Christopher Glenn Wilson
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The Bourne Legacy Review
August 09, 2012 12:16pm ESTThis time, they built the shaky cam right into the script!
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The Help, The Artist and The Descendants lead Golden Globe nominations
December 15, 2011 4:45am ESTThe Help, The Artist and The Descendants will be the ones to beat at the 2012 Golden Globe Awards after landing four nominations each.
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SAG Award Film Nods Include 'Bridesmaids', 'Moneyball' and 'The Descendants'
December 14, 2011 6:07am ESTPlus, 'The Artist', 'The Help,' and 'My Week with Marilyn'
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The Films We’re Looking Forward To At Sundance 2011
December 02, 2010 1:11pm ESTYou know, if you happen to have a spare four straight days to watch them all.
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3:10 to Yuma Review
September 07, 2007 6:32am ESTThere’s no true grit to be found in James Mangold’s fun but safe Western remake. Nitpicking, however, is no way to treat a movie that gives us two heavyweights like Russell Crowe and Christian Bale on top of their games.
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Hostel Part II Review
June 08, 2007 1:45pm ESTHostel: Part II gives new (and quite literal) meaning to a “bloodbath”--but not much else. Don’t worry, though. It doesn’t mean you won’t still walk out of there wanting to perform a castration or two.
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Primeval Review
January 16, 2007 10:01am ESTNot even the good ol’ “Inspired by true events” tag can save Primeval from itself. But there’s still time for you to save yourself from Primeval!
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The Painted Veil Review
December 20, 2006 4:28am ESTThe Painted Veil is a lushly photographed, costume-drama actor's piece, soggy in the second half from melodrama. It tries to unmask misguided attraction between two lovers in 1920's China, but it unravels under its own conceits.
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Charlotte's Web Review
December 15, 2006 4:43am ESTAlthough Charlotte's Web suffers a little from Babe envy, it is still a very faithful and endearing live-action adaptation of the beloved children’s classic. It's the talking pig movie for the next generation!
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Hollywoodland Review
September 08, 2006 5:04am ESTHollywoodland is a well-acted, moody and sumptuously evocative recreation of LA’s seemingly glamorous underbelly circa the 1950s but tries entirely too hard to be Chinatown.
