Marc Butan
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'The Host' Is a Great Idea Body Snatched By a Sub-'Twilight,' Melodramatic Parasite
March 29, 2013 11:20am ESTStephenie Meyer can't avoid her romantic pitfalls in the new sci-fi drama.
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Killing Them Softly Review
November 27, 2012 11:52am ESTA hyper-violent gangster thriller that occasionally shoots itself in the foot.
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Pitt to Reteam with Dominik for 'Cogan's Trade'
November 03, 2010 5:50am ESTWith Casey Affleck also in the mix, we could be looking at full-on 'Assassination of Jesse James' reunion!
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The Life Before Her Eyes Review
April 18, 2008 1:41pm ESTThe Life Before Her Eyes is an artsy yet incomplete look on how lives can be changed forever by one tragic event--as fun as THAT sounds.
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We Own the Night Review
October 12, 2007 6:47am ESTFlanked thematically by last year’s Best Picture winner (The Departed) and maybe this year’s (American Gangster), We Own the Night would be small-fry--even if it is just a decent cops-and-the-city drama.
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The Ex Review
May 11, 2007 5:36am ESTAwards season begins and ends early this year: The Ex, utterly unclear from title to end, is the 2007 Worst of the First Half winner. And it’s hard to fathom anything, uh, bottoming this one in the second half of ’07.
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Good Night, and Good Luck. Review
October 07, 2005 1:54pm ESTAlthough wryly directed by George Clooney and supported by compelling performances, especially from David Strathairn, Good Night, and Good Luck is still the cinematic equivalent of unbuttered toast: dry, dry, dry.
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Godsend Review
April 30, 2004 9:35am ESTDirector Nick Hamm could have explored the potentially horrifying and unknown risks involved with cloning technology, but instead turns Godsend into a typical horror pic clone.
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But I'm a Cheerleader Review
July 06, 2000 8:00pm ESTGo, team! Though sometimes clumsy, this queer "28 Days" scores chuckles and cheers. --------------------------------------------------------------------------------Starring Natasha Lyonne, Clea Duvall, Cathy Moriarty, RuPaul Charles, Mink Stole and Bud Cort. Directed by Jamie Babbitt. Produced by Andrea Sperling and Leanna Creel. Screenplay by Brian Wayne Peterson. Released by Lions Gate Films.
