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The Best and Worst Movie Spin-Offs

This week’s Puss in Boots – spun off from 2004’s Shrek 2 and ultimately based on the 17th century fairy tale of the same name – arrives in theaters with tough odds.

Spin-off movies, even more so than spin-off TV shows, have historically not fared well, to say the least. Here are the worst of the worst, followed by the very few that have worked … somewhat.

Evan Almighty

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Spun off from: Bruce Almighty

The most expensive comedy ever made is also one of the cheapest, thanks to the broad gags – the relatively few times gags were even attempted – and the overall made-for-TV feel. And the slightly religious subplot and undertones? Just plain weird.

Elektra

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Spun off from: Daredevil

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Jennifer Garner was the high point of this superheroine dud, but that’s not saying much. We usually expect such fare to be mindless, not brainless like Elektra (and almost earnings-less: $24 million at the box office), so it makes sense that the “franchise” ended there – and that director Rob Bowman hasn’t done too much in the world of movies since.

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The Scorpion King

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Spun off from: The Mummy series

How do you take a really long-haired Dwayne ‘The Rock’ Johnson – at the time making just his second appearance on the big screen – seriously as a “Warrior. Legend. King.”? You simply do not. Cannot. And that’s before even seeing the terrible movie that was The Scorpion King.

U.S. Marshals

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Spun off from: The Fugitive

This half spinoff/half sequel to the megahit that was 1993’s The Fugitive show’s Hollywood greed at its worst: assuming audiences will pay to see a much, much worse version of what they’ve already seen. Or: assuming audiences are dumb. Predictably, the substitutions – Wesley Snipes for Harrison Ford; director Stuart Baird for Andrew Davis; suspenseless-ness for suspense – didn’t go over too well.

Catwoman

ALTSpun off from: Batman series

Halle Berry, then hot off her first Oscar and granted a veritable pick of the litter (pun intended), can’t be blamed for choosing a splashy, high-profile role that would seemingly launch the rare, necessary female-driven franchise. But, uh, maybe she should have read the script? More than once? Could’ve saved her the embarrassment of being the face of hands-down the worst spinoff ever made – and possibly one of the worst non-spinoffs ever made.

…and a few that have worked

Get Him to the Greek

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Spun off from: Forgetting Sarah Marshall

It’s far from perfect (see: the overlong, underfunny ending), but graded on the spinoff scale, Get Him to the Greek is pretty darn good – the “Jeffrey”-freakout scene is actually kinda memorable – and perhaps reason enough for Hollywood to continue attempting such films. 

Saturday Night Live

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The vast majority (i.e., It’s Pat, A Night at the Roxbury, Stuart Saves His Family, Superstar), but it’s safe to say that we all only remember the two great ones: Blues Brothers and Wayne’s World.

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