather than compassionate if he or she truly shunned all attachment? Wouldn’t that Jedi look and sound a lot like Count Dooku? Ahsoka stayed true to the Jedi line: yes, purging oneself of emotion, like how they rid themselves of fear when they thought they might die on Geonosis, does lead to greater clarity, she said. Of course, her actions throughout the rest of the episode completely contradict that sentiment.
NEXT: Please, if you’re a Jedi and someone in front of you is being Force Choked, don’t raise your hands like you’re the one Force Choking them.
The design of this building alone shows how much the Republic has changed. Whereas Classical arches, columns, and domes, even when forged out of gleaming transparisteel, used to be the defining Republic aesthetic, that’s all been replaced by hard angles and stark geometric patterns, all uniformly monochromatic. It’s like a cityscape made to look like the bridge of a Star Destroyer. Not to mention that the hallways of the prison look exactly like those in the Death Star’s detention block. There’s a line in James Luceno’s Darth Plagueis that’s a winking nod to all this polished Imperial chrome when Palpatine says that his taste in art “tends toward minimalism.” We’ve noticed!
Once at the prison, Ahsoka had to surrender her comlink and lightsabers. She got her one-on-one with the accused, and Letta told her that she had been set up. Yes, she did feed her husband the nanodroids that turned him into a bomb, but it wasn’t her idea. Actually, it was a Jedi who cajoled her into doing this. Apparently, this Jedi was among those who believe the Order has lost its way, that they’ve become warmongers rather than peacekeepers. Still, it’s hard to imagine any Jedi who maintains a belief in the Order’s original mission of peacekeeping doing something as, you know, un-peaceful as bombing the Temple. Unfortunately, Ahsoka couldn’t get a name out of Letta because all of a sudden she levitated in the air, her hands clutching her throat in muted agony. Someone was Force Choking her, but the only Jedi around was Ahsoka, and the fact that she raised her hands toward Letta made it appear like she herself was Force choking her. This didn’t look good.
NEXT: What can parsing Alfred Hitchcock’s The Man Who Knew Too Much(both versions!) tell us about ‘The Jedi Who Knew Too Much’?
Tarkin quickly confronted Ahsoka with the evidence against her, particularly the holorecording of her with her hands up as Letta’s being choked. Not good. There were no other Jedi in the facility at the time. Really not good. And if there had been another Jedi there, why didn’t she sense them? Really, really not good.
Anakin, unfortunately, was’nt allowed in to visit her. I thought for a moment he was going to Force Choke the guard, to bust his way in. But he exercised some restraint. Nonetheless, Ahsoka suddenly saw a key card outside her cell. She used the Force to levitate it and swipe it so she could get out. She thought it was from Anakin. ‘Fraid not. She was only being set up further, which she quickly realized herself when she saw clone troopers lying about unconscious and her lightsabers mysteriously on the floor. The still-conscious clones, thinking she’d escaped and was psychotically homicidal, gave chase. And then she saw it…clones dead on the ground, obviously having been slashed apart by a lightsaber. Someone really was trying to make it seem like she was on a killing spree. Now, she couldn’t go back. But who would be setting her up like this and why?
NEXT: So just who is setting up Ahsoka and what is their motive? We think we have an answer!
But what possible motive could Sidious have for framing Ahsoka? Easy. The long game here is to isolate Anakin. Sidious plans to make him all the more ripe for seduction to the Dark Side by stripping away the people around him. First, he’ll get rid of his apprentice. Fabricate a situation that causes her to be in prison or, if she escapes, requires her to leave the Jedi Order. That’ll increase Anakin’s defensiveness, his feeling of injustice, which’ll be magnified even further when Yoda and Mace Windu refuse to make him a Jedi Master despite his seat on the Jedi Council. The subtext is kind of like, “Well, we can’t make you a Master because of that whole matter of your failed Padawan…” That’ll only increase his resentment toward the Jedi. Eventually then Sidious will rob him of Obi-Wan and Padme as well, so that all Anakin will have left is him…and the Dark Side.
But getting rid of Ahsoka is the first step toward making any of this happen. And that’s why I think Sidious has not only the means but the motive to be the real perpetrator here. To Letta, I’m sure he seemed like a Jedi. Most people couldn’t really tell the difference between a Jedi and a Sith. They both have powers that make stuff fly around and carry laser swords, what’s the diff? Anyway, that’s my theory unless all of a sudden The Clone Wars has decided to introduce a new character into the mix. But this seems rather late in the game to add an anti-Jedi Jedi like Sora Bulq.
NEXT: Yeah, about that whole “moving past your emotions” thing. Ahsoka needs to practice what she preaches.
Ahsoka headed to the industrial pipelines that feed water and fuel into the government district of Coruscant, presumably located right near the military staging grounds. These looked a lot like the massive pipelines I first saw illustrated by Ralph McQuarrie in Kevin J. Anderson’s The Illustrated Star Wars Universe. That mega-plumbing really gives a sense of the vast scale of the utilities needed to keep Coruscant running. I’m also pretty certain that those massive exposed pipes are located near The Works, an abandoned industrial area of Coruscant in which Darth Sidious maintained a secret hideout during the Clone Wars. Given his proximity, it’s all the more likely then that he was the one who killed Letta.
Gotta love that Death Star-style turbolaser that fired on Ahsoka at one point. And there was even a Juggernaut! Finally, she sliced open one of those giant pipes and climbed inside to facilitate her getaway. She continued to elude the clones…but not Anakin. He finally cornered her in a dead end, as the pipe opened up onto a vertiginous cavern down into Coruscant’s underbelly. She screamed, “You didn’t even try to help me!” at Anakin, which seemed a bit unfair, though not as illogical as her “You know as well as I do that no one else will believe me.” Really? You can burn your bridges as a Jedi that quickly? This was a scene straight out of The Fugitive, and like Richard Kimble, Ahsoka took a leap of faith. She dove straight down into the abyss and hopped aboard a hover-ferry heading down into the lower levels…where Anakin himself obviously would dare not tread.
This is exciting, gang! We’re going to see the lower levels of Coruscant next week. Hopefully, there are some rakhgouls down there. And for all we know this could help introduce the environs of Star Wars 1313. A great set up though it was, “The Jedi Who Knew Too Much” was pretty great standing alone too, wasn’t it? Until next week, I leave you with this.
Follow Christian Blauvelt on Twitter @Ctblauvelt
[Photo Credit: Lucasfilm]
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