September 15, 2012 5:13pm EST
Saturday was a big day for the TV world as the 2012 Creative Emmys took place. Hollywood.com was both backstage and on the carpet, bringing you the scoop direct from the source. HBO and its epic hit Game of Thrones were the night's biggest winners, with the network taking home 17 statues — six of them for GoT. CBS wasn't far behind with 13 wins, followed by PBS with 11. Frozen Planet, Great Expectations, and Saturday Night Live each took home four awards, resulting in a three-way-tie for second place after Game of Thrones. See below for the list of winners:
Outstanding Casting for a Drama Series: Junie Lowry Johnson, Libby Goldstein, Judy Henderson, Craig Fincannon, Lisa Mae Fincannon for Homeland
Outstanding Casting for a Miniseries, Movie, or a Special: David Rubin, Richard Hicks, Pat Moran, Kathleen Chopin for Game Change
Outstanding Casting for a Comedy Series: Jennifer Euston for Girls
Outstanding Guest Actress in a Comedy Series: Kathy Bates for Two and A Half Men
Outstanding Prosthetic Makeup for a Series, Miniseries, Movie, or a Special: Greg Nicotero, Jake Garber, Andy Schoneberg, Kevin Wasner, Gino Crognale, Carey Jonse, Garrett Immel for The Walking Dead
Outstanding Makeup for a Miniseries or a Movie (Non-Prosthetic): Mario Michisanti, Francesca Tampieri for Hatfields & McCoys
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic): Paul Engelen, Melissa Lackersteen for Game of Thrones
Outstanding Makeup for a Multi-Camera Series or Special (Non-Prosthetic): Zena Shteysel, Angela Moos, Patti Ramsey Bortoli, Barbara Fonte, Sarah Woolf, Nadege Schoenfeld for Dancing With the Stars
Outstanding Costumes for a Series: Michele Clapton, Alexander Fordham, Chloe Aubry for Game of Thrones
Outstanding Costumes for a Miniseries, Movie or a Special: Annie Symons, Yvonne Duckett for Great Expectations
Outstanding Hairstyling for a Miniseries or a Movie: Monte C. Haught, Samantha Wade, Melanie Verkins, Natalie Driscoll, Michelle Ceglia for American Horror Story
Outstanding Hairstyling for a Multi-Camera Series or Special: Bettie O. Rogers, Jodi Mancuso, Inga Thrasher, Jennifer Stauffer, Cara Hannah Sullivan, Christal Schanes for Saturday Night Live
Outstanding Hairstyling for a Single-Camera Series: Anne "Nosh" Oldham, Christine Greenwood for Downton Abbey
Outstanding Guest Actor in a Drama Series: Jeremy Davies for Justified
Outstanding Choreography: Joshua Bergasse for Smash ("National Pastime", "Let's Be Bad", "Never Met A Wolf")
Outstanding Music Direction: Rob Berman, Rob Mathes for The Kennedy Center Honors
Outstanding Music Composition for a Series (Original Dramatic Score): John Lunn for Downton Abbey
Outstanding Music Composition for a Miniseries, Movie, or a Special (Original Dramatic Score): Javier Navarrete for Hemingway & Gellhorn
Outstanding Original Music and Lyrics: Adam Schlesinger, David Javerbaum for the 65th Annual Tony Awards ("It's Not Just for Gays Anymore")
Outstanding Art Direction for a Multi-Camera Series: Glenda Rovello, Amy Feldman for 2 Broke Girls ("And The Rich People Problems", "And The Reality Check", And The Pop Up Sale")
Outstanding Art Direction for Variety or Nonfiction Programming: Brian Stonestreet, Alana Billingsley, Matt Steinbrenner for The 54th Annual Grammy Awards, and Steve Bass, Seth Easter for The 65th Annual Tony Awards
Outstanding Art Direction for a Miniseries or Movie: David Roger, Paul Ghirardani, Jo Kornstein for Great Expectations
Outstanding Art Direction for a Single-Camera Series: Bill Groom, Adam Scher, Carol Silverman for Boardwalk Empire, and Gemma Jackson, Frank Walsh, Tina Jones for Game of Thrones
Outstanding Single-Camera Picture Editing for a Drama Series: Jordan Goldman, David Latham for Homeland
Outstanding Single-Camera Picture Editing for a Comedy Series: Steven A. Rasch for Curb Your Enthusiasm ("Palestinian Chicken")
Outstanding Multi-Camera Picture Editing for a Comedy Series: Sue Federman for How I Met Your Mother ("Trilogy Time")
Outstanding Single-Camera Picture Editing for a Miniseries or a Movie: Don Cassidy for Hatfields & McCoys - Part 2
Outstanding Picture Editing for Short-Form Segments and Variety Specials: Bill DeRonde, Chris Lovett, Mark Stepp, Pi Ware, John Zimmer, Ben Folts for 2012 Rock and Roll Hall of Fame Induction Ceremony
Outstanding Picture Editing for Nonfiction Programming: Andy Netley, Sharon Gillooly for Frozen Planet ("Ends of the Earth")
Outstanding Picture Editing for Reality Programming: Josh Earl, Alex Durham for Deadliest Catch ("I Don't Wanna Die")
Outstanding Animated Program: Bob Schooley, Mark McCorkle, Bret Haaland, Nick Filippi, Chris Neuhahn, Ant Ward, Andrew Heubner, David Knott, Shaun Cashman, Steve Loter, Christo Stamboliev for The Penguins of Madagascar: The Return of the Revenge of Dr. Blowhole
Outstanding Short-Format Animated Program: Brian A. Miller, Jennifer Pelphrey, Curtis Lelash, Rob Sorcher, JG Quintel, Mike Roth, Janet Dimon, Matt Price, Jack Thomas, John Infantino, Robert Alvarez for Regular Show ("Eggscellent")
Outstanding Voice-Over Performance: Maurice LaMarche for Futurama
Syd Cassyd Founders Award: Dick Askin
Governors Award: Dan Savage, Terry Miller for "It Gets Better"
Outstanding Special Visual Effects: Rainer Gombos, Juri Stanossek, Sven Martin, Steve Kullback, Jan Fielder, Chris Stenner, Tobias Mannewitz, Thilo Ewers, Adam Chazen for Game of Thrones ("Valar Morghulis")
Outstanding Special Visual Effects in a Supporting Role: Dave Taritero, Robert Stromberg, Richard Friedlander, Eran Dinur, David W. Reynolds, Matthew Conner, Austin Meyers, Jonathan Dorfman, Steve Kirshoff for Boardwalk Empire ("Georgia Peaches")
Outstanding Stunt Coordination: Peewee Piemonte for Southland
Outstanding Main Title Design: Nic Benns, Rodi Kaya, Tom Bromwich for Great Expectations
Outstanding Original Main Title Theme Music: Paul Englishby for Page Eight
Outstanding Commercial: "Best Job" (Procter & Gamble Corporate Brand) – Wieden + Kennedy, Ad Agency; Anonymous Content, Production Company
Outstanding Sound Mixing For Nonfiction Programming: Tom Paul for Paul Simon’s Graceland Journey: Under African Skies
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour): Matthew Waters, Onnalee Blank, Ronan Hill, Mervyn Moore for Game Of Thrones ("Blackwater")
Outstanding Sound Mixing for a Miniseries or a Movie: Stanomir Dragos, Christian Cooke, Brad Zoern for Hatfields & McCoys — Part 1
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation: Stephen A. Tibbo, Dean Okrand, Brian R. Harman for Modern Family ("Dude Ranch")
Outstanding Sound Mixing for a Variety Series or Special: Paul Sandweiss, Tommy Vicari, Pablo Munguia, Kristian Pedregon for 84th Annual Academy Awards
Outstanding Sound Editing for a Miniseries, Movie, or a Special: Douglas Murray, Peter Horner, Kim Foscato, Steve Boeddeker, Casey Langfelder, Andrea Gard, Pat Jackson, Daniel Laurie, Goro Koyama, Andy Malcolm, Joanie Diener for Hemingway & Gellhorn
Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera): Kate Hopkins, Tim Owens, Paul Fisher for Frozen Planet — Ends of the Earth
Outstanding Sound Editing For a Series: Peter Brown, Kira Roessler, Tim Hands, Paul Aulicino, Stephen P. Robinson, Vanessa Lapato, Brett Voss, James Moriana, Jeffrey Wilhoit, David Klotz for Game of Thrones ("Blackwater")
Outstanding Cinematography for a Multi-Camera Series: Steven V. Silver for Two and a Half Men ("Sips, Sonnets, and Sodomy")
Outstanding Cinematography for a Single-Camera Series: Jonathan Freeman for Boardwalk Empire ("21")
Outstanding Cinematography for a Miniseries or Movie: Florian Hoffmeister for Great Expectations
Outstanding Cinematography for Reality Programming: The Deadliest Catch team ("I Don't Want To Die")
Outstanding Cinematography for Nonfiction Programming: The Frozen Planet team ("Ends of the Earth")
Outstanding Technical Direction, Camerawork, Video Control for a Series: Steven Cimino, John Pinto, Paul J. Cangialosi, Len Weschler, Barry Frischer, Eric A. Einstein, Susan Noll, Frank Grisanti for Saturday Night Live (Host Mick Jagger)
Outstanding Technical Direction, Camerawork, Video Control for a Miniseries, Movie or Special: Steven Cimino, Paul J. Cangialosi, John Pinto, Chuck Goslin, Barry Frischer, Jeff Latonero, Len Weschler, Susan Noll, J.M. Hurley for Memphis (Great Performances)
Outstanding Lighting Design/Lighting Direction for a Variety Series: Robert Barnhart, Matt Firestone, Pete Radice, Patrick Boozer for So You Think You Can Dance (Season Eight Finale)
Outstanding Lighting Design/Lighting Direction for a Variety Special: Robert A. Dickinson, Jon Kusner, Travis Hagenbuch, Andy O'Reilly for The 54th Annual Grammy Awards
Outstanding Guest Actor in a Comedy Series: Jimmy Fallon for Saturday Night Live
Outstanding Directing for Nonfiction Programming: Martin Scorsese for George Harrison: Living in the Material World
Outstanding Writing for Nonfiction Programming: Geoffrey C. Ward for Prohibition — A Nation of Hypocrites
Exceptional Merit in Documentary Filmmaking: Connie Field, Lois Vossen, Sally Jo Fifer for Have You Heard From Johannesburg (Independent Lens)
Outstanding Nonfiction Special: Margaret Bodde, Emma Tillinger Koskoff, Blair Foster, Olivia Harrison, Nigel Sinclair, Martin Scorsese for George Harrison: Living in the Material World
Outstanding Nonfiction Series: Alastair Fothergill, Susan Winslow, Vanessa Berlowitz for Frozen Planet
Outstanding Directing for a Variety Series: Don Roy King for Saturday Night Live (Host Mick Jagger)
Outstanding Writing for a Variety Series: Tim Carvell, Rory Albanese, Kevin Bleyer, Rich Blomquist, Steve Bodow, Wyatt Cenac, Hallie Haglund, JR Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart for The Daily Show With Jon Stewart
Outstanding Variety Special: George Stevens, Jr., Michael M. Stevens for The Kennedy Center Honors
Outstanding Special Class Programs: Ricky Kirshner, Glenn Weiss, Neil Patrick Harris for 65th Annual Tony Awards
Outstanding Special Class: Short-Format Live-Action Entertainment Programs: Rob Corddry, Jonathan Stern, David Wain, Keith Crofford, Nick Weidenfeld, Rich Rosenthal for Children's Hospital
Outstanding Special-Class: Short-Format Nonfiction Programs: Michael M. Stevens for DGA Moments In Time
Outstanding Creative Achievement in Interactive Media — Enhancement to a Television Program or Series: John Wooden, Aaron Bleyaert, Conan O'Brien, Timothy Campbell for The Team Coco Sync App
Outstanding Creative Achievement in Interactive Media — Original Interactive Television Programming: Fourth Wall Studios for Dirty Work
Outstanding Children's Program: Ben Montanio, Vince Cheung, Todd J. Greenwald, Gigi McCreery, Perry Rein, Richard Goodman, Greg A. Hampson for Wizards of Waverly Place
Outstanding Children's Nonfiction, Reality or Reality-Competition Program: Carol-lynn Parente, Melissa Dino, Mason Rather, Kevin Clash for Sesame Street: Growing Hope Against Hunger
Outstanding Reality Program: Eli Holzman, Stephen Lambert, Chris Carlson, Scott Cooper, Sandi Johnson, Rachelle Mendez, Lety Quintanar, Rebekah Fry for Undercover Boss
Outstanding Guest Actress in a Drama Series: Martha Plimpton for The Good Wife
Emmys Idle Threats: Give Bill Hader an Emmy or I'll Sic DJ Baby Bok Choy On You
The First-Ever (Fake) Annual Reality TV Emmy Awards
What Jimmy Kimmel Can Learn From Past Emmy Hosts
January 27, 2011 12:16pm EST
With no new releases from Lars Von Trier, Werner Herzog, David Lynch, David Cronenberg or Richard Kelly, 2010 projected to be a down, if not disastrous year for the WTF Awards – our annual celebration of the most bizarre, baffling, head-scratching and cringe-worthy moments in cinema. Thankfully, the filmmaking community, as it has always done in times of crisis, rallied to fill the void left by the absence of these WTF titans, providing us with an abundance of examples worthy of honor with the Frank Trophy. The Frankie (so named for the beloved character from Donnie Darko) may not be the most prestigious award in Hollywood, but it is undoubtedly the tallest.
This year's winners:
Most Surprising Hit: Alice in Wonderland
That Tim Burton’s CGI confection was a hit is not a surprise; that it grossed over a billion dollars worldwide – enough to rank sixth all-time -- is. Goth and emo kids, it seems, have access to significantly more disposable income than anyone previously thought. And they appear to be multiplying. Time to start building that shelter – and buying Hot Topic stock.
Most Inexplicable Flop: The Tourist
Plenty of films disappointed at the box office last year – 2010’s total tally was the lowest in 12 years – but none boasted the star power (Angelina Jolie and Johnny Depp!) and sexy, exotic locales (Paris! Venice!) of The Tourist. Then again, the same combination also failed Eat Pray Love. Perhaps directing and screenwriting still matter after all.
Best Inadvertent Horror Flick: Tie –
The Nutcracker 3D – A children’s movie that triggers instantaneous terror among most children who see it? Sounds pretty darn hilarious to me. Which is why I don’t have kids.
Sex and the City 2 – Four solipsistic ghouls marauding across the Middle East, leaving dignity, good taste and America’s reputation throughout the Islamic world in their gruesome menopausal wake. Eli Roth can only dream of this kind of revulsion.
Movie Whose Mere Existence May Prompt You to Consider Ending Yours: The Bounty Hunter
On the plus side, whenever someone at a party questions the difficulty of a job that entails watching movies for a living, I can now effectively silence them with just three words.
Most Superbly Crafted Film I Never Want to See Again: Black Swan
So prodigious are director-sadist Darren Aronofsky’s abilities to unnerve that even the presence of a Natalie Portman/Mila Kunis girl-on-girl sex scene fails to inspire repeat viewings of his critically-acclaimed camp freakout. Aronofsky achieved the same feat with his nails-on-blackboard brilliant Requiem for a Dream, in which even a fully nude Jennifer Connelly couldn’t ease the existential dread.
Movie That Could Only Have Come Out of Scandinavia: Rare Exports: A Christmas Tale
Leave it to those freaky Fins to re-imagine Santa Claus as a child-abducting, reindeer-slaughtering monster served by a corps of naked, shriveled elves. Jalmari Helander’s coffee-black comedy is perfect entertainment for tots not sufficiently traumatized by The Nutcracker 3D.
Most Egregious Bait-and-Switch: The American
As much as I enjoyed Anton Corbijn’s avowedly minimalist take on the quintessential “one last job” tale, I couldn’t help but feel for moviegoers who, lured by the film’s somewhat misleading marketing, went to see it expecting a polished popcorn thriller more worthy of an A-lister like George Clooney. Instead they got a spare, melancholy art flick, albeit one with a surfeit of nudity.
Most Disturbing “Love” Scene: Splice
Adrian Brody’s mad genetic scientist enjoys a drunken dalliance with Dren, the androgynous (and uncomfortably hot) offspring of his unholy experiments, in a scene glazed with just enough sensuality by director Vincenzo Natali to make our discomfort visceral. That the creature’s jambalaya genome includes bits of his own DNA as well as that of several other animals, qualifying the act as both incest and bestiality, is the icing on the cringe-cake.
Most Dubious Marketing Tagline: “From the Mind of M. Night Shyamalan” – Devil
Best WTF Cameo: Ed Corbin (The Bear Man), True Grit
In one of the film’s most memorable scenes, Mattie Ross and Rooster Cogburn enjoy an awkward exchange with a hulking figure, clad in a bear suit and towing a corpse, who inquires in a creepy drawl as to whether either of them require medical attention. The scene wasn’t in Charles Portis’ source novel; it’s purely a creation of the Coen Brothers, whose yen for quirky peripheral characters is unmatched.
The George Lucas Award for Achievement in Legacy Dismantling: Kevin Smith
At first heralded as the voice of a generation and an inspiration to aspiring indie auteurs, the Clerks director has since degenerated into a just another Hollywood hack, reaching his creative nadir in 2010 with his buddy-cop flop, Cop Out. As a fan of his early work, I’m sad to see that he’s essentially become the Insane Clown Posse of filmmakers: amateurish, puerile, gimmicky, and a joke to everyone outside his army of inexplicably devoted followers.
Most Disconcerting Movie Trend: The Live-Action Comedy Famine
While animated comedies continued their profitable reign in 2010, their live-action counterparts were rejected en mass by moviegoers. Part of this can be explained by the dearth of quality titles; the rundown of rom-coms in particular -- Leap Year, The Bounty Hunter, Killers, When in Rome, The Switch, How Do You Know, et al -- reads like a to-do list at Guantanamo, and Little Fockers is now routinely invoked in pagan rituals to summon the fertility demon Naberus. But what’s more distressing is that the better comedies, like Easy A, Get Him to the Greek, MacGruber, and Hot Tub Time Machine, struggled to find audiences as well.
WTF Performer of the Year: James Franco
Let’s be honest: Any year in which Nicolas Cage makes a film is a year in which he wins this award. The man owns this category like Wilt Chamberlain owned the paint. As such, like Chamberlain, his dominance has inspired a rule change: In the interest of variety, the award will henceforth be known as the “Nicolas Cage Award for Achievement in WTF Performance.”
In 2010, no other actor dazzled, confused and, indeed, nauseated us as much as James Franco. His artistic output – from creative writing to cross-dressing photo shoots to Funny or Die shorts to big-budget cameos to his continued run on General Hospital -- was nothing short of baffling. And the strangest thing is, it all paid off. Among other accolades, he’s received his first Oscar nomination for his performance as arm-severing bicyclist Aron Ralston in Danny Boyle’s 127 Hours.
Whichever agents negotiated Franco’s pact with Satan have earned their 5%.
WTF Movie of the Year: Splice
Human Centipede’s grotesqueries, while numerous and undoubtedly WTF-worthy, were of a strictly intestinal variety. Splice’s approach was much more holistic: It not only churned your stomach; it skull-f*cked your id. This is the kind of boldly batsh*t filmmaking for which the WTF Awards were invented. Congratulations to director Vincenzo Natali; we hope this helps ease the disappointment of losing out at the Teen Choice Awards.