Albert Finney

Actor, Producer, Director
A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of ... Read more »
Born: 05/09/1936 in Lancashire, England, GB


Actor (54)

Skyfall 2012 (Movie)

Kincade (Actor)

The Bourne Legacy 2012 (Movie)

Dr. Albert Hirsch (Actor)

Amazing Grace 2007 (Movie)

John Newton (Actor)

Before the Devil Knows You're Dead 2007 (Movie)

Charles (Actor)

The Bourne Ultimatum 2007 (Movie)

Dr. Albert Hirsch (Actor)

A Good Year 2006 (Movie)

Uncle Henry (Actor)

Corpse Bride 2005 (Movie)

Voice of Finis Everglot (Actor)

Big Fish 2003 (Movie)

Edward Bloom (senior) (Actor)

The Lonely War 2001 - 2002 (TV Show)


Delivering Milo 2000 (Movie)

Elmore Dahl (Actor)

Erin Brockovich 2000 (Movie)

Ed Masry (Actor)

Traffic 2000 (Movie)

Chief of Staff (Actor)

Breakfast of Champions 1999 (Movie)

Kilgore Trout (Actor)

Simpatico 1999 (Movie)

Darryl P Simms (Actor)

Cold Lazarus 1996 - 1997 (TV Show)


Joseph Conrad's "Nostromo" 1996 - 1997 (TV Show)


Washington Square 1997 (Movie)

Dr Austin Sloper (Actor)

The Run of the Country 1995 (Movie)

Father (Actor)

A Man of No Importance 1994 (Movie)

Alfie Byrne (Actor)

The Browning Version 1994 (Movie)

Andrew Crocker-Harris (Actor)

Rich in Love 1993 (Movie)

Warren Odom (Actor)

The Playboys 1992 (Movie)

Constable Hegarty (Actor)

The Green Man 1990 - 1991 (TV Show)


Miller's Crossing 1990 (Movie)

Leo (Actor)

The Endless Game 1989 - 1990 (TV Show)


The Image 1989 - 1990 (TV Show)


The Entertainer 1989 (Movie)

Mick Rice (Actor)

Orphans 1987 (Movie)

Harold (Actor)

Loophole 1986 (Movie)

Mike Daniels (Actor)

Pope John Paul II 1983 - 1984 (TV Show)


Under the Volcano 1984 (Movie)

Geoffrey Firmin--The Consul (Actor)

Notes From Under the Volcano 1983 (Movie)

Himself (Actor)

Observations Under the Volcano 1983 (Movie)

Himself (Actor)

Annie 1982 (Movie)

Daddy Warbucks (Actor)

Shoot the Moon 1982 (Movie)

George Dunlap (Actor)

The Dresser 1982 (Movie)

Sir (Actor)

Looker 1981 (Movie)

Dr Larry Roberts (Actor)

Wolfen 1981 (Movie)

Dewey Wilson (Actor)

The Duellists 1978 (Movie)

Fouche (Actor)

Alpha Beta 1976 (Movie)

Man (Actor)

Murder on the Orient Express 1974 (Movie)

Hercule Poiret (Actor)

Gumshoe 1972 (Movie)

Eddie (Actor)

Scrooge 1970 (Movie)

Ebenezer Scrooge (Actor)

The Picasso Summer 1969 (Movie)


Charlie Bubbles 1967 (Movie)

Charlie Bubbles (Actor)

Two For the Road 1967 (Movie)

Mark Wallace (Actor)

Night Must Fall 1964 (Movie)

Danny (Actor)

Tom Jones 1963 (Movie)

Tom Jones (Actor)

The Victors 1962 (Movie)

Russian Soldier (Actor)

Saturday Night and Sunday Morning 1961 (Movie)

Arthur Seaton (Actor)

A Rather English Marriage (TV Show)


Karaoke (TV Show)


My Uncle Silas (TV Show)


The Gathering Storm (TV Show)

Director (1)

Charlie Bubbles 1967 (Movie)

Producer (1)

Night Must Fall 1964 (Movie)

Music (1)

Annie 1982 (Movie)

("Let's Go to the Movies" "Sign" "Tomorrow (White House Version)" "Maybe (Reprise)" "Finale: I Don't Need Anything But You/We Got Annie/Tomorrow") (Song Performer)


A dynamic, often explosive stage and screen star, Albert Finney emerged from the same class at the Royal Academy of Dramatic Art as Peter O'Toole and Alan Bates to become one of the most respected British performers of his generation. After earning his stripes in productions of such classics as "Julius Caesar" (1956) and "Othello" (1959), Finney had his breakthrough performance on the big screen as the rakish "Tom Jones" (1963), a role that earned him his first Academy Award nomination. Though initially hamstrung by a public image as a sex symbol, he undercut such perceptions by making himself practically unrecognizable as the titular "Scrooge" (1970) and as famed sleuth Hercule Poirot in "Murder on the Orient Express" (1974). Following a lengthy absence from features to concentrate on the stage, Finney returned to the big screen the following decade for Oscar-nominated turns in "The Dresser" (1983) and "Under the Volcano" (1984). Finney was memorable as a Thompson-wielding Irish mob boss in the Coen Brothers' "Miller's Crossing" (1990), though by this time his public stature seemed to have waned. But he emerged triumphant again with his Academy Award-nominated performance in "Erin Brockovich" (2000), which opened the doors for supporting parts in big studio films like "The Bourne Ultimatum" (2007) and smaller independents like "Before the Devil Knows You're Dead" (2007), giving the esteemed Finney a new lease on an already distinguished career.


Anouk Aimée Actor

Married Aug. 7, 1970 Divorced 1978

Zoe Caldwell Actor

Began relationship in 1959 while Finney was still married to Jane Wenham; Wenham cited her as a correspondent in divorce proceedings Split 1960

Pene Delmage

Together since c. 1990 Married 2006

Simon Finney Camera Operator

Born Sept. 16, 1958; mother, Jane Wenham

Albert Finney


Alice Finney


Declan Finney

Born in 1990; mother, Katherine Attson; studied at Colchester Sixth Form College; starred in several small movie productions

Audrey Hepburn Actor

Became romantically involved during the filming of "Two for the Road" (1967)

Jane Wenham Actor

Member of Birmingham Rep Married 1957 Divorced 1961


Royal Academy of Dramatic Art

London , England
Won the Gertrude Lawrence Scholarship for his second and third terms; left in 1955 with the Emile Little Award as the student having the most outstanding character and aptitude for the theater; attended with Peter O'Toole, Alan Bates and Brian Bedford

Salford Grammar School

Failed final GCE exams in five subjects



Reprised Dr. Hirsch in "The Bourne Legacy"


Cast opposite Daniel Craig in 007 feature "Skyfall," directed by Sam Mendes


Co-starred in Sidney Lumet's "Before the Devil Knows You're Dead"


Cast as Dr. Albert Hirsch in "The Bourne Ultimatum"


Cast in "Amazing Grace," as John Newton the author of the hymn Amazing Grace


Co-starred with Russell Crowe in director Ridley Scott's "A Good Year"


Voiced Finnis Everglot in Tim Burton's animated feature "Corpse Bride"


Portrayed an Older Edward Bloom in "Big Fish," directed by Tim Burton; received a Golden Globe nomination for Best Actor in a Supporting Role


Portrayed Winston Churchill in "The Gathering Storm"; received a SAG nomination for Best Actor in a Television Movie


Cast as Ernest Hemingway in "Hemingway, The Hunter Of Death"


Portrayed the title character's lawyer boss Ed Masry in "Erin Brockovich" directed by Steven Soderbergh; received a Best Supporting Actor Academy Award nomination


Made cameo appearance in the Soderbergh directed "Traffic"


Starred opposite Bridget Fonda in "Delivering Milo"; screened at Cannes


Played featured role of a former racing commissioner in "Simpatico"


Co-starred with Bruce Willis and Nick Nolte in a film adaptation of Kurt Vonnnegut's "Breakfast of Champions"


Reunited with Courtenay for the "Masterpiece Theatre" drama "A Rather English Marriage" (PBS)


Portrayed the domineering doctor father of Jennifer Jason Leigh in Agnieska Holland's film version of Henry James' "Washington Square"


Played the drunken Dr. Monygham in the lavish six-hour "Masterpiece Theatre" miniseries presentation of "Joseph Conrad's 'Nostromo'" (PBS)


Co-starred with Courtenay in the London stage production of "Art"


Essayed permanently soused TV writer Daniel Feeld in two Dennis Potter-scripted BBC specials "Karaoke" and "Cold Lazarus" (aired in U.S. on Bravo)


Reteamed with Yates for "The Run of the Country" once again playing an Irish cop


Offered a masterful performance as the public school teacher-scholar at the center of Mike Figgis' remake of "The Browning Version"


Delivered a fine performance as an eccentric Southern father in Bruce Beresford's "Rich in Love"


Showed off an Irish brogue as the local police sergeant of a small Irish village in 1957 for "The Playboys"


Gave rich, rewarding performance as a bedeviled innkeeper in the otherworldly thriller "The Green Man" (A&E)


Appeared as Leo, the big city Irish crime lord of the Coen brothers' "Miller's Crossing"


Reprised stage role as a Chicago gangster with an authentic South Side accent in Alan J. Pakula's film adaptation of "Orphans"


Formed theater company with actors Richard Johnson and Diana Rigg


Made U.S. TV acting debut in the title role of the CBS TV-movie "Pope John Paul II"


Nominated a fourth time for a Best Actor Academy Award for Huston's "Under the Volcano"


Co-starred with fellow RADA alum Tom Courtenay in a film version of "The Dresser" directed by Peter Yates; both earned Oscar nominations for Best Actor


Pocketed a reported $1 million to play Daddy Warbucks in John Huston's film version of "Annie"


Returned to films in Alan Parker's look at a disintegrating marriage, "Shoot the Moon"; also co-starred Diane Keaton


Recorded Albert Finney's Album (Motown Records)


Joined National Theatre in London to concentrated on stage work


Garnered a second Best Actor Oscar nod as Hercule Poirot in Sidney Lumet's "Murder on the Orient Express"


Served as an associate artistic director for the Royal Court Theatre in London; directed several plays


Played the title role in Ronald Neame's musical film "Scrooge"


Won a second Tony nomination for "A Day in the Life of Joe Egg"


Co-starred with Audrey Hepburn as a bickering couple in Stanley Donen's "Two for the Road"


Film directing debut (also actor), "Charlie Bubbles"


Formed production company, Memorial Enterprises Ltd. (with actor Michael Medwin)


First film as producer (also actor), Reisz's remake of "Night Must Fall"


Broadway debut, reprising the title role in "Luther" directed by Richardson; earned a Tony nomination


Received first Best Actor Oscar nomination, playing the title role in Richardson's "Tom Jones"


Made stage directing debut with Harold Pinter's "The Birthday Party" at the Citizens Theater in Glasgow, Scotland


Played John Osborne's "Luther" in Paris, the Netherlands and London; directed by Richardson


London stage breakthrough, playing the title character in "Billy Liar"; replaced in role by Tom Courtenay who would star in John Schlesinger's 1963 film version


Made film acting debut as Olivier's son in "The Entertainer" helmed by Richardson


First collaboration with Lindsay Anderson, starring in Anderson's stage production of "The Lily-White Boys"


First leading film role in Karel Reisz's "Saturday Night and Sunday Morning" produced by Richardson


Performed at the famed Shakespeare Memorial Theatre as Edgar in "King Lear" and Cassio in "Othello" (directed by Tony Richardson)


Had one scene opposite Charles Laughton in the West End production of "The Party"


Stage acting debut with Birmingham Repertory Theatre in "Julius Caesar" playing as Brutus


London stage debut with the Birmingham Rep at the Old Vic in George Bernard Shaw's "Caesar and Cleopatra"

Left David Lean's production of "Lawrence of Arabia" (1962) after four days, because it would have entailed signing a seven-year contract with the studio; recommended RADA classmate Peter O'Toole for the role

Played the lead in fifteen school plays between the ages of 12 and 17

Joined the stock company of the Birmingham Repertory Company

Bonus Trivia


About his rapport with fellow RADA alum Tom Courtenay: "When we were doing the filming of 'The Dresser,' we just sort of had an ease together when we were working. It was great. Very soon it was clear there was a tremendous sort of trust between us. It's a very comfortable relationship, and we can discuss things quite frankly with each other." – Finney to The Los Angeles Times, Oct. 2, 1999


When asked to name his best film: "I must say 'Two For the Road' (1967) because it holds up so well. Working with dear Audrey Hepburn is a memory I will never forget. If I close my eyes, I can still see both of us spending a summer filming in the south of France. I see Audrey in the makeup trailer because it was hot and she had to change her hair, makeup and costumes three times a day."She was remarkable. She worked from five in the morning to late at night. I've been very lucky to work with pros. And sometimes when I think back, I actually cry about it. These are people who have been capable of going out on a limb in some way. And courage always impresses me." – Finney in Chicago Sun-Times, March 13, 2000


About why he took a year off after "Tom Jones" (1963): "My agent said, 'In a year thay won't know who you are.' I said, 'They didn't know who I was four months ago. What's the difference?' That year taught me a lot – that I love to travel and that it was very important to get away from [acting]. It's not like a proper job, where you start with good, honest work, so by the age of 40 you become a branch manager but by 65 you're out. In our game, you don't have to retire. With a bit of luck, I can be boring people to death for the next 20 years or so." – Finney quoted in Premiere, April 2000


On working with Julia Roberts in "Erin Brockovich" (2000): "As far as her public is concerned, she could only do romantic comedy if she wished. But for this film I think she went out on a limb. It is over two hours long, and she's on screen for most of that time. She didn't have a day off any day that I worked. But she never came on set in any other state than being ready to work. She was always up. I was proud of her as a fellow professional. That's how a trooper should be. Working with her was enjoyable, because it was volatile and unpredictable." – Finney, quoted in The London Times, April 6, 2000