Tarsem Singh

Indian-born director Tarsem worked extensively in commercials and music videos before making his feature debut with the psycho-thriller "The Cell" (2000), a largely dreamlike film bringing life to the fantastical ... Read more »
Born: 05/25/1961 in Punjab, IN


Director (7)

Emerald City 2015 - 2016 (TV Show)


Self/Less 2015 (Movie)


Mirror Mirror 2012 (Movie)


Immortals 2011 (Movie)


The Fall 2008 (Movie)


The Cell 2000 (Movie)


The Unforgettable (Movie)

Music (2)

Mirror Mirror 2012 (Movie)

("I Believe In Love (Mirror Mirror Mix)") (Song)

The Fall 2008 (Movie)

("Mystical Directions To Odious") (Composer)
Producer (1)

The Fall 2008 (Movie)

Writer (1)

The Fall 2008 (Movie)

(adaptation) (Screenplay)


Indian-born director Tarsem worked extensively in commercials and music videos before making his feature debut with the psycho-thriller "The Cell" (2000), a largely dreamlike film bringing life to the fantastical subconscious thoughts of a serial killer. Educated at a boarding school nestled in the Himalayas, Tarsem moved to the United States to study business at Harvard. After deciding to pursue film studies instead, the would-be director enrolled at Pasadena's renowned Art Center College of Design where he developed his unique, visually dynamic style. Early work included a stint directing the 1990 Suzanne Vega video "Tired of Sleeping", but he would become best known for his handling of R.E.M.'s 1991 smash single "Losing My Religion". Drawing on rarely used references like Soviet filmmaker Andrei Tarkovsky and Baroque painter Caravaggio, Tarsem turned out a video that enchanted and confounded the audience, not unlike the effect the often misinterpreted song had. The video's muted golden color palette and strange sexual imagery separated "Losing My Religion" from countless other videos and was certainly instrumental in the band's big breakthrough. In addition to being nominated for a Grammy, the video was up for eight MTV Video Music Awards and walked away with six of them, including honors for Video of the Year, Breakthrough Video and an honor specifically for Tarsem, Best Direction in a Video. R.E.M.'s domination of the awards ceremony, and Tarsem's eye catching formal ensemble, complete with turban made the honors all the more memorable to the general public.


Annalisa Singh



attended a boarding school in the Himalayas

Harvard University

Cambridge , Massachusetts
left to pursue film studies

Art Center College of Design

Pasadena , California



Helmed the fantasy comedy "Mirror Mirror," starring Julia Roberts as the Evil Queen and Lily Collins as Snow White


Directed Henry Cavill, Mickey Rourke, and Freida Pinto in action adventure "Immortals"


Shot international scenes – as second unit director to David Fincher – in "The Curious Case of Benjamin Button"


Helmed second feature film, the fantasy drama "The Fall"; also wrote and produced


Directed acclaimed commercial for Philips featuring a couple employing their car and a big screen TV as a personal drive-in


Won the BAFTA-L.A. Award for excellence in commercial direction


Directed the Deep Forest video "Sweet Lullaby"


Made a splash as director of the widely acclaimed R.E.M. video "Losing My Religion"; video took six awards at the MTV Video Music Awards, including honors for Video of the Year, Breakthrough Video and Direction in a Video


Directed the Suzanne Vega video "Tired of Sleeping"

Raised in India and Iran

Worked extensively as a commercial director, helmed memorable and award-winning ad spots for companies including Levi's, Lexus, Miller Lite and Anne Klein

Bonus Trivia


Singh's Levi's "Swimmer" ad won the British Television Advertising Awards' commercial of the year and the Smirnoff "Message in a Bottle" took the Kraft Award and Kodak Award for Excellence.The Smirnoff spot also earned the director a Gold Lion and Grand Prix de la Press at Cannes [in 1993]. – from Variety, April 22, 1994


On his approach to commercials, Singh told Variety on April 22, 1994: "Everybody who I have worked with in America knows that I don't shoot storyboards. They should be shooting them with somebody else, or they'll be wasting their money. No, boarding and animatics are nothing to judge by. I just say, 'Give me the ideas, I'll make the boards.' So far, that's worked out quite well with agencies I've worked with in America."


"My approach is that someone could stop the film anywhere and say, 'That's a cool still.' I say, let's shoot a still and put movement in it. For commercials I just want to know the idea: 'A man swims from pool to pool. The more you wash [Levis jeans], the better they get.' That's the kind of gem or one-liner that I need. I'll provide everything else." – Singh on his directing methodology, quoted in Daily Variety, April 22, 1994


"I'd say my work, both thematically and visually, reflects the influence of several different directors. I love rubbish cinema, crap films, lovely films, interesting films. I also watch a lot of latenight TV, porno films and Andrei Tarkovsky. All of that is in my work. I never know where it's going to go." --quoted in Variety, as part of the "10 Directors to Watch Feature", January 19, 2000


"The great thing about Tarsem is that he knows exactly what he wants in every single frame. That's what you want from a director; knowing that they have a vision and they're going to help you get there whatever way they can. What was also interesting about the film is that we were granted so much artistic license. We could experiment with things so that visually and creatively there were no limits." – Jennifer Lopez on Singh, quoted in the production notes for "The Cell", 2000