We loved the zombie rom-com — but we want to know more!

The best, the worst, and the rest.

We meet the woman who made Frank the man he is today.

Plus, Jay Leno holds a jaguar. Yep. An effing jaguar.

<em>Diary of the Dead</em>&nbsp;is a midnight zombie flick shot through a&nbsp;<em>Cloverfield</em> and <em>Blair Witch Project</em> kaleidoscope, an ultimate&nbsp;indictment of modern, personality-driven media--and its meaninglessness dumped on consumers every single day.

Project Greenlight makes for great TV, but its winners can only gain exposure from the show, as the movies are truly doomed from the start--of the first episode. <em>Feast</em> is by far the best the series has churned out yet, but that’s not saying much.

While George A. Romero and zombie fans alike should get a kick out it, Land of the Dead is just a giant excuse to see the walking dead pigging out on human flesh--in all its blood-dripping, bone-crunching, brain-slurping fashion. Yuck.

Shaun of the Dead lumbers from parody to drama to B movie to comedy. The lack of stick-to-itiveness sucks the life right out of this zombie comedy.

The Lady and the Duke is a special treat for a period piece-the perfect combination of visual feast, well-portrayed characters and an engaging story.

Ouch! And we're not talking about cannibal bites. In fact, Trouble Every Day is a bite, er, bit of a twisted mess.