Jason Frank
|
BirthDate BirthPlace |
N/A
|
-
The Kite Runner Review
December 14, 2007 4:11am ESTFaithful to the bestselling novel on which it's based, The Kite Runner is a thoughtful, often heart-wrenching, story about betrayal and redemption.
-
Atonement Review
December 07, 2007 12:17pm ESTAtonement follows the grand tradition of sweeping romantic period films, alternating between lush beauty and stark realism; it grabs your heart and doesn’t let go.
-
The Savages Review
December 01, 2007 9:56am ESTMuch like the title family it depicts so well, The Savages is constantly at odds with itself--hilarious yet heartbreaking, warm yet frigid. The result is one final contradiction: a movie that is tough to swallow, yet one of the year’s best.
-
Stephen King's The Mist Review
November 24, 2007 4:15am ESTWith his chilling, ultimately bleak adaptation of The Mist, writer/director Frank Darabont once again successfully channels Stephen King’s twisted psyche on the big screen.
-
August Rush Review
November 21, 2007 7:49am ESTAugust Rush comes dangerously close to being too feel-good for its own good, but the dynamic trio of strong performances, magical imagery and nonstop music prevails.
-
Unearthed Review
November 21, 2007 4:09am ESTA really monstrous creature dominates the otherwise mediocre Unearthed--a film about an archaeologist who has gotten a bit too involved in Native American tribal lore.
-
Mulberry Street Review
November 16, 2007 3:28am ESTIn a post-apocalyptic Manhattan, rat people terrorize six humans stuck in a tenement apartment. No, I’m not making this up.
-
Tooth & Nail Review
November 16, 2007 3:28am ESTAnother clever look at the end of the world, in which people turn into cannibals shortly after everyone runs out of gas.
-
Fred Claus Review
November 12, 2007 10:44am ESTFred Claus is pure Vince Vaughn hijinks—but the PG, family-friendly mode may not be his most advantageous venue.
-
Lions for Lambs Review
November 12, 2007 10:44am ESTGiven that he’s one of Hollywood’s most famous old-school liberals, Robert Redford’s loquacious and theatrical-style Lions for Lambs inevitably but forcefully concludes that the preoccupation with Iraq has brought the war on terror to a standstill.
