Much like his body of work, David Lynch often defied tidy description. As a filmmaker it was possibly more instructive to refer to him as a surrealist artist working in the medium of film, rather than a traditional movie director and writer. With his first self-produced film "Eraserhead" (1978), it was clear that Lynch held a deep fascination with the utterly grotesque residing just below the surface of the everyday. He would use that fascination to his advantage with his second film, the hugely successful "The Elephant Man" (1980), only to be dealt a bitter blow by the disastrous, costly experience of "Dune" (1984). However, with the quasi-autobiographical thriller "Blue Velvet" (1986), Lynch would establish a thematic aesthetic - dubbed "Lynchian" - that he would continue to evolve throughout his career. He also had tremendous, albeit brief, success in television with the series "Twin Peaks" (ABC, 1989-1991), a murder mystery that temporarily tapped into the American zeitgeist. In the wake of the series' end, there were missteps and disappointments for Lynch, such as the exceedingly violent "Wild at Heart" (1990) and the almost universally reviled "Twin Peaks: Fire Walk with Me" (1992). And yet, Lynch's resolve to make his films his way remained resolute. As did his ability to confound and surprise audiences, exemplified by films like the truly mind-bending "Lost Highway" (1997) and the heartfelt "The Straight Story" (1999). Moving into the 21st Century, Lynch continued to defy conventions - as well as traditional narrative structure - with films like "Mulholland Dr." (2001), even as he contributed voice work for a cartoon sitcom, delivered the daily Los Angeles weather report on his personal web site, and filmed an info-movie for Christian Dior - very Lynchian, indeed.